陶瓷壁饰的研究
摘要
在众多的艺术门类中,陶瓷壁饰艺术的历史源远流长。陶瓷壁饰作为一门独特的装饰艺术,在历史的长河中可谓是饱经风霜,它是文化、生活观念的载体。因为它的发展从来就是与文化的交流密切联系在一起的,凝聚着古代民族交流的成果,我国又是一个多民族国家,有着各式各样的民族风格和特点,这是我们宝贵的财富,我们应该继承传统的精华并发扬光大,利用这宝贵的财富来丰富我们今天的陶瓷壁饰文化。陶瓷壁饰艺术与其它艺术形式最大的不同点就是具有鲜明的建筑属性。所以,在艺术设计过程中,既要注重与建筑环境的和谐统一,又要充分发挥陶瓷壁饰艺术在建筑环境中的作用,从而使建筑艺术与陶瓷壁饰艺术互为补充。而本文就是从陶瓷壁饰的种类、造型、图案、以及在环境中的应用来综合分析陶瓷壁饰的,更详细的阐述了陶瓷壁饰这门艺术。
In numerous art door, ceramic murals art has a long history. Ceramic murals as a distinct adornment art, in the river of history it is weather-beaten, it is the culture and life idea planted body. Because of its development and cultural exchange has never been closely linked, condensing ancient national exchange achievement, our country is a multi-ethnic nation, with various national style and features, this is our precious wealth, we should inherit traditional essence and carry forward, use this valuable wealth to enrich our today's ceramic murals culture. Ceramic murals art and other forms of art is the biggest differences with distinctive architectural attributes. So, in art design process, both must pay attention to the harmony of architecture and environment, and fully exert ceramic murals art in the role of building environment, thus make architectural art with ceramic murals art complement each other. But in this article is from the ceramic murals species, modelling, design, as well as in environmental applications to points comprehensive post-mortem wallhangings, ceramic more detail of the ceramic murals this art.
In numerous art door, ceramic murals art has a long history. Ceramic murals as a distinct adornment art, in the river of history it is weather-beaten, it is the culture and life idea planted body. Because of its development and cultural exchange has never been closely linked, condensing ancient national exchange achievement, our country is a multi-ethnic nation, with various national style and features, this is our precious wealth, we should inherit traditional essence and carry forward, use this valuable wealth to enrich our today's ceramic murals culture. Ceramic murals art and other forms of art is the biggest differences with distinctive architectural attributes. So, in art design process, both must pay attention to the harmony of architecture and environment, and fully exert ceramic murals art in the role of building environment, thus make architectural art with ceramic murals art complement each other. But in this article is from the ceramic murals species, modelling, design, as well as in environmental applications to points comprehensive post-mortem wallhangings, ceramic more detail of the ceramic murals this art.
引文
[1]许正龙.壁饰设计教学.第一版.出版地:出版者,2009年4月.1页-6页
[2]程金城.中国陶瓷美学出版日期.2008.6
[3]王庆珍.壁饰艺术.1995年08月第1版
[4]杨玲编.壁饰现代壁饰设计与制作.2001年05月第1版
[5]陈进海世界陶瓷万卷出版公司2006年04月第一版
[6]张文兵陶瓷新技法北京工艺美术社
[7]吴仁敬中国陶瓷史
[8]汪庆正中国陶瓷研究上海人民出版社
[9]俞剑坤.世界装饰浮雕新追踪.沈阳:辽宁美术出版社,2001.5-60
[10]李家驹.陶瓷工艺学.北京:中国轻工业出版社,2001.10-105
[11]徐微.陶瓷壁饰的发展与应用.北京:清华大学美术学院,2004 4-10
[12]阿恩海姆霍兰.艺术的心理世界.周宪译.北京:中国人民大学出版社,2003.12-89
[13]苏珊·朗格.情感与形式.北京:中国建筑工业出版社,2006.8—63
[14]中国陶艺家.中国美术家协会陶艺委员会
[15]张映辉.壁画.第一版.2009年9月.4页-9页
[2]程金城.中国陶瓷美学出版日期.2008.6
[3]王庆珍.壁饰艺术.1995年08月第1版
[4]杨玲编.壁饰现代壁饰设计与制作.2001年05月第1版
[5]陈进海世界陶瓷万卷出版公司2006年04月第一版
[6]张文兵陶瓷新技法北京工艺美术社
[7]吴仁敬中国陶瓷史
[8]汪庆正中国陶瓷研究上海人民出版社
[9]俞剑坤.世界装饰浮雕新追踪.沈阳:辽宁美术出版社,2001.5-60
[10]李家驹.陶瓷工艺学.北京:中国轻工业出版社,2001.10-105
[11]徐微.陶瓷壁饰的发展与应用.北京:清华大学美术学院,2004 4-10
[12]阿恩海姆霍兰.艺术的心理世界.周宪译.北京:中国人民大学出版社,2003.12-89
[13]苏珊·朗格.情感与形式.北京:中国建筑工业出版社,2006.8—63
[14]中国陶艺家.中国美术家协会陶艺委员会
[15]张映辉.壁画.第一版.2009年9月.4页-9页