餐具设计中隐喻方法的研究
摘要
现代餐具从某种意义上说已不再是附属于菜品的盛具,而逐渐成为人们展示不同审美情趣,表现不同生活态度的载体,其造型形态设计呈现着多样化的趋势。而隐喻作为一种修辞手法运用在当今的设计中,使得餐具的设计有了更大的空间。它作为表达思想和情感的一种方式,将原本不同系统的事物,在设计过程中经过设计者的联想和想象活动,形象地联结在一起,使作品能传达给消费者更广泛、更深刻的喻义。本文的目的是试图在原有的隐喻研究基础上,以不同的视角对隐喻方法在餐具设计中的应用进行再研究,试图总结归纳出适用于餐具设计的隐喻方法,从而希望能给设计师起到更多的参考与指导的作用。
A sense of modern tableware is no longer attached to the dishes, tupperware, and will gradually become a showcase of different aesthetics and performance of different attitudes of the carrier, its shape shape design presents a variety of trends. The metaphor as a rhetorical device used in today's design, the design makes the cutlery had more space. Express thoughts and feelings as a way different to the original system of things, in the design process through the activities of the designer's association and imagination, the image linked together, so that works can convey to consumers a broader, more profound figurative meaning.The purpose of this paper is an attempt to study the original metaphor based on the metaphor of a different perspective on the design of methods in the application of cutlery again, attempting to sum up sum metaphor for tableware design method, which I hope to give designers play.
A sense of modern tableware is no longer attached to the dishes, tupperware, and will gradually become a showcase of different aesthetics and performance of different attitudes of the carrier, its shape shape design presents a variety of trends. The metaphor as a rhetorical device used in today's design, the design makes the cutlery had more space. Express thoughts and feelings as a way different to the original system of things, in the design process through the activities of the designer's association and imagination, the image linked together, so that works can convey to consumers a broader, more profound figurative meaning.The purpose of this paper is an attempt to study the original metaphor based on the metaphor of a different perspective on the design of methods in the application of cutlery again, attempting to sum up sum metaphor for tableware design method, which I hope to give designers play.
引文
1.《我们赖以生存的隐喻》Lakoff,G,&J,Mark周世箴译1995
2.《创造的世界—艺术心理学》Winner,E陶东风等译1997
3.《隐喻研究的新视角》彭增安山东文艺出版社2006.07
4.(美)诺曼《情感化设计》付秋芳,程进三译电子工业出版社2005.05
5.《设计调查》李乐山中国建筑工业出版社2007.06
6.(美)Solso,.R等《认知心理学》北京大学出版社2005.03
7.《设计艺术心理学》柳沙清华大学出版社2006.07
8.《设计心理学》诺曼(美)中信出版社2003.01
9.《认知语义学》束定芳上海外教2008.03
10.《意象造型设计》于帆陈嬿华中科技大学出版社2007.4
11.《产品语义及表达》曹建中2009.10
12.《设计认知-设计中的认知科学》陈超萃中国建筑工业出版社2008.09
13.《设计中的设计》原研哉山东人民出版社2006.11
14.《挑食的设计》林桂岚山东人民出版社2007.10
15.《语义的表达》陈浩中国建筑工业出版社,2005
16.《广义符号学及其在设计中的应用》,[德]马克思·本泽,中国社会科学出版社,1992
17《设计符号与产品语义》,胡飞、杨瑞,中国建筑工业出版社,2004
18.《世界现代设计史》,王受之,新世纪出版社,2002
2.《创造的世界—艺术心理学》Winner,E陶东风等译1997
3.《隐喻研究的新视角》彭增安山东文艺出版社2006.07
4.(美)诺曼《情感化设计》付秋芳,程进三译电子工业出版社2005.05
5.《设计调查》李乐山中国建筑工业出版社2007.06
6.(美)Solso,.R等《认知心理学》北京大学出版社2005.03
7.《设计艺术心理学》柳沙清华大学出版社2006.07
8.《设计心理学》诺曼(美)中信出版社2003.01
9.《认知语义学》束定芳上海外教2008.03
10.《意象造型设计》于帆陈嬿华中科技大学出版社2007.4
11.《产品语义及表达》曹建中2009.10
12.《设计认知-设计中的认知科学》陈超萃中国建筑工业出版社2008.09
13.《设计中的设计》原研哉山东人民出版社2006.11
14.《挑食的设计》林桂岚山东人民出版社2007.10
15.《语义的表达》陈浩中国建筑工业出版社,2005
16.《广义符号学及其在设计中的应用》,[德]马克思·本泽,中国社会科学出版社,1992
17《设计符号与产品语义》,胡飞、杨瑞,中国建筑工业出版社,2004
18.《世界现代设计史》,王受之,新世纪出版社,2002