拉赫玛尼诺夫《第二钢琴协奏曲》的演奏分析
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摘要
拉赫玛尼诺夫(Sergei Vassilievitch Rachmaninoff,1873-1943),俄国作曲家、钢琴家、指挥家。拉赫玛尼诺夫是晚期浪漫主义音乐的代表人物,他把浪漫主义风格与俄罗斯传统音乐结合起来,把独特的音乐感受和高超的演奏才能融为一体,揭示出了作曲家深沉的内心情感和深刻的人生哲理。拉赫玛尼诺夫笔下的音乐旋律悠长、气息宽广、对比强烈,略带着淡淡的悲剧性的色调,充满了强烈的艺术魅力。《第二钢琴协奏曲》是他最具代表性的一部,具有坚实完整的结构和巨大的艺术感染力,这部作品见证了拉赫玛尼诺夫从创作低谷到人生辉煌,确立了他作为作曲家的地位,是他的四部协奏曲中最优美动听、最受欢迎的一部,成为音乐会演奏最多的协奏曲之一,它因艺术构思完美、题材清新、音乐形象丰富、表现力不凡而成为一代名作,具有更进一步的研究价值。
本文试图从拉赫玛尼诺夫的生活经历和其作品的创作背景着手,对他创作的《第二钢琴协奏曲》进行分析与研究,并结合自己演奏此曲的学习经历,就作品的曲式结构、音乐处理、演奏技法等进行展开分析,进一步了解和把握拉赫玛尼诺夫钢琴作品的音乐风格和演奏特点,尤其可以给予广大学习者一定的借鉴与参考,从而充分体会作者深厚的民族感情和创作特点,更好地提高我们的钢琴演奏水平,促进钢琴音乐的发展。
论文包括三个部分:
第一部分:主要论述拉赫玛尼诺夫本人的创作经历及其创作特征。简要介绍作曲家生平和创作特征,以及对其钢琴作品作了一些简要的概括,目的是为了整体的把握拉赫玛尼诺夫作品的音乐风格。
第二部分:对作品从和声、调性、速度与力度、曲式结构、音乐表现以及演奏技法上做了详尽的分析与研究,并对作品的内容与演奏特点进行阐述。
第三部分:在拉赫玛尼诺夫《第二钢琴协奏曲》的学习过程中所引发的思考。对前两个阶段的研究中发现的作品中独特创作手法及其具有的音乐形象做一个概括性的总结。
Rachmaninoff (Sergei Vassilievitch Rachmaninoff, 1873-1943) is Russian composer, pianist and conductor. He is representative of late Romantic music. He combines romantic style with the Russian traditional music, integrates the unique music feeling and superb performance ability, and reveals the composer’s deep feelings and profound life philosophy. Music melody Rachmaninoff writes is long, having broad style, strong comparison, slightly tragedy, and full of strong artistic charm. "Second Piano Concerto" is his most representative one with solid and complete structure and great artistic appeal. This works witnesses Rachmaninoff from the bottom to the life brilliance, and establish his status as a composer. It is the most beautiful sounds and popular one of his four concertos, and becomes one of concertos playing most in the concert. It becomes famous works due perfect art ideas, new subject, rich music image and extraordinary expression with the value of further research. This paper attempts to proceed from Rachmaninoff's life experiences and background of its creative. Through performing and studying his "Second Piano Concerto," and analyzing the music structure, music dealing, and playing techniques, we can understand and hold music style and performance features of Rachmaninoff's piano works, in particular that we can give the majority of learners a reference in order to fully appreciate the deep national feeling and creative features of the composer, and better improve the playing standards of our piano, and promote the development of piano music.
Thesis consists of three parts:
Part I: To mainly focus on Rachmaninoff himself and his music. The paper gives a brief introduction on the composer’s life and creative features, as well as a number of necessary generalizations for his piano works. The purpose is to wholly grasp the music style of Rachmaninoff's works.
Part II: To do a detailed analysis and research from the music structure, harmony, tonality, speed and intensity, music performance and playing techniques, and elaborate music style and performance characteristics of the works.
Part III: To be triggered by thinking in the process of studying Rachmaninoff’s "Second Piano Concerto". We give a general summary for the unique creative approach and the music image found in the first two phases of the works.
本文试图从拉赫玛尼诺夫的生活经历和其作品的创作背景着手,对他创作的《第二钢琴协奏曲》进行分析与研究,并结合自己演奏此曲的学习经历,就作品的曲式结构、音乐处理、演奏技法等进行展开分析,进一步了解和把握拉赫玛尼诺夫钢琴作品的音乐风格和演奏特点,尤其可以给予广大学习者一定的借鉴与参考,从而充分体会作者深厚的民族感情和创作特点,更好地提高我们的钢琴演奏水平,促进钢琴音乐的发展。
论文包括三个部分:
第一部分:主要论述拉赫玛尼诺夫本人的创作经历及其创作特征。简要介绍作曲家生平和创作特征,以及对其钢琴作品作了一些简要的概括,目的是为了整体的把握拉赫玛尼诺夫作品的音乐风格。
第二部分:对作品从和声、调性、速度与力度、曲式结构、音乐表现以及演奏技法上做了详尽的分析与研究,并对作品的内容与演奏特点进行阐述。
第三部分:在拉赫玛尼诺夫《第二钢琴协奏曲》的学习过程中所引发的思考。对前两个阶段的研究中发现的作品中独特创作手法及其具有的音乐形象做一个概括性的总结。
Rachmaninoff (Sergei Vassilievitch Rachmaninoff, 1873-1943) is Russian composer, pianist and conductor. He is representative of late Romantic music. He combines romantic style with the Russian traditional music, integrates the unique music feeling and superb performance ability, and reveals the composer’s deep feelings and profound life philosophy. Music melody Rachmaninoff writes is long, having broad style, strong comparison, slightly tragedy, and full of strong artistic charm. "Second Piano Concerto" is his most representative one with solid and complete structure and great artistic appeal. This works witnesses Rachmaninoff from the bottom to the life brilliance, and establish his status as a composer. It is the most beautiful sounds and popular one of his four concertos, and becomes one of concertos playing most in the concert. It becomes famous works due perfect art ideas, new subject, rich music image and extraordinary expression with the value of further research. This paper attempts to proceed from Rachmaninoff's life experiences and background of its creative. Through performing and studying his "Second Piano Concerto," and analyzing the music structure, music dealing, and playing techniques, we can understand and hold music style and performance features of Rachmaninoff's piano works, in particular that we can give the majority of learners a reference in order to fully appreciate the deep national feeling and creative features of the composer, and better improve the playing standards of our piano, and promote the development of piano music.
Thesis consists of three parts:
Part I: To mainly focus on Rachmaninoff himself and his music. The paper gives a brief introduction on the composer’s life and creative features, as well as a number of necessary generalizations for his piano works. The purpose is to wholly grasp the music style of Rachmaninoff's works.
Part II: To do a detailed analysis and research from the music structure, harmony, tonality, speed and intensity, music performance and playing techniques, and elaborate music style and performance characteristics of the works.
Part III: To be triggered by thinking in the process of studying Rachmaninoff’s "Second Piano Concerto". We give a general summary for the unique creative approach and the music image found in the first two phases of the works.
引文
①引自:安德烈亚斯·魏玛(Andreas Wehrmeyer)[德].《拉赫玛尼诺夫》[M].人民音乐出版社,2007,2:48
①引自:许丽雯.你不可不知道的100首协奏曲及其故事[M].中国旅游出版社,2006.
①引自:夏淞洲.我爱上了我音乐中的忧伤一拉赫玛尼诺夫和他的音乐.陕西人民出版社,2001: 186
②引自:索菲亚·萨亭娜.拉赫玛尼诺夫.音乐研究,1993:208.
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[1]Teresa Magdanz《Classical Music -- Is Anyone Listening》Discourses in MusicVolume 3 Number 1.2001
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①引自:许丽雯.你不可不知道的100首协奏曲及其故事[M].中国旅游出版社,2006.
①引自:夏淞洲.我爱上了我音乐中的忧伤一拉赫玛尼诺夫和他的音乐.陕西人民出版社,2001: 186
②引自:索菲亚·萨亭娜.拉赫玛尼诺夫.音乐研究,1993:208.
[1]安德烈亚斯·魏玛.拉赫玛尼诺夫[M].人民音乐出版社,2007.
[2]维克多·贝尔加耶夫.谢尔盖·拉赫玛尼诺夫.他的创作和生活概况[M].莫斯科,1924:4
[3]姚亚平,刘小龙.论拉赫玛尼诺夫钢琴协奏曲[J],中央音乐学院学士论文选, 2005.
[4]夏淞洲.我爱上了我音乐中的忧伤一拉赫玛尼诺夫和他的音乐.陕西人民出版社,2001.
[5]樊慰慈.飞跃高加索的琴韵[M].人民音乐出版社,2005.
[6]于润洋.西方音乐通史[M].上海音乐出版社,2003.
[7]郑兴三.钢琴音乐文选[M].厦门大学出版社,1999.
[8]肖复兴.春天去看肖邦[M].学林出版社,2007.
[9]黄晓和.苏联音乐史(上、下卷) [M].海峡文艺出版社,1998.
[10]辛丰年.音乐门铃辛丰年乐话[M].湖南文艺出版社,2003.
[11]徐军.开拓演奏思维的新境界[J].《苑艺》音乐版,1996.
[12]赵晓生.钢琴演奏之道[M].世界图书出版公司,1999.
[13]根·莫·齐平[俄].音乐演奏艺术---理论与实践[M].人民音乐出版社,2005.
[14]露丝·史兰倩丝卡[美].指尖下的音乐[M].广西师范大学出版社,2006.
[15]涅高兹.论钢琴表演艺术[M].人民音乐出版社,2002.
[16]约·霍夫曼.论钢琴演奏[M].人民音乐出版社,2001.
[17]约瑟夫·迦特.钢琴演奏技巧[M].人民音乐出版社,2001.
[18]吉泽金.现代钢琴演奏技巧[M].上海音乐出版社,2004.
[19]瓦·吉泽金.论钢琴艺术[M].中央音乐学院:外国音乐参考资料,1978.
[20]约瑟夫·班诺维茨.钢琴踏板法指导[M].上海音乐出版社,1992.
[21]周广仁.钢琴演奏基础训练[M].高等教育出版社,1996:28.
[22]留汝桐.钢琴十步训练法[M].国际文化出版公司,2000:94.
[23]司徒壁春,陈朗秋.钢琴教学法[J].西南师范大学出版社,2004.
[24]肖复兴,音乐笔记[M].学林出版社,2000.
[25]肖复兴,音乐的隔膜[M].上海辞书出版社,2004.
[26]郑亚洪.音乐为什么[M].中国人民大学出版社,2005.61.
[27]王盛昌,李保彤.中外名曲赏析[M].山西教育出版社,2005:1-2
[28]约翰·列文.钢琴弹奏的基本法则[M].人民音乐出版社,1986.
[29]吴祖强.曲式与作品分析[M].人民音乐出版社,1962.
[30]杨儒怀.音乐分析论文集[M].中国文联出版社,2000.
[31]罗钟熔.现代音乐欣赏词典[M].高等教育出版社,1997.
[32]华萃康.拉赫玛尼诺夫的和声技法[M].上海音乐出版社,2002.
[33]李涛.浅谈如何学好和声学[M].成才之路,2007.
[34]桑桐.和声学教程[M].上海音乐出版社,2001.
[35]桑桐.和声的理论与应用[M].上海文艺出版社,1982.
[36]王化冰.拉赫玛尼诺夫与他的《c小调第二钢琴协奏曲》[J].山西大学学报,2001.
[37]许丽雯.你不可不知道的100首协奏曲及其故事[M].中国旅游出版社,2006.
[38]蒋博彦.拉赫玛尼诺夫的钢琴音乐文献[J].钢琴艺术,2004.
[39]朱雅芬.浪漫主义后期的俄罗斯作曲家(上、下)[J].钢琴艺术,2004.
[40]邓肯·法洛维尔,王崇刚.最后的拉赫玛尼诺夫[J].音乐爱好者,2000.
[41]华萃康.拉赫玛尼诺夫作品中的变音体系[J].南京艺术学院学报,1995.
[42]华萃康.拉赫玛尼诺夫作品中的近现代和声技法[J].南京艺术学院学报;1996. 2.
[43]赵馨.论拉赫玛尼诺夫音乐中的“死亡”主题[J]黄钟,1990.
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[1]Teresa Magdanz《Classical Music -- Is Anyone Listening》Discourses in MusicVolume 3 Number 1.2001
[2]Anonymous《Generative Processes in Music》Proust Education Journals pg.9 2001
[3]Teresa Magdanz《Classical Music -- Is Anyone Listening》Discourses in MusicVolume 3 Number 1.2001
[4]Chase Gilbert《Music》McGraw Hill BookCompany,1966
[5]Gann Kyle《Music in the Twentieth Century》Schirmer Books,1997