文化创意产业的原创力研究
|
摘要
创意是最近常被引用的名词,运用在市场上代表了新经济,在个人代表一种新的生活态度和工作型态,在国家则代表无限希望和竞争能量。
人类的文明和进步就在于面对问题解决问题的能力,它从生活出发,经年累月由无数人的智能自然凝结形成文化。近代,从大工业化、科技化到近十年的数字化,知识经济时代来临,都是因为人类不停的梦想,为谋求更好的生活,将头脑中的创意变为真实的结果。
在工业时代,创新是科学家和企业家的工作,但在知识社会,创新将成为国家实力和社会参与的普遍事业。
胡锦涛同志在十七大报告中强调,文化越来越成为民族凝聚力和创造力的重要源泉,越来越成为综合国力竞争的重要因素,必须提高国家文化软实力,使人民基本文化权益得到更好的保障。
文化创意产业在中国已经上升到了政策位置,其中核心关键就在于人,在于人的原创力。怎样酝酿创意的土壤?怎么将创意实现,甚至众志成城变成一种产业?如何在目前众多的商品市场中辨别出原创力的强弱?有哪些因素会影响原创力的发生?都是本论文意欲研究的方向。公共艺术是最为接近市场接近民众的一项文化活动,也是最基本培养人们原创力的基础工程,从台北奔牛节与上海现场张江两项活动当中可以了解艺术家的创作来源和面对市场化的思考与挣扎。
Creative is often to be mentioned. It reprents the new economics in the market, a new living style and working class for individual, and the unlimited hope and competitive power for Nation.
Man's capability to resolve the critical issues accumulate the wisdom and the ways leading to civilization and improvement. In the modern times, industrilization, technological construction and furthermore digitalization, the era of Knowledge-driven economy is coming caused by who making the dreams day by day to looking forwards to a better and better living. The creativity becomes reality.
In the 17th national Congress of China Communist Party, Mr. Hu said,"Culture has become a more and more important resource of national cohe-sion and creativity, and also be the very significant factor of a nation's power among the global competition. We must enhance the culture as part of the soft power of China in order to guarantee the people's basic cultural interests."
Creative industry has already been rising up to the policy lever in China. The core of it is man and his creativity and the originality. It is the most important how to raise the originality, how to arouse the originality and let the creativity melt into the product lines, turn out commodities. Among masses of creative industries and products, which one is the really original? And how many factors affect original and originality? They are all the points I'll research into.
Public art is the most close to the public, will be the groundwork to cultivate public's originality. Between Cowparade in Taipei and Public Art of Zhangjiang in Shanghai, the arts remind their thinking and the process of creative work while facing the audience.
人类的文明和进步就在于面对问题解决问题的能力,它从生活出发,经年累月由无数人的智能自然凝结形成文化。近代,从大工业化、科技化到近十年的数字化,知识经济时代来临,都是因为人类不停的梦想,为谋求更好的生活,将头脑中的创意变为真实的结果。
在工业时代,创新是科学家和企业家的工作,但在知识社会,创新将成为国家实力和社会参与的普遍事业。
胡锦涛同志在十七大报告中强调,文化越来越成为民族凝聚力和创造力的重要源泉,越来越成为综合国力竞争的重要因素,必须提高国家文化软实力,使人民基本文化权益得到更好的保障。
文化创意产业在中国已经上升到了政策位置,其中核心关键就在于人,在于人的原创力。怎样酝酿创意的土壤?怎么将创意实现,甚至众志成城变成一种产业?如何在目前众多的商品市场中辨别出原创力的强弱?有哪些因素会影响原创力的发生?都是本论文意欲研究的方向。公共艺术是最为接近市场接近民众的一项文化活动,也是最基本培养人们原创力的基础工程,从台北奔牛节与上海现场张江两项活动当中可以了解艺术家的创作来源和面对市场化的思考与挣扎。
Creative is often to be mentioned. It reprents the new economics in the market, a new living style and working class for individual, and the unlimited hope and competitive power for Nation.
Man's capability to resolve the critical issues accumulate the wisdom and the ways leading to civilization and improvement. In the modern times, industrilization, technological construction and furthermore digitalization, the era of Knowledge-driven economy is coming caused by who making the dreams day by day to looking forwards to a better and better living. The creativity becomes reality.
In the 17th national Congress of China Communist Party, Mr. Hu said,"Culture has become a more and more important resource of national cohe-sion and creativity, and also be the very significant factor of a nation's power among the global competition. We must enhance the culture as part of the soft power of China in order to guarantee the people's basic cultural interests."
Creative industry has already been rising up to the policy lever in China. The core of it is man and his creativity and the originality. It is the most important how to raise the originality, how to arouse the originality and let the creativity melt into the product lines, turn out commodities. Among masses of creative industries and products, which one is the really original? And how many factors affect original and originality? They are all the points I'll research into.
Public art is the most close to the public, will be the groundwork to cultivate public's originality. Between Cowparade in Taipei and Public Art of Zhangjiang in Shanghai, the arts remind their thinking and the process of creative work while facing the audience.
引文
1李俊明译.Chris Smith:Creative Britain [M].台北：五观艺术出版,2005
2邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003
3 Porter,Michael.The Competitive Advantage of Nations. Macmillan ,London,1990
4傅振煜译.Richard Florida:Cities and the Creative Class创意新贵Ⅱ[M].台北：宝鼎出版社,2006
5杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006
6赖声川.赖声川的创意学[M].台北：天下杂志,2006
7唐维敏等译.Michael Gurevitch, Tony Bennett:Culture, society and the Media [M].台北：远流出版公司,2003
8邹广文,徐庆文.全球化与中国文化产业发展[M].北京：中央编译出版社,2006
9张君玫译.John Storey:Cultural Consumption and Everyday Life[M].台北：巨流图书公司,2001
10张维伦等译.David Throsby:Economics and Culture[M].台北：典藏艺术家庭出版社,2005
11李璞良译.约翰霍金斯：the Creative Economy[M].台北：典藏艺术家庭出版社,2003
12仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合[M].台北：典藏艺术家庭出版社,2003
13张京成主编.中国创意产业发展报告(2006)[M].北京：中国经济出版社,2006
14叶辛,蒯大申主编.创意上海一上海文化发展蓝皮书(2006)[M].上海：社会科学文献出版社,2006
15李希光,周庆安.软力量与全球传播[M].北京：清华大学出版社,2005
16花建,巫志南等.文化产业竞争力[M].广州：广东人民出版社,2005
17 Florida,Richard & Irene Tinagli.Europe in the Creative Age. Carnegie Mellon Software Industry Center,Pitsburg,2004
is Kreidler,John. Creative Community Index (Sililcon Valley).the Cultural Policy & the Arts National Data Archive(CPANDA): http://www.cpanda.org/,2002-2005
19香港特别行政区政府民政事务局.创意指数研究.2005
20姜台林译.Stan Kaplan:TRIZ发明问题解决理论[M].台北：宇河文化出版社,2008
1 金元浦.当代文化创意产业的勃兴[A].中国文化创意产业网,2006
2 吴锡德译.Jean-Pierre Warnier:文化全球化[M].台北：麦田出版社,2003：34
3 刘维公.当代消费文化社会理论的分析架构[J].台北：东吴社会学,2001,11：113
4 陈坤宏.消费文化理论[M].台北：扬智文化,1995：60
5金元浦.大竞争时代的文化博弈[R].台湾师范大学：十城十美国际研讨会,2008
6花建等.文化产业竞争力[M].广州：广东人民出版社,2005：6
7花建等.文化产业竞争力[M].广州：广东人民出版社,2005：40
8中华人民共和国国家统计局：http://www. stats.gov.cn,2009年
9唐锦超.创造性破坏[M].台北：远流出版社,2003
10金元浦.创新,或者衰落—当代中国的创意里念、创意人才与创意困境[A].文化创意产业网：2007
11 邹广文,徐庆文.全球化与中国文化产业发展[M].北京：中央编译出版社,2006：20,31
12唐维敏等译.Michael Gurevitch and etc:Culture,Society and the Media [M].台北：远流出版社,1994：50
13邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：380
14邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：88
15国瑞协力会TPS研究会译.门田安弘：丰田的现场管理[M].台北：台湾中卫,2004
16大前研一.未来台湾创新的致胜关键[J].台北：天下杂志,2006,345年
17约翰霍金斯.创意经济是发展的杠杆[R].上海联合国全球创意产业研讨会,2005
18李俊明译.Chris Smith:Creative Britain[M].台北：五观艺术管理,2005
19 IIPA(International Intellectual Property Allience):http://www.iipa.com中华人民共和国国家知识产权局：http://www. sipo. gov. cn,2009
20 Americans for the Arts:http://www.artsusa.org,2009年
21 Education Commission of the States. Creative Industries 2005:The Congressional Report:http://www. ecs. org,2009
22 Culture Policies and Trends in Europe:http://www.culturalpolicies. nte, 2009
23刘现成.金大中引领韩流奇迹[N].台北：联合报,2009,8(24)
24台湾资策会：http://www.iii.org.tw,2009年
25文化创意产业发展计画.台湾文建会：http://www.cci.cca.gov.tw,2009
26刘黎儿.积极追求文化立国、艺术立国的日本[J].台湾文建会文创线上,2009,5(12)
27张京成主编.中国创意产业研究中心：中国创意产业发展报告2006[M].北京：中国经济出版社,2006：27
28陈建豪等.文创航向新蓝海-台湾第一份文创调查报告[J].台北：远见杂志,2009,8：158
29孙福良.论文访谈：上海市创意产业协会.2008
1花建等.文化产业竞争力[M].广州：广东人民出版社,2005：239
2 Grove,Andrew S.. Only the Paranoid Survive:How to Exploit the Crisis Points That Challenge Every Company[M].Time Warner Press,New York,1999
3金元浦.文化创意人力资本与创意阶层的崛起[A].文化发展论坛http:///www. ccmedu. com
4邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：103
5许焯权.诠释奥林匹克、创意产业与城市发展[R].北京奥组委,2006
6台北市文化局.风格城市：http://www. culture.gov.tw,2007
7邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：348
8邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：351
9 Bianchini,Franco & Michael Parkinson,eds.Cultural Policy and Urban Regereration:The West European Experience, Manchester. UP, Manchester,1993
10傅振煜译.Richard Florida:Cities and the Creative Class创意新贵Ⅱ[M].台北：宝鼎出版社,2006：188
11齐勇锋.论文访谈.2008
12何志平.香港作为大珠三角走向世界的跳板[R].亚洲文化合作论坛,2006年
13张晓明.论文访谈.2008
14 Toffler,Alvin:Revolutionary Wealth. How it will be created and How it will change our lives. Random House,New York,2006
15仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合[M].台北：典藏艺术家庭出版社,2003(8)
16花建等.文化产业竞争力[M].广州：广东人民出版社,2005(35)
17金元浦、章建刚.文化资源与文化竞争力[A].文化发展网：http://www. ccmedu. com,2005
is New York Times.1992 Discover Awards:Computer Software.1992, 9(11)
19金元浦、章建刚.面对文化贸易逆差中国该当如何[A].中国文化市场网：http://www. ccm. gov. cn,2005
20 DCMS(Department for Culture,media and support).Creative Britain: New Talents for a New Economy:http://www.culture.gov.uk/
21 IIPA(International Intellectual Property Allience): http://www.iipa.com
22花建.论文访谈.2008
23蒯大申.论文访谈.2008
24花建等.文化产业竞争力[M].广州：广东人民出版社,2005：25
25花建.论文访谈.2008
26花建、何增强主编.创意都市—上海创意产业的发展之路(M).上海：百家出版社,2007：30
27章建刚.文化资源与文化竞争力[A].文化发展论坛：http://www.ccmedu.com,2005
28胡项城.论文访谈.2009
29孙良.论文访谈.2009
30 Nye,Joseph S..Bound to Lead:The Changing Nature of American Power. Basic Books,New York,1990 —Soft Power. Foreign Policy,no.80,1990
31 Porter,Michael.National Innovative Capacity:World economic forum, The Global Competitiveness Report 2001-2002. Oxford University Press, New York,2002
32金元浦.论文访谈.2008
33姜台林译.Stan Kaplan:TRIZ发明问题解决理论[M].台北：宇河文化出版社,2008
34邹应瑷译.Richard Florida:the Rise of Creative Class创意新[M].台北：宝鼎出版社,2003：347
35 Florida,Richard & Irene Tinagli.Europe in the Creative Age. Carnegie Mellon Software Industry Center, Pitsburg,2004
36 Kreidler,John. Creative Community Index(Sililcon Valley).the Cultural Policy & the Arts National Data Archive(CPANDA) http://www.cpanda.org/,2002-2005
37香港特别行政区政府民政事务局.创意指数研究.2005
38张维伦等译.David Throsby:Economics and Culture[M].台北：典藏艺术家庭出版社,2005：122
39孟建.城市软实力视野中的国家形象建构与评估[R].上海：复旦大学国际公共关系研究中心中国城市软实力调查研究课题组,2009
1台北奔牛节：http://www.cowparade-taipei.com
2 CowParade Holdings Corporation:http://www.cowparade.com
3陈秉鸿.论文访谈.2009
4庄普.论文访谈.2009
5 Kosuth,Joseph.One and Three Chairs:http://artnet.com； http://www.absoluteastronomy.com
6许旆诚.看不见的公园：http://arts.tnua.edu.tw/ctl/epaper/arts
7许旆诚.论文访谈.2009
8蔡尔平.Land Rotamers:http://www. jewelry10.com
9蔡尔平.论文访谈.2009
10管凤华.论文访谈.2007
11孙良.论文访谈.2009
12张江当代艺术馆：http://www.z-artcenter.org
13孙良.孙良(M).上海：秋雨印刷,2004
14刘建华.社会景观辨证：彩塑系列—迷恋的记忆、嬉戏(M].北京：阿拉里奥画廊,2007
15刘建华.论文访谈.2009
16刘建华.你能告诉我吗.北京：阿拉里奥画廊：http://www.arariobeijing.com,2007
17胡项城.论文访谈.2009
18胡项城.陌生者的行程.上海美术馆,2007
19曲丰国.你在哪.上海张江当代艺术馆：http://www.z-artcenter. org/LivingWorksInfo.asp?id=79
20曲丰国.论文访谈.2009
21曲丰国.世界：2008曲丰国作品展[M].上海：张江当代艺术馆；曲丰国工作室：http://www. qufengguo. com
22李璞良译.约翰霍金斯：the Creative Economy[M].台北：典藏艺术家庭出版社,2003(8,31)
23杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006(38)
24刘轶.上海”80后”引言：文学原创力的缺失和追寻[J].上海文化,2007,7：6
25邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003(52)
26杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：383
27杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：17
28林怀民.赖声川的创意学[M].台北：天下杂志,2006：2
29蔡尔平.论文访谈.2009
30胡项城.四民会所.青浦区金泽镇人民政府：http://jinz.shqp.gov.cn :http://www.eliteschina.com.cn
31金元浦.文化创意人力资本与创意阶层的崛起[A].文化产业网,2006
32章建刚.文化资源与文化竞争力[A].文化发展论,http://www.ccmedu.com,2005
33余秋雨.走出宿债,投入创意的洪流[J].台北：远见杂志,2006(11)：16
34江逸之、刁明芳.创意中国：专访马岩松、张伟平[J].台北：远见杂志,2006(11)：78,132
35李璞良译.约翰霍金斯：the Creative Economy [M].台北：典藏艺术家庭出版社,2003：35
36官振萱、张汉宜.动画大师宫崎骏的希望行销—逆风时代希望启航[J]. 台北：天下杂志,2009(414)
37赖声川.赖声川的创意学[M].台北：天下杂志,2006：79
38崔永嬿、叶信弘(阿咧).论文访谈.2009
39孙良.论文访谈.2009
40刘国松.宇宙心印画展：21世纪东方画系的新展望.台北国父纪念馆,2009
41杜明城译.Mihaly Csikszentmihalyi:Creativity [M].台北：时报文化,2006：71
42李璞良译.约翰霍金斯：the Creative Economy[M].台北：典藏艺术家庭出版社,2003：212
43郑晋昌.创新才能之人格特质评鉴量表建构[D].台湾中央大学人资管理所,2007
44蔡尔平.论文访谈.2009
45刘建华.论文访谈.2009
46杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：105
47林奇伯.留学台湾引爆善意竞争[J].台北：远见杂志,2009(5)
48杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：115
49杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：104
1 李璞良译.约翰霍金斯：The Creative Economy [M].台北：典藏艺术家庭出版社,2003(9)
2仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合(M).台北：典藏艺术家庭出版社,2003(9)
3周功鑫.论文访谈.2009
4金元浦.论文访谈.2007
5张维伦等译.David Throsby:Economics and Culture [M].台北：典藏艺术家庭出版社,2005(18)
6吴思华.赖声川的创意学：序(M].台北：天下杂志,2006：14
7郭纪舟.文化创意产业—以契约达成艺术与商业的媒合：序—无穷可能的创意产业[M].台北：典藏艺术家庭出版社,2003
8仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合[M].台北：典藏艺术家庭出版社,2003(11)
9仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合[M].台北：典藏艺术家庭出版社,2003(9)
10 Smith,Paul.A Memory of Marxism [J]. Polygraph,1993, nos.6-7
11邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003(54)
12国瑞协力会TPS研究会译.门田安弘：丰田的现场管理(M).台北：台湾中卫,2004
13 Kreidler,John.Creative Community Index (Sililcon Valley),the Cultural Policy & the Arts National Data Archive(CPANDA), Cultural Initiatives Silicon Valley:http://www.cpanda.org/, 2002-2005
14杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：74
15余宜芳.奥美创意解密[M].台北：天下文化,2008
16李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003年(31)
17卢慈颖译.Andy Worhol:安迪沃荷的普普人生[M].台北：三言社,2006
18李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003(224)
19李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003年(222)
20李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003年(281)
21金元浦.论文访谈.2007
22杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006(99)
23邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003(49)
24李璞良译：《约翰霍金斯：The Creative Economy》,台北典藏艺术家庭出版社,2003年,p27
25李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003：212
26 The Creative Science Center:http://www.creative-science.org.uk
27官振萱、张汉宜.动画大师宫崎骏的希望行销—逆风时代希望启航[J].台北：天下杂志,2009(414)
28中国北京国际文化创意产业博览会：《议创意人才应该如何发现并管理》,http://www.iccie.cn
29蔡尔平.原乡陶梦：蔡尔平彩镶瓷暨陶艺创作[M].台北：史博馆,2009
30崔永嬿.论文访谈.2009
31是科圣.论文访谈.2007
32孙福良.论文访谈.2007
33 DCMS(Department for Culture,media and support):Creative Industries Mapping Document 2001:http://www.culture.gov. uk/
34邹应瑷译Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：90
35 Godin,Seth.Purple Cow: Transform Your Business by Being Remarkable[M].Krispy Kreme,New York,1999
36林宏达.谁杀了白领?紫领出列[J].台北：商业周刊,2008,1080
37蔡庆同.文化工业与全球化：一个研究架构的反省与重建[R].台湾社会学年会,2006
38杜大伟.中国120城市投资环境调查报告[R].http://www.hangzhou. com.cn/20060801/cal228129.htm 47K 2006-11-11; http://www.worldbank.org.cn/Chinese/content
39花建.论文访谈.2007
40张晓明.论文访谈.2008
41管凤华.论文访谈.2007
42赖声川.赖声川的创意学[M].台北：天下杂志,2006：33
43赖声川.赖声川的创意学[M].台北：天下杂志,2006：344
44燕赵都市报[N)：2009,3(12)
45吴思华.创意岛屿狂想曲：2050愿景台湾：文化还有更多的可能—谈文化创意产业[M].台北：远流出版公司,2006：255
46 Frey,Bruno S..Arts and Economics:Analysis and Cultural Policy[M].Springer-Verlag Berlin Heidelberg,Berlin,2003蔡宜真等译.当艺术遇上经济—个案分析与文化政策(M).台北：典藏艺术家庭出版社,2003：229
47 Mulcahy,Kevin V.. Public Support for the Arts in the United States, Western Europe and Canada:Polities,Policies, Commissioned by the American Assembly[M].Columbia U,New York,1997金元浦.论文访谈.2008
1官振萱、张汉宜.动画大师宫崎骏的希望行销—逆风时代希望启航[J]台北：天下杂志,2009,414
2曲丰国.论文访谈.2009
3吴耿祯.论文访谈.2009
4王文志.论文访谈.2009
5庄普.论文访谈.2009
6蔡尔平.论文访谈.2009
7许旆诚.论文访谈.2009
8台湾资策会.http://www.iii.org.tw花建等.文化产业竞争力[M].广州：广东人民出版社,2005：145
9崔永嫌.论文访谈.2009
10许旆诚.论文访谈.2009
11孙良.论文访谈.2009
12王文志.论文访谈.2009
13于国华.从创意心理到创意设计—专访吴静吉与林国基[N].香港明报,2003,11(6)：12
14邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：313
15赖声川.赖声川的创意学[M].台北：天下杂志,2006：312
16赖声川.赖声川的创意学[M].台北：天下杂志,2006：32
17花建.论创意产业之花在上海纵情开放—谈创意产业、创意园区、创意人才的内在联系[R].视觉中国,http://www. chinavisual.com, 2005
18杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006(2)：157
19孙良.论文访谈.2009
20姚仁禄.创意中国：创意就是松绑大脑[J].台北：远见杂志,2006,11月：200
21管凤华.论文访谈.2007
22张晓明.论文访谈.2008
23齐永锋.论文访谈.2008
24蒯大申.论文访谈.2008
25曲丰国.论文访谈.2009
26花建.论文访谈.2008
27蔡宜真等译.Bruno S. Frey:当艺术遇上经济[M].台北：典藏艺术家庭出版社,2003：173
28金元浦.论文访谈.2008
29陈文和.光纤之父高锟改变世界通讯[N].中国时报,2009,10(7)
30刘建华.论文访谈.2009
31胡项城.论文访谈.2009
32蔡宜真等译.Bruno S.Frey:当艺术遇上经济[M].台北：典藏艺术家庭出版社,2003：166
33阿咧.论文访谈.2009
34赖声川.赖声川的创意学[M].台北：天下杂志,2006：332
35赖声川.赖声川的创意学[M].台北：天下杂志,2006：94
36饶先来.上海”80后”创作人才生存状况报告[J].上海文化,2007(7)：22
37郭纪舟.文化创意产业—以契约达成艺术与商业的媒合：序—无穷可能的创意产业[M].台北：典藏艺术家庭出版社,2003
38张晓明.论文访谈.2008
1厉无畏主编：《创意产业导论》,上海学林出版社,2006年,p234厉无畏：《积极培育创意产业提高上海城市综合竞争力》,中国创意产业发展论坛,2004年蒯大申：《2006年上海文化发展蓝皮书总报告》,上海社会科学文献出版社,2006年,p24
2范荣靖：《文创新蓝海调查报告：台湾文创成绩民间63.85分政府51.32分》,台北远见杂志,2009年8月
3邹应瑷译：《Richard Florida:the Rise of Creative Class创意新贵》,台北宝鼎出版社,2003年创意指数研究香港特别行政区政府民政事务局＆香港大学文化政策研究中心http://www.hab.gov.hk孟建：《城市软实力视野中的国家形象建构与评估》,第三届公关与广告国际论坛(澳门),2009年
4崔永嬿、许旆诚、庄普、王文志：论文访谈,2009年
5孙福良、花建、张晓明、刘建华、陈秉鸿：论文访谈,2008-09年
[1]Abbe-Decarroux,Francois.The Perception of Quality and the Demand for Services:Empirical Application to the Performing Arts, Journal of Economic Behavior and Organization 23,no.1, 1994
[2]Adda,Jacques.La Mondialisation de L'economie,台北知书房出版集团,2000
[3]Adorno,Theodor W.. The Culture Industry, Routledge,London & New York,1991
(4)Allen,Johnny & William O'Toole etc.Festival and Special Event Management,台北五观艺术出版,2005
[5]Axtmann,Roland.Society,Globalization and the Comparative Method, History of the Human Sciences 6,no.2,1993
[6]BalfeJudith Huggins & Wyszomirski,Margaret J. Public Art and Public Policy, Journal of Arts Management and Law 15,no.4, 1986
[7]Bator,R M.. The International Trade in Art,U of Chicago Press,Chicago,1982
[8]Baudrillard,Jean:Selected Writings,Stanford University Press,Stanford,1988
[9]Bennet,Tony. Culture,Governmentand the Social,Culture and Policy 8,no.3,1997
(10)Bennet,Tony.Useful Culture,Cultural Studies 6,no.3,1992
(11)Bennet,Tony.The Birth of the Museum:History, Theory and Politics,Routledge,London,1995
(12)Blau,Judith R.The Shape of Culture:A study of Contemporary Cultural Patterns in the United States,Cambridge UP, Cambridge,1992
(13)Blaug,Mark,ed. The Economics of the Arts, Martin Robertson Press,London,1976
(14)Blum,Albert A,ed.The Arts:Years of Development,Time of Decision, U of Texas Press,Austin,1976
(15)Cans,Herbert J..Popular Culture and High Culture:An Analysis and Evaluation of Taste,Basic Press,New York,1974
(16)Caves,Richard E.. Creative Industries:Contracts between Art and Commerce,Harvard University Press, Boston,2000
(17)Csksentmihalyi,Mihaly. Creativity,台北时报文化出版公司,2003
(18)Dillon,C.Douglas.Cross-cultural Communication Through the Arts, Columbia Journal of World Business 6,no.5,1971
(19)Dimaggio,Paul J. Can Culture Survive the Marketplace,Journal of Arts Management and Law 13,no.1,1983
(20)DiMaggioPaul J.& Michael Useem. Social Class and Arts Consumption:the Origin and Consequences of Class Differences in Exposure to the Arts in America,Theory and Society 5,1978
(21)Dreeszen,Craig & Pam Korza,eds.Fundamentals of Local Arts Management,台北五观艺术出版,2000
(22)Florida,Richard & Irene Tinagli.Europe in the Creative Age, Carnegie Mellon Software Industry Center,Pitsburg,2004
(23)Florida, Richard. The Rise of the Creative Class:And How Its Transforming Work, Leisure,Community and Everyday Life,Basic Books Press,New York,2002
(24)Frey,Bruno S..Arts and Economics:Analysis and Cultural Policy,Springer-Verlag Berlin Heidelberg,Berlin,2003
(25)Gapinski,James H.. The Economics of Performing Shakespeare, American Economic Review 74,1983
(26)Garnham,Nicholas..Concepts of Culture:Public policy and the Cultural Industries, Cultural Studies 1,1987
(27)Gee,Constance Bumgarner.Four More Years-So What?, Arts Education Policy Review 98,1997
(28)Gingrich,Arnold..Business and the Arts:An Answer to Tomorrow, Eriksson Press,New York,1969
(29)Girard,Augustin. Policy and the Arts:The Forgotten Cultural Industries, Journal of Comparative Economics 5,no.1,1981
(30)Godin,Seth.Purple Cow:Transform Your Business by Being Remarkable, Krispy Kreme,New York,1999
(31)Graham,Gordon.The Politics of Culture:Art in a Free Society, History of European Ideas 13,no.6,1991
(32)Hammack,David.Think Tanks and the Invention of Policy Studies, Nonprofit and Voluntary Service Quarterly 24,no.2, 1995
(33)Hansen,T.. Measuring the Value of Culture European,Journal of Cultural Policy 1,no.2,1995
(34)Harris,Jonathan. Federal Art and National Culture:The Politics of Identity in New Deal America,Cambridge UP, Cambridge,1995
(35)Harris,Neil.Cultural Excursions:Marketting Appetites and Cultural Tastes in Modern America,U of Chicago Press, Chicago,1990
(36)Harrison,L. E.& S.P.Huntington. Culture Matters:How Values Shape Human Progress,台北联经出版事业公司,2003
(37)Harvey,Sylvia. Review of Framing Culture,Media,Culture & Society 16,no.1,1994
(38)Heilbrun,James & Charles M. Gray.The Economics of Art and Culture:An American Perspective,Cambridge UP,Cambridge,1993
(39)Hendon,William S.& James L. Shanahan,eds.Economics of Cultural Decisions,Mass.:Abt,Cambridge,1983
(40)Howkins,John. The Creative Economy:How People Make Money from Ideas,台北典藏艺术家庭出版公司,2003
(41)Hudson,Kenneth.Museums of Influence,Cambridge UP, Cambridge,1987
(42)Hunter,Ian.Culture and Government:The Emergence of Literary Education,Macmillan Press,London,1988
(43)Kotler,Philip.Marketing Asian Places,台北商智文化事业公司,2002
(44)Kreidler,John.Creative Community Index(Sililcon Valley),the Cultural Policy & the Arts National Data Archive(CPANDA), http://www.cpanda.org/,2002-2005
(45)Kurin,Richard.Cultural Policy Through Public Display, Journal of Popular Culture 29,no.1,1995
(46)Lull,James.Media,Communication,Culture:a Global Approach,台北韦伯文化国际出版公司,2004
(47)McKinzie,R.D.. The New Deal for Artists,Princeton UP, Princeton,1973
(48)McLaren,John. Cultural Independence for Australia:The Need for a National Literature,Australian Studies 14,1990
(49)Martorella,Rosanne,ed. Art and Business:An International Perspective on Sponsorship,Greenwood Press,Westport,1996
(50)Messenger,Phyllis Mauch.The Ethics of Collecting:Whose Culture? Whose Property?, U of New Mexico Press,Abuquerque, 1999
(51)Meyer,Karl E.. The Art Museum:Power,Money, Ethics, Morrow Press,New York,1979
(52)Miller,Toby.Hollywood and the World,.Oxford UP,Oxford,1998
(53)Miller,Toby & George Yudice. Cultural Policy,台北巨流图书公司,2006
(54)Mokwa,Michael & William Dawson,eds.Marketing and the Arts, Praeger,New York,1979
(55)Mulcahy,Kevin V.. Public Support for the Arts in the United States, Western Europe and Canada:Polities, Policies, Commissioned by the American Assembly New York:Columbia U, 1997
(56)Porter,Michael.The Global Competitiveness Report 2000
(57)Porter,Michael.National Innovative Capacity: World economic forum, The Global Competitiveness Report 2001-2002, Oxford University Press, New York,2002
(58)Porter,Michael.The Competitive Advantage of Nations, Macmillan Press,London,1990
(59)Rentschler,Ruth,ed. Shaping Culture:Arts & Entertainment Management,台北五观艺术出版,2006
(60)Smith,Paul.A Memory of Marxism, Polygraph nos.6-7,1993
(61)Snow,Nancy.Selling America's Culture to the World, Seven Stories Press,New York,1998
(62)Sparshott,Francis.Why Artworks Have no Right to Have Rights, Journal of Aesthetics and Art Criticism 42,1983
(63)Spurgeon,Christina. National Culture,Communications and the Information Economy, Media International Australia no.87,1998
(64)Storey,John.Cultural Consumption and Everyday Life,台北巨流图书公司,2005
(65)The Ministry of Trade and Industry. Denmark's Creative Potential,台北典藏艺术家庭出版公司,2003
(66)Throsby,David.Economics and Culture,Cambridge University Press,London,2001
(67)Throsby,David.The Production and Consumption of the Arts:A View of Cultural Economies,Journal of Economic Literature 32, no.1,1994
(68)Warnier,Jean-Pierre.La Mondialisation de la Culture,台北麦田出版社,2003
(69)Wasko,Janet.Hollywood in the Information Age Beyoud the Silver Screen,Polity Press,Cambridge,1994
(70)Williams,J. J.. Report of the Arts and Culture Task Group Presented to the Minister of Arts,Culture,Science and Technology, June 1995, Critical Arts 10,1996
(71)大前研一.未来台湾创新的致胜关键[J].台北：天下杂志,2006(345)
(72)生小刚.上海数字内容产业创新环境透视[J].上海：创意产业,2007(3)
(73)]江逸之、刁明芳.创意中国：专访马岩松、张伟平[J].台北：远见杂志,2006(11)
(74)曲丰国.世界.2008曲丰国作品展[M].上海张江当代艺术馆
(75)李希光等主编.软力量与全球传播[M].北京：清华大学出版社,2005
(76)李怀亮.当代国际文化贸易与文化竞争[M].广州：广东人民出版社,2005
(77)李怀亮等主编.文化巨无霸：当代美国文化产业研究[M].广州：广东人民出版社,2005
(78)李俊明译.Chris Smith:Creative Britain[M].台北：五观艺术管理,2005
(79)汪晖、余国良.上海：城市社会与文化[M].香港：香港中文大学出版社,1998
(80)花建.文化+创意=财富[M].台北：帝国文化出版社,2003
(81)花建.文化魔戒[M].台北：帝国文化出版社,2005
(82)花建、何增强主编.创意都市一上海创意产业的发展之路[M].上海：百家出版社,2007
(83)花建等.文化产业竞争力[M].广州：广东人民出版社,2005
(84)官振萱、张汉宜.动画大师宫崎骏的希望行销—逆风时代希望启航[J]台北：天下杂志,2009(414)
(85]林志明等主编.未来博物馆：展览专辑[M].台北：故宫博物院,2008
(86)林静宜等.北京飙大气-2008中国特刊[J].台北：远见杂志,2008(11)
(87)孟建.城市软实力视野中的国家形象建构与评估[R].上海：复旦大学国际公共关系研究中心中国城市软实力调查研究课题组,2009
(88)约翰霍金斯.创意经济是发展的杠杆[R].上海：联合国全球创意产业研讨会,2005
(89)胡惠林.文化产业发展与国家文化安全[M].广州：广东人民出版社,2005
(90)胡元梓、薛晓源.全球化与中国[M].北京：中央编译出版社,1998
(91)姜台林译.Stan Kaplan:TRIZ发明问题解决理论(M).台北：宇河文化出版社,2008
(92)徐霖恩.让大师们释放的能量—日本动漫产业的观察视角[J].上海：创意产业,2007(3)
(93)唐锦超.创造性破坏[M].台北：远流出版社,2003
(94)唐维敏等译.Michael Gurevitch and etc:Culture, Society and the Media[M].台北：远流出版社,1994
(95)孙良.孙良[M].上海：秋雨印刷,2004
(96)陈郁秀、刘育东等.创意岛屿狂想曲：2050愿景台湾[M].台北：远流出版事业公司,2006
(97)陈坤宏.消费文化理论[M].台北：扬智文化,1995
(98)张凤铸等主编.和而不同：全球化视野中的影视新格局[M].北京：中国传媒大学出版社,2005
(99)陈建豪等.文创航向新蓝海-台湾第一份文创调查报告[J].台北：远见杂志,2009(8)
(100)张京成主编.中国创意产业研究中心：中国创意产业发展报告200(M].中国经济出版社,2006
(101)许旆诚.许旆诚作品集[M].台北：许旆诚,2004
(102)国瑞协力会TPS研究会译.门田安弘：丰田的现场管理[M].台北：台湾中卫,2004
(103)陆祖鹤.文化产业发展方略[M].北京：社会科学文献出版社,2006
(104)贺寿昌.创意学概论[M].上海：人民出版社,2006
(105)傅振煜译.Richard Florida:Cities and the Creative Class创意新贵Ⅱ[M].台北：宝鼎出版社,2006
(106)杨先让.黄河十四走[M].台北：台湾英文汉声出版社,1993
(107)邬苏拉托依卡主编.现代笔墨专辑[M].广州：广东珠海出版社,2007
(108)叶辛,蒯大申主编.上海文化发展蓝皮书(2006)[M]：创意上海.上海：社会科学文献出版社,2006
(109)蔡尔平.原乡陶梦：蔡尔平彩镶瓷暨陶艺创作[M].台北：史博馆,2009
(110)蔡庆同.文化工业与全球化：一个研究架构的反省与重建[R].台湾社会学年会,2006
(111)刘黎儿.积极追求文化立国、艺术立国的日本[J].台湾文建会文创线上,2009,5(12),
(112)刘轶等.2007上海文学发展报告：原创力与上海文学发展[J].上海文化,2007,7
(113)郑晋昌.创新才能之人格特质评鉴量表建构[D].台湾中央大学人资管理所,2007
(114)厉无畏主编.创意产业导论[M].上海学林出版社,2006
(115)赖声川.赖声川的创意学[M].台北：天下杂志,2006
(116)邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003
(117)邹广文徐庆文.全球化与中国文化产业发展[M].北京：中央编译出版社,2006
(118)辜振丰.布尔乔亚：欲望与消费的古典记忆[M].台北：城邦文化事业公司,2003
(119)刘维公.当代消费文化社会理论的分析架构：文化经济学生活风格与生活美学[J].台北：东吴社会学报,2001,11
(120)刘建华.出口—货物转运[M].上海：外滩三号沪申画廊,2008
(121)刘建华.日常·易碎[M].北京：阿拉里奥画廊,2008
(122)刘建华.社会景观辨证[M].北京：阿拉里奥画廊,2007
(123)萧琼瑞.中国巨匠美术周刊：刘国松[M].台北：锦绣出版社,1996
(124)苏丁译.Eric Miller:重新分配的年代[M].台北：方智出版社,1993
(125)Americans for the Arts:http://www.artsusa. org
(126)The Creative Science Center:http://www.creative-science .org. uk
(127)The Cultural Policy & the Arts National Data Archive(CPANDA): http://www.cpanda.org/,2002-2005
(128)Culture Policies and Trends in Europe: http://www.culturalpolicies.nte
(129)DCMS(Department for Culture,media and support): http://www.culture.gov. uk/
(130)Education Commission of the States:Creative Industries 2005: The Congressional Report.http://www.ecs.org
(131)IIPA(International Intellectual Property Allience: http://www.iipa.com
(132)TRIZ矩阵模型：http://www.triz40.com
(133)工业技术研究院创意中心：http://www.creativitylab.itri.org.tw
(134)工业技术研究院：http://college.itri.org.tw/edm/B/200610/TRIZ
(135)中华人民共和国国家统计局：http://www.stats.gov.cn
(136)中国文化产业网：http://www.cnci.gov.tw
(137)中国文化产业论坛：http://www.ccif.cn
(138)中国文化市场网：http://www.ccm.gov.cn
(139)文化发展论坛：http://www.ccmedu.com
(140)文化产业网：http://www.culindustries.com
(141)永续台湾文教基金会：http://www.taiwan-ngo.org.tw
(142)台湾文建会文化创意产业发展计画：http://www.cci.cca.goy.tw
(143)台湾资策会：http://www.iii.org.tw
(144)创意指数研究香港特别行政区政府民政事务局&香港大学文化政策研究中心：http://www.hab.gov.hk
(145)大竞争时代的文化博弈.台北：十城十美国际研讨会,2008
(146)文化创意产业.全球思考台湾行动.台北：国际研讨会,2003
(147)宇宙心印画展：21世纪东方画系的新展望.台北：刘国松画展,2009
2邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003
3 Porter,Michael.The Competitive Advantage of Nations. Macmillan ,London,1990
4傅振煜译.Richard Florida:Cities and the Creative Class创意新贵Ⅱ[M].台北：宝鼎出版社,2006
5杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006
6赖声川.赖声川的创意学[M].台北：天下杂志,2006
7唐维敏等译.Michael Gurevitch, Tony Bennett:Culture, society and the Media [M].台北：远流出版公司,2003
8邹广文,徐庆文.全球化与中国文化产业发展[M].北京：中央编译出版社,2006
9张君玫译.John Storey:Cultural Consumption and Everyday Life[M].台北：巨流图书公司,2001
10张维伦等译.David Throsby:Economics and Culture[M].台北：典藏艺术家庭出版社,2005
11李璞良译.约翰霍金斯：the Creative Economy[M].台北：典藏艺术家庭出版社,2003
12仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合[M].台北：典藏艺术家庭出版社,2003
13张京成主编.中国创意产业发展报告(2006)[M].北京：中国经济出版社,2006
14叶辛,蒯大申主编.创意上海一上海文化发展蓝皮书(2006)[M].上海：社会科学文献出版社,2006
15李希光,周庆安.软力量与全球传播[M].北京：清华大学出版社,2005
16花建,巫志南等.文化产业竞争力[M].广州：广东人民出版社,2005
17 Florida,Richard & Irene Tinagli.Europe in the Creative Age. Carnegie Mellon Software Industry Center,Pitsburg,2004
is Kreidler,John. Creative Community Index (Sililcon Valley).the Cultural Policy & the Arts National Data Archive(CPANDA): http://www.cpanda.org/,2002-2005
19香港特别行政区政府民政事务局.创意指数研究.2005
20姜台林译.Stan Kaplan:TRIZ发明问题解决理论[M].台北：宇河文化出版社,2008
1 金元浦.当代文化创意产业的勃兴[A].中国文化创意产业网,2006
2 吴锡德译.Jean-Pierre Warnier:文化全球化[M].台北：麦田出版社,2003：34
3 刘维公.当代消费文化社会理论的分析架构[J].台北：东吴社会学,2001,11：113
4 陈坤宏.消费文化理论[M].台北：扬智文化,1995：60
5金元浦.大竞争时代的文化博弈[R].台湾师范大学：十城十美国际研讨会,2008
6花建等.文化产业竞争力[M].广州：广东人民出版社,2005：6
7花建等.文化产业竞争力[M].广州：广东人民出版社,2005：40
8中华人民共和国国家统计局：http://www. stats.gov.cn,2009年
9唐锦超.创造性破坏[M].台北：远流出版社,2003
10金元浦.创新,或者衰落—当代中国的创意里念、创意人才与创意困境[A].文化创意产业网：2007
11 邹广文,徐庆文.全球化与中国文化产业发展[M].北京：中央编译出版社,2006：20,31
12唐维敏等译.Michael Gurevitch and etc:Culture,Society and the Media [M].台北：远流出版社,1994：50
13邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：380
14邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：88
15国瑞协力会TPS研究会译.门田安弘：丰田的现场管理[M].台北：台湾中卫,2004
16大前研一.未来台湾创新的致胜关键[J].台北：天下杂志,2006,345年
17约翰霍金斯.创意经济是发展的杠杆[R].上海联合国全球创意产业研讨会,2005
18李俊明译.Chris Smith:Creative Britain[M].台北：五观艺术管理,2005
19 IIPA(International Intellectual Property Allience):http://www.iipa.com中华人民共和国国家知识产权局：http://www. sipo. gov. cn,2009
20 Americans for the Arts:http://www.artsusa.org,2009年
21 Education Commission of the States. Creative Industries 2005:The Congressional Report:http://www. ecs. org,2009
22 Culture Policies and Trends in Europe:http://www.culturalpolicies. nte, 2009
23刘现成.金大中引领韩流奇迹[N].台北：联合报,2009,8(24)
24台湾资策会：http://www.iii.org.tw,2009年
25文化创意产业发展计画.台湾文建会：http://www.cci.cca.gov.tw,2009
26刘黎儿.积极追求文化立国、艺术立国的日本[J].台湾文建会文创线上,2009,5(12)
27张京成主编.中国创意产业研究中心：中国创意产业发展报告2006[M].北京：中国经济出版社,2006：27
28陈建豪等.文创航向新蓝海-台湾第一份文创调查报告[J].台北：远见杂志,2009,8：158
29孙福良.论文访谈：上海市创意产业协会.2008
1花建等.文化产业竞争力[M].广州：广东人民出版社,2005：239
2 Grove,Andrew S.. Only the Paranoid Survive:How to Exploit the Crisis Points That Challenge Every Company[M].Time Warner Press,New York,1999
3金元浦.文化创意人力资本与创意阶层的崛起[A].文化发展论坛http:///www. ccmedu. com
4邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：103
5许焯权.诠释奥林匹克、创意产业与城市发展[R].北京奥组委,2006
6台北市文化局.风格城市：http://www. culture.gov.tw,2007
7邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：348
8邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：351
9 Bianchini,Franco & Michael Parkinson,eds.Cultural Policy and Urban Regereration:The West European Experience, Manchester. UP, Manchester,1993
10傅振煜译.Richard Florida:Cities and the Creative Class创意新贵Ⅱ[M].台北：宝鼎出版社,2006：188
11齐勇锋.论文访谈.2008
12何志平.香港作为大珠三角走向世界的跳板[R].亚洲文化合作论坛,2006年
13张晓明.论文访谈.2008
14 Toffler,Alvin:Revolutionary Wealth. How it will be created and How it will change our lives. Random House,New York,2006
15仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合[M].台北：典藏艺术家庭出版社,2003(8)
16花建等.文化产业竞争力[M].广州：广东人民出版社,2005(35)
17金元浦、章建刚.文化资源与文化竞争力[A].文化发展网：http://www. ccmedu. com,2005
is New York Times.1992 Discover Awards:Computer Software.1992, 9(11)
19金元浦、章建刚.面对文化贸易逆差中国该当如何[A].中国文化市场网：http://www. ccm. gov. cn,2005
20 DCMS(Department for Culture,media and support).Creative Britain: New Talents for a New Economy:http://www.culture.gov.uk/
21 IIPA(International Intellectual Property Allience): http://www.iipa.com
22花建.论文访谈.2008
23蒯大申.论文访谈.2008
24花建等.文化产业竞争力[M].广州：广东人民出版社,2005：25
25花建.论文访谈.2008
26花建、何增强主编.创意都市—上海创意产业的发展之路(M).上海：百家出版社,2007：30
27章建刚.文化资源与文化竞争力[A].文化发展论坛：http://www.ccmedu.com,2005
28胡项城.论文访谈.2009
29孙良.论文访谈.2009
30 Nye,Joseph S..Bound to Lead:The Changing Nature of American Power. Basic Books,New York,1990 —Soft Power. Foreign Policy,no.80,1990
31 Porter,Michael.National Innovative Capacity:World economic forum, The Global Competitiveness Report 2001-2002. Oxford University Press, New York,2002
32金元浦.论文访谈.2008
33姜台林译.Stan Kaplan:TRIZ发明问题解决理论[M].台北：宇河文化出版社,2008
34邹应瑷译.Richard Florida:the Rise of Creative Class创意新[M].台北：宝鼎出版社,2003：347
35 Florida,Richard & Irene Tinagli.Europe in the Creative Age. Carnegie Mellon Software Industry Center, Pitsburg,2004
36 Kreidler,John. Creative Community Index(Sililcon Valley).the Cultural Policy & the Arts National Data Archive(CPANDA) http://www.cpanda.org/,2002-2005
37香港特别行政区政府民政事务局.创意指数研究.2005
38张维伦等译.David Throsby:Economics and Culture[M].台北：典藏艺术家庭出版社,2005：122
39孟建.城市软实力视野中的国家形象建构与评估[R].上海：复旦大学国际公共关系研究中心中国城市软实力调查研究课题组,2009
1台北奔牛节：http://www.cowparade-taipei.com
2 CowParade Holdings Corporation:http://www.cowparade.com
3陈秉鸿.论文访谈.2009
4庄普.论文访谈.2009
5 Kosuth,Joseph.One and Three Chairs:http://artnet.com； http://www.absoluteastronomy.com
6许旆诚.看不见的公园：http://arts.tnua.edu.tw/ctl/epaper/arts
7许旆诚.论文访谈.2009
8蔡尔平.Land Rotamers:http://www. jewelry10.com
9蔡尔平.论文访谈.2009
10管凤华.论文访谈.2007
11孙良.论文访谈.2009
12张江当代艺术馆：http://www.z-artcenter.org
13孙良.孙良(M).上海：秋雨印刷,2004
14刘建华.社会景观辨证：彩塑系列—迷恋的记忆、嬉戏(M].北京：阿拉里奥画廊,2007
15刘建华.论文访谈.2009
16刘建华.你能告诉我吗.北京：阿拉里奥画廊：http://www.arariobeijing.com,2007
17胡项城.论文访谈.2009
18胡项城.陌生者的行程.上海美术馆,2007
19曲丰国.你在哪.上海张江当代艺术馆：http://www.z-artcenter. org/LivingWorksInfo.asp?id=79
20曲丰国.论文访谈.2009
21曲丰国.世界：2008曲丰国作品展[M].上海：张江当代艺术馆；曲丰国工作室：http://www. qufengguo. com
22李璞良译.约翰霍金斯：the Creative Economy[M].台北：典藏艺术家庭出版社,2003(8,31)
23杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006(38)
24刘轶.上海”80后”引言：文学原创力的缺失和追寻[J].上海文化,2007,7：6
25邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003(52)
26杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：383
27杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：17
28林怀民.赖声川的创意学[M].台北：天下杂志,2006：2
29蔡尔平.论文访谈.2009
30胡项城.四民会所.青浦区金泽镇人民政府：http://jinz.shqp.gov.cn :http://www.eliteschina.com.cn
31金元浦.文化创意人力资本与创意阶层的崛起[A].文化产业网,2006
32章建刚.文化资源与文化竞争力[A].文化发展论,http://www.ccmedu.com,2005
33余秋雨.走出宿债,投入创意的洪流[J].台北：远见杂志,2006(11)：16
34江逸之、刁明芳.创意中国：专访马岩松、张伟平[J].台北：远见杂志,2006(11)：78,132
35李璞良译.约翰霍金斯：the Creative Economy [M].台北：典藏艺术家庭出版社,2003：35
36官振萱、张汉宜.动画大师宫崎骏的希望行销—逆风时代希望启航[J]. 台北：天下杂志,2009(414)
37赖声川.赖声川的创意学[M].台北：天下杂志,2006：79
38崔永嬿、叶信弘(阿咧).论文访谈.2009
39孙良.论文访谈.2009
40刘国松.宇宙心印画展：21世纪东方画系的新展望.台北国父纪念馆,2009
41杜明城译.Mihaly Csikszentmihalyi:Creativity [M].台北：时报文化,2006：71
42李璞良译.约翰霍金斯：the Creative Economy[M].台北：典藏艺术家庭出版社,2003：212
43郑晋昌.创新才能之人格特质评鉴量表建构[D].台湾中央大学人资管理所,2007
44蔡尔平.论文访谈.2009
45刘建华.论文访谈.2009
46杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：105
47林奇伯.留学台湾引爆善意竞争[J].台北：远见杂志,2009(5)
48杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：115
49杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：104
1 李璞良译.约翰霍金斯：The Creative Economy [M].台北：典藏艺术家庭出版社,2003(9)
2仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合(M).台北：典藏艺术家庭出版社,2003(9)
3周功鑫.论文访谈.2009
4金元浦.论文访谈.2007
5张维伦等译.David Throsby:Economics and Culture [M].台北：典藏艺术家庭出版社,2005(18)
6吴思华.赖声川的创意学：序(M].台北：天下杂志,2006：14
7郭纪舟.文化创意产业—以契约达成艺术与商业的媒合：序—无穷可能的创意产业[M].台北：典藏艺术家庭出版社,2003
8仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合[M].台北：典藏艺术家庭出版社,2003(11)
9仲晓玲等译.Richard Caves:文化创意产业—以契约达成艺术与商业的媒合[M].台北：典藏艺术家庭出版社,2003(9)
10 Smith,Paul.A Memory of Marxism [J]. Polygraph,1993, nos.6-7
11邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003(54)
12国瑞协力会TPS研究会译.门田安弘：丰田的现场管理(M).台北：台湾中卫,2004
13 Kreidler,John.Creative Community Index (Sililcon Valley),the Cultural Policy & the Arts National Data Archive(CPANDA), Cultural Initiatives Silicon Valley:http://www.cpanda.org/, 2002-2005
14杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006：74
15余宜芳.奥美创意解密[M].台北：天下文化,2008
16李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003年(31)
17卢慈颖译.Andy Worhol:安迪沃荷的普普人生[M].台北：三言社,2006
18李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003(224)
19李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003年(222)
20李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003年(281)
21金元浦.论文访谈.2007
22杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006(99)
23邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003(49)
24李璞良译：《约翰霍金斯：The Creative Economy》,台北典藏艺术家庭出版社,2003年,p27
25李璞良译.约翰霍金斯：The Creative Economy[M].台北：典藏艺术家庭出版社,2003：212
26 The Creative Science Center:http://www.creative-science.org.uk
27官振萱、张汉宜.动画大师宫崎骏的希望行销—逆风时代希望启航[J].台北：天下杂志,2009(414)
28中国北京国际文化创意产业博览会：《议创意人才应该如何发现并管理》,http://www.iccie.cn
29蔡尔平.原乡陶梦：蔡尔平彩镶瓷暨陶艺创作[M].台北：史博馆,2009
30崔永嬿.论文访谈.2009
31是科圣.论文访谈.2007
32孙福良.论文访谈.2007
33 DCMS(Department for Culture,media and support):Creative Industries Mapping Document 2001:http://www.culture.gov. uk/
34邹应瑷译Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：90
35 Godin,Seth.Purple Cow: Transform Your Business by Being Remarkable[M].Krispy Kreme,New York,1999
36林宏达.谁杀了白领?紫领出列[J].台北：商业周刊,2008,1080
37蔡庆同.文化工业与全球化：一个研究架构的反省与重建[R].台湾社会学年会,2006
38杜大伟.中国120城市投资环境调查报告[R].http://www.hangzhou. com.cn/20060801/cal228129.htm 47K 2006-11-11; http://www.worldbank.org.cn/Chinese/content
39花建.论文访谈.2007
40张晓明.论文访谈.2008
41管凤华.论文访谈.2007
42赖声川.赖声川的创意学[M].台北：天下杂志,2006：33
43赖声川.赖声川的创意学[M].台北：天下杂志,2006：344
44燕赵都市报[N)：2009,3(12)
45吴思华.创意岛屿狂想曲：2050愿景台湾：文化还有更多的可能—谈文化创意产业[M].台北：远流出版公司,2006：255
46 Frey,Bruno S..Arts and Economics:Analysis and Cultural Policy[M].Springer-Verlag Berlin Heidelberg,Berlin,2003蔡宜真等译.当艺术遇上经济—个案分析与文化政策(M).台北：典藏艺术家庭出版社,2003：229
47 Mulcahy,Kevin V.. Public Support for the Arts in the United States, Western Europe and Canada:Polities,Policies, Commissioned by the American Assembly[M].Columbia U,New York,1997金元浦.论文访谈.2008
1官振萱、张汉宜.动画大师宫崎骏的希望行销—逆风时代希望启航[J]台北：天下杂志,2009,414
2曲丰国.论文访谈.2009
3吴耿祯.论文访谈.2009
4王文志.论文访谈.2009
5庄普.论文访谈.2009
6蔡尔平.论文访谈.2009
7许旆诚.论文访谈.2009
8台湾资策会.http://www.iii.org.tw花建等.文化产业竞争力[M].广州：广东人民出版社,2005：145
9崔永嫌.论文访谈.2009
10许旆诚.论文访谈.2009
11孙良.论文访谈.2009
12王文志.论文访谈.2009
13于国华.从创意心理到创意设计—专访吴静吉与林国基[N].香港明报,2003,11(6)：12
14邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003：313
15赖声川.赖声川的创意学[M].台北：天下杂志,2006：312
16赖声川.赖声川的创意学[M].台北：天下杂志,2006：32
17花建.论创意产业之花在上海纵情开放—谈创意产业、创意园区、创意人才的内在联系[R].视觉中国,http://www. chinavisual.com, 2005
18杜明城译.Mihaly Csikszentmihalyi:Creativity[M].台北：时报文化,2006(2)：157
19孙良.论文访谈.2009
20姚仁禄.创意中国：创意就是松绑大脑[J].台北：远见杂志,2006,11月：200
21管凤华.论文访谈.2007
22张晓明.论文访谈.2008
23齐永锋.论文访谈.2008
24蒯大申.论文访谈.2008
25曲丰国.论文访谈.2009
26花建.论文访谈.2008
27蔡宜真等译.Bruno S. Frey:当艺术遇上经济[M].台北：典藏艺术家庭出版社,2003：173
28金元浦.论文访谈.2008
29陈文和.光纤之父高锟改变世界通讯[N].中国时报,2009,10(7)
30刘建华.论文访谈.2009
31胡项城.论文访谈.2009
32蔡宜真等译.Bruno S.Frey:当艺术遇上经济[M].台北：典藏艺术家庭出版社,2003：166
33阿咧.论文访谈.2009
34赖声川.赖声川的创意学[M].台北：天下杂志,2006：332
35赖声川.赖声川的创意学[M].台北：天下杂志,2006：94
36饶先来.上海”80后”创作人才生存状况报告[J].上海文化,2007(7)：22
37郭纪舟.文化创意产业—以契约达成艺术与商业的媒合：序—无穷可能的创意产业[M].台北：典藏艺术家庭出版社,2003
38张晓明.论文访谈.2008
1厉无畏主编：《创意产业导论》,上海学林出版社,2006年,p234厉无畏：《积极培育创意产业提高上海城市综合竞争力》,中国创意产业发展论坛,2004年蒯大申：《2006年上海文化发展蓝皮书总报告》,上海社会科学文献出版社,2006年,p24
2范荣靖：《文创新蓝海调查报告：台湾文创成绩民间63.85分政府51.32分》,台北远见杂志,2009年8月
3邹应瑷译：《Richard Florida:the Rise of Creative Class创意新贵》,台北宝鼎出版社,2003年创意指数研究香港特别行政区政府民政事务局＆香港大学文化政策研究中心http://www.hab.gov.hk孟建：《城市软实力视野中的国家形象建构与评估》,第三届公关与广告国际论坛(澳门),2009年
4崔永嬿、许旆诚、庄普、王文志：论文访谈,2009年
5孙福良、花建、张晓明、刘建华、陈秉鸿：论文访谈,2008-09年
[1]Abbe-Decarroux,Francois.The Perception of Quality and the Demand for Services:Empirical Application to the Performing Arts, Journal of Economic Behavior and Organization 23,no.1, 1994
[2]Adda,Jacques.La Mondialisation de L'economie,台北知书房出版集团,2000
[3]Adorno,Theodor W.. The Culture Industry, Routledge,London & New York,1991
(4)Allen,Johnny & William O'Toole etc.Festival and Special Event Management,台北五观艺术出版,2005
[5]Axtmann,Roland.Society,Globalization and the Comparative Method, History of the Human Sciences 6,no.2,1993
[6]BalfeJudith Huggins & Wyszomirski,Margaret J. Public Art and Public Policy, Journal of Arts Management and Law 15,no.4, 1986
[7]Bator,R M.. The International Trade in Art,U of Chicago Press,Chicago,1982
[8]Baudrillard,Jean:Selected Writings,Stanford University Press,Stanford,1988
[9]Bennet,Tony. Culture,Governmentand the Social,Culture and Policy 8,no.3,1997
(10)Bennet,Tony.Useful Culture,Cultural Studies 6,no.3,1992
(11)Bennet,Tony.The Birth of the Museum:History, Theory and Politics,Routledge,London,1995
(12)Blau,Judith R.The Shape of Culture:A study of Contemporary Cultural Patterns in the United States,Cambridge UP, Cambridge,1992
(13)Blaug,Mark,ed. The Economics of the Arts, Martin Robertson Press,London,1976
(14)Blum,Albert A,ed.The Arts:Years of Development,Time of Decision, U of Texas Press,Austin,1976
(15)Cans,Herbert J..Popular Culture and High Culture:An Analysis and Evaluation of Taste,Basic Press,New York,1974
(16)Caves,Richard E.. Creative Industries:Contracts between Art and Commerce,Harvard University Press, Boston,2000
(17)Csksentmihalyi,Mihaly. Creativity,台北时报文化出版公司,2003
(18)Dillon,C.Douglas.Cross-cultural Communication Through the Arts, Columbia Journal of World Business 6,no.5,1971
(19)Dimaggio,Paul J. Can Culture Survive the Marketplace,Journal of Arts Management and Law 13,no.1,1983
(20)DiMaggioPaul J.& Michael Useem. Social Class and Arts Consumption:the Origin and Consequences of Class Differences in Exposure to the Arts in America,Theory and Society 5,1978
(21)Dreeszen,Craig & Pam Korza,eds.Fundamentals of Local Arts Management,台北五观艺术出版,2000
(22)Florida,Richard & Irene Tinagli.Europe in the Creative Age, Carnegie Mellon Software Industry Center,Pitsburg,2004
(23)Florida, Richard. The Rise of the Creative Class:And How Its Transforming Work, Leisure,Community and Everyday Life,Basic Books Press,New York,2002
(24)Frey,Bruno S..Arts and Economics:Analysis and Cultural Policy,Springer-Verlag Berlin Heidelberg,Berlin,2003
(25)Gapinski,James H.. The Economics of Performing Shakespeare, American Economic Review 74,1983
(26)Garnham,Nicholas..Concepts of Culture:Public policy and the Cultural Industries, Cultural Studies 1,1987
(27)Gee,Constance Bumgarner.Four More Years-So What?, Arts Education Policy Review 98,1997
(28)Gingrich,Arnold..Business and the Arts:An Answer to Tomorrow, Eriksson Press,New York,1969
(29)Girard,Augustin. Policy and the Arts:The Forgotten Cultural Industries, Journal of Comparative Economics 5,no.1,1981
(30)Godin,Seth.Purple Cow:Transform Your Business by Being Remarkable, Krispy Kreme,New York,1999
(31)Graham,Gordon.The Politics of Culture:Art in a Free Society, History of European Ideas 13,no.6,1991
(32)Hammack,David.Think Tanks and the Invention of Policy Studies, Nonprofit and Voluntary Service Quarterly 24,no.2, 1995
(33)Hansen,T.. Measuring the Value of Culture European,Journal of Cultural Policy 1,no.2,1995
(34)Harris,Jonathan. Federal Art and National Culture:The Politics of Identity in New Deal America,Cambridge UP, Cambridge,1995
(35)Harris,Neil.Cultural Excursions:Marketting Appetites and Cultural Tastes in Modern America,U of Chicago Press, Chicago,1990
(36)Harrison,L. E.& S.P.Huntington. Culture Matters:How Values Shape Human Progress,台北联经出版事业公司,2003
(37)Harvey,Sylvia. Review of Framing Culture,Media,Culture & Society 16,no.1,1994
(38)Heilbrun,James & Charles M. Gray.The Economics of Art and Culture:An American Perspective,Cambridge UP,Cambridge,1993
(39)Hendon,William S.& James L. Shanahan,eds.Economics of Cultural Decisions,Mass.:Abt,Cambridge,1983
(40)Howkins,John. The Creative Economy:How People Make Money from Ideas,台北典藏艺术家庭出版公司,2003
(41)Hudson,Kenneth.Museums of Influence,Cambridge UP, Cambridge,1987
(42)Hunter,Ian.Culture and Government:The Emergence of Literary Education,Macmillan Press,London,1988
(43)Kotler,Philip.Marketing Asian Places,台北商智文化事业公司,2002
(44)Kreidler,John.Creative Community Index(Sililcon Valley),the Cultural Policy & the Arts National Data Archive(CPANDA), http://www.cpanda.org/,2002-2005
(45)Kurin,Richard.Cultural Policy Through Public Display, Journal of Popular Culture 29,no.1,1995
(46)Lull,James.Media,Communication,Culture:a Global Approach,台北韦伯文化国际出版公司,2004
(47)McKinzie,R.D.. The New Deal for Artists,Princeton UP, Princeton,1973
(48)McLaren,John. Cultural Independence for Australia:The Need for a National Literature,Australian Studies 14,1990
(49)Martorella,Rosanne,ed. Art and Business:An International Perspective on Sponsorship,Greenwood Press,Westport,1996
(50)Messenger,Phyllis Mauch.The Ethics of Collecting:Whose Culture? Whose Property?, U of New Mexico Press,Abuquerque, 1999
(51)Meyer,Karl E.. The Art Museum:Power,Money, Ethics, Morrow Press,New York,1979
(52)Miller,Toby.Hollywood and the World,.Oxford UP,Oxford,1998
(53)Miller,Toby & George Yudice. Cultural Policy,台北巨流图书公司,2006
(54)Mokwa,Michael & William Dawson,eds.Marketing and the Arts, Praeger,New York,1979
(55)Mulcahy,Kevin V.. Public Support for the Arts in the United States, Western Europe and Canada:Polities, Policies, Commissioned by the American Assembly New York:Columbia U, 1997
(56)Porter,Michael.The Global Competitiveness Report 2000
(57)Porter,Michael.National Innovative Capacity: World economic forum, The Global Competitiveness Report 2001-2002, Oxford University Press, New York,2002
(58)Porter,Michael.The Competitive Advantage of Nations, Macmillan Press,London,1990
(59)Rentschler,Ruth,ed. Shaping Culture:Arts & Entertainment Management,台北五观艺术出版,2006
(60)Smith,Paul.A Memory of Marxism, Polygraph nos.6-7,1993
(61)Snow,Nancy.Selling America's Culture to the World, Seven Stories Press,New York,1998
(62)Sparshott,Francis.Why Artworks Have no Right to Have Rights, Journal of Aesthetics and Art Criticism 42,1983
(63)Spurgeon,Christina. National Culture,Communications and the Information Economy, Media International Australia no.87,1998
(64)Storey,John.Cultural Consumption and Everyday Life,台北巨流图书公司,2005
(65)The Ministry of Trade and Industry. Denmark's Creative Potential,台北典藏艺术家庭出版公司,2003
(66)Throsby,David.Economics and Culture,Cambridge University Press,London,2001
(67)Throsby,David.The Production and Consumption of the Arts:A View of Cultural Economies,Journal of Economic Literature 32, no.1,1994
(68)Warnier,Jean-Pierre.La Mondialisation de la Culture,台北麦田出版社,2003
(69)Wasko,Janet.Hollywood in the Information Age Beyoud the Silver Screen,Polity Press,Cambridge,1994
(70)Williams,J. J.. Report of the Arts and Culture Task Group Presented to the Minister of Arts,Culture,Science and Technology, June 1995, Critical Arts 10,1996
(71)大前研一.未来台湾创新的致胜关键[J].台北：天下杂志,2006(345)
(72)生小刚.上海数字内容产业创新环境透视[J].上海：创意产业,2007(3)
(73)]江逸之、刁明芳.创意中国：专访马岩松、张伟平[J].台北：远见杂志,2006(11)
(74)曲丰国.世界.2008曲丰国作品展[M].上海张江当代艺术馆
(75)李希光等主编.软力量与全球传播[M].北京：清华大学出版社,2005
(76)李怀亮.当代国际文化贸易与文化竞争[M].广州：广东人民出版社,2005
(77)李怀亮等主编.文化巨无霸：当代美国文化产业研究[M].广州：广东人民出版社,2005
(78)李俊明译.Chris Smith:Creative Britain[M].台北：五观艺术管理,2005
(79)汪晖、余国良.上海：城市社会与文化[M].香港：香港中文大学出版社,1998
(80)花建.文化+创意=财富[M].台北：帝国文化出版社,2003
(81)花建.文化魔戒[M].台北：帝国文化出版社,2005
(82)花建、何增强主编.创意都市一上海创意产业的发展之路[M].上海：百家出版社,2007
(83)花建等.文化产业竞争力[M].广州：广东人民出版社,2005
(84)官振萱、张汉宜.动画大师宫崎骏的希望行销—逆风时代希望启航[J]台北：天下杂志,2009(414)
(85]林志明等主编.未来博物馆：展览专辑[M].台北：故宫博物院,2008
(86)林静宜等.北京飙大气-2008中国特刊[J].台北：远见杂志,2008(11)
(87)孟建.城市软实力视野中的国家形象建构与评估[R].上海：复旦大学国际公共关系研究中心中国城市软实力调查研究课题组,2009
(88)约翰霍金斯.创意经济是发展的杠杆[R].上海：联合国全球创意产业研讨会,2005
(89)胡惠林.文化产业发展与国家文化安全[M].广州：广东人民出版社,2005
(90)胡元梓、薛晓源.全球化与中国[M].北京：中央编译出版社,1998
(91)姜台林译.Stan Kaplan:TRIZ发明问题解决理论(M).台北：宇河文化出版社,2008
(92)徐霖恩.让大师们释放的能量—日本动漫产业的观察视角[J].上海：创意产业,2007(3)
(93)唐锦超.创造性破坏[M].台北：远流出版社,2003
(94)唐维敏等译.Michael Gurevitch and etc:Culture, Society and the Media[M].台北：远流出版社,1994
(95)孙良.孙良[M].上海：秋雨印刷,2004
(96)陈郁秀、刘育东等.创意岛屿狂想曲：2050愿景台湾[M].台北：远流出版事业公司,2006
(97)陈坤宏.消费文化理论[M].台北：扬智文化,1995
(98)张凤铸等主编.和而不同：全球化视野中的影视新格局[M].北京：中国传媒大学出版社,2005
(99)陈建豪等.文创航向新蓝海-台湾第一份文创调查报告[J].台北：远见杂志,2009(8)
(100)张京成主编.中国创意产业研究中心：中国创意产业发展报告200(M].中国经济出版社,2006
(101)许旆诚.许旆诚作品集[M].台北：许旆诚,2004
(102)国瑞协力会TPS研究会译.门田安弘：丰田的现场管理[M].台北：台湾中卫,2004
(103)陆祖鹤.文化产业发展方略[M].北京：社会科学文献出版社,2006
(104)贺寿昌.创意学概论[M].上海：人民出版社,2006
(105)傅振煜译.Richard Florida:Cities and the Creative Class创意新贵Ⅱ[M].台北：宝鼎出版社,2006
(106)杨先让.黄河十四走[M].台北：台湾英文汉声出版社,1993
(107)邬苏拉托依卡主编.现代笔墨专辑[M].广州：广东珠海出版社,2007
(108)叶辛,蒯大申主编.上海文化发展蓝皮书(2006)[M]：创意上海.上海：社会科学文献出版社,2006
(109)蔡尔平.原乡陶梦：蔡尔平彩镶瓷暨陶艺创作[M].台北：史博馆,2009
(110)蔡庆同.文化工业与全球化：一个研究架构的反省与重建[R].台湾社会学年会,2006
(111)刘黎儿.积极追求文化立国、艺术立国的日本[J].台湾文建会文创线上,2009,5(12),
(112)刘轶等.2007上海文学发展报告：原创力与上海文学发展[J].上海文化,2007,7
(113)郑晋昌.创新才能之人格特质评鉴量表建构[D].台湾中央大学人资管理所,2007
(114)厉无畏主编.创意产业导论[M].上海学林出版社,2006
(115)赖声川.赖声川的创意学[M].台北：天下杂志,2006
(116)邹应瑷译.Richard Florida:the Rise of Creative Class创意新贵[M].台北：宝鼎出版社,2003
(117)邹广文徐庆文.全球化与中国文化产业发展[M].北京：中央编译出版社,2006
(118)辜振丰.布尔乔亚：欲望与消费的古典记忆[M].台北：城邦文化事业公司,2003
(119)刘维公.当代消费文化社会理论的分析架构：文化经济学生活风格与生活美学[J].台北：东吴社会学报,2001,11
(120)刘建华.出口—货物转运[M].上海：外滩三号沪申画廊,2008
(121)刘建华.日常·易碎[M].北京：阿拉里奥画廊,2008
(122)刘建华.社会景观辨证[M].北京：阿拉里奥画廊,2007
(123)萧琼瑞.中国巨匠美术周刊：刘国松[M].台北：锦绣出版社,1996
(124)苏丁译.Eric Miller:重新分配的年代[M].台北：方智出版社,1993
(125)Americans for the Arts:http://www.artsusa. org
(126)The Creative Science Center:http://www.creative-science .org. uk
(127)The Cultural Policy & the Arts National Data Archive(CPANDA): http://www.cpanda.org/,2002-2005
(128)Culture Policies and Trends in Europe: http://www.culturalpolicies.nte
(129)DCMS(Department for Culture,media and support): http://www.culture.gov. uk/
(130)Education Commission of the States:Creative Industries 2005: The Congressional Report.http://www.ecs.org
(131)IIPA(International Intellectual Property Allience: http://www.iipa.com
(132)TRIZ矩阵模型：http://www.triz40.com
(133)工业技术研究院创意中心：http://www.creativitylab.itri.org.tw
(134)工业技术研究院：http://college.itri.org.tw/edm/B/200610/TRIZ
(135)中华人民共和国国家统计局：http://www.stats.gov.cn
(136)中国文化产业网：http://www.cnci.gov.tw
(137)中国文化产业论坛：http://www.ccif.cn
(138)中国文化市场网：http://www.ccm.gov.cn
(139)文化发展论坛：http://www.ccmedu.com
(140)文化产业网：http://www.culindustries.com
(141)永续台湾文教基金会：http://www.taiwan-ngo.org.tw
(142)台湾文建会文化创意产业发展计画：http://www.cci.cca.goy.tw
(143)台湾资策会：http://www.iii.org.tw
(144)创意指数研究香港特别行政区政府民政事务局&香港大学文化政策研究中心：http://www.hab.gov.hk
(145)大竞争时代的文化博弈.台北：十城十美国际研讨会,2008
(146)文化创意产业.全球思考台湾行动.台北：国际研讨会,2003
(147)宇宙心印画展：21世纪东方画系的新展望.台北：刘国松画展,2009