现代陶艺壁饰情感化应用研究
摘要
情感是现代陶艺壁饰的重要构成要素。创作者的情感投入对现代陶艺壁饰有着重要的影响;观赏者通过观看、触摸现代陶艺壁饰,所产生的情感反应都是源自于壁饰传达出的情感信息。对现代陶艺壁饰的情感要求,是人们调节生活空间中情感氛围的心理需求。
本文通过分析创作主体和受众客体的情感投入及情感反应,从这两个不同角度,看待对于现代陶艺壁饰情感化的创作和接受的影响。探讨了现代陶艺壁饰情感的要素和应用方法,从而满足人们对于温暖生活环境的需求,体现现代陶艺壁饰设计亦应当以人为本的理念。
本文首先分析了现代陶艺壁饰及现代陶艺壁饰的情感概念,对陶艺壁饰与墙壁结合的合理性进行分析,对陶艺壁饰的发展历史做基本陈述,对其种类进行划分并分别论述其情感特性。在现代陶艺壁饰情感化的主体与客体论述中,分析了创作主体对现代陶艺壁饰情感投入的题材选择和形式设计方面,分析了受众客体对于现代陶艺壁饰情感的情感反应、情感需求和情感接触。通过以上分析,提出了现代陶艺壁饰情感化应用方法,重点阐述了釉料色彩、陶瓷材质、陶瓷肌理在现代陶艺壁饰情感化中的应用。同时论述了水、光、地被植物在提升现代陶艺壁饰情感化中的应用。
本文通过阐明人们对现代陶艺壁饰情感化的需求;重点分析了各类陶艺壁饰的情感特性,根据现代陶艺壁饰情感传递的创作主体与受众客体对壁饰的不同要求,提出现代陶艺壁饰情感化应用的方法。最后通过一个具体的设计实例,讲述了将陶艺壁饰情感化合理应用于工程的具体实现。
Emotion is an important modern pottery decorative wall element. The emotional investment of creators of modern ceramic art decorative wall has an important impact on viewers to see, touch of modern ceramic art decorative wall, generated by the emotional reaction are derived from the decorative wall to convey the sentiments of information. Modern decorative wall on the emotional requirements of ceramic art is the living space in the regulation of the psychological needs of karma.
Through creative analysis of the main object of the audience and the emotional commitment and emotional reactions from the two different angles, decorative wall approach to the modern pottery emotional acceptance of the creation and impact. Of the modern pottery and decorative wall elements of the emotional way to meet people for the warmth of the living environment needs of modern ceramic art decorative wall design should be people-oriented concept.
This paper first of the modern pottery and modern pottery decorative wall of the emotional concept of decorative wall, the wall of pottery and decorative wall with a reasonable analysis of the pottery history of the development of decorative wall to do basic statement of its species and were on their Emotional characteristics. In modern pottery and decorative wall feelings on the subject and object, the creation of modern ceramic art decorative wall of the main emotion in the form of design and choice of subject matter, audience analysis of the object to the modern pottery decorative wall emotional response, emotional needs and Emotional contact. Through the above analysis, the modern pottery of the application of decorative wall emotion, focusing on the color glaze, ceramic materials, ceramic fabric in the modern pottery and decorative wall of emotion. At the same time on the water, light, to upgrade the plant in modern pottery and decorative wall of emotion.
This paper set out to the people of modern ceramic art of decorative wall emotional needs of a variety of ceramic art focus on the feelings of decorative wall, according to modern ceramic art decorative wall convey emotion with the audience the creative main object of the decorative wall of the different requirements of modern ceramics to the wall Emotion played by the method of application. Finally, a specific example of the design, decorative wall ceramics will be on the emotion of the reasonable application of specific projects to achieve.
The full text of about 40,000 words, illustrations 51.
本文通过分析创作主体和受众客体的情感投入及情感反应,从这两个不同角度,看待对于现代陶艺壁饰情感化的创作和接受的影响。探讨了现代陶艺壁饰情感的要素和应用方法,从而满足人们对于温暖生活环境的需求,体现现代陶艺壁饰设计亦应当以人为本的理念。
本文首先分析了现代陶艺壁饰及现代陶艺壁饰的情感概念,对陶艺壁饰与墙壁结合的合理性进行分析,对陶艺壁饰的发展历史做基本陈述,对其种类进行划分并分别论述其情感特性。在现代陶艺壁饰情感化的主体与客体论述中,分析了创作主体对现代陶艺壁饰情感投入的题材选择和形式设计方面,分析了受众客体对于现代陶艺壁饰情感的情感反应、情感需求和情感接触。通过以上分析,提出了现代陶艺壁饰情感化应用方法,重点阐述了釉料色彩、陶瓷材质、陶瓷肌理在现代陶艺壁饰情感化中的应用。同时论述了水、光、地被植物在提升现代陶艺壁饰情感化中的应用。
本文通过阐明人们对现代陶艺壁饰情感化的需求;重点分析了各类陶艺壁饰的情感特性,根据现代陶艺壁饰情感传递的创作主体与受众客体对壁饰的不同要求,提出现代陶艺壁饰情感化应用的方法。最后通过一个具体的设计实例,讲述了将陶艺壁饰情感化合理应用于工程的具体实现。
Emotion is an important modern pottery decorative wall element. The emotional investment of creators of modern ceramic art decorative wall has an important impact on viewers to see, touch of modern ceramic art decorative wall, generated by the emotional reaction are derived from the decorative wall to convey the sentiments of information. Modern decorative wall on the emotional requirements of ceramic art is the living space in the regulation of the psychological needs of karma.
Through creative analysis of the main object of the audience and the emotional commitment and emotional reactions from the two different angles, decorative wall approach to the modern pottery emotional acceptance of the creation and impact. Of the modern pottery and decorative wall elements of the emotional way to meet people for the warmth of the living environment needs of modern ceramic art decorative wall design should be people-oriented concept.
This paper first of the modern pottery and modern pottery decorative wall of the emotional concept of decorative wall, the wall of pottery and decorative wall with a reasonable analysis of the pottery history of the development of decorative wall to do basic statement of its species and were on their Emotional characteristics. In modern pottery and decorative wall feelings on the subject and object, the creation of modern ceramic art decorative wall of the main emotion in the form of design and choice of subject matter, audience analysis of the object to the modern pottery decorative wall emotional response, emotional needs and Emotional contact. Through the above analysis, the modern pottery of the application of decorative wall emotion, focusing on the color glaze, ceramic materials, ceramic fabric in the modern pottery and decorative wall of emotion. At the same time on the water, light, to upgrade the plant in modern pottery and decorative wall of emotion.
This paper set out to the people of modern ceramic art of decorative wall emotional needs of a variety of ceramic art focus on the feelings of decorative wall, according to modern ceramic art decorative wall convey emotion with the audience the creative main object of the decorative wall of the different requirements of modern ceramics to the wall Emotion played by the method of application. Finally, a specific example of the design, decorative wall ceramics will be on the emotion of the reasonable application of specific projects to achieve.
The full text of about 40,000 words, illustrations 51.
引文
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2.鲁道夫.视觉思维[M].滕守尧译.四川:人民出版社,1998.7-9
3.滕守尧.审美心理描述[M].四川:四川人民出版社,1998.20-23
4.莫罩斯·德·索斯马兹.视觉形态动力学[M].莫天伟译.上海:人民美术出版社,1989.55-59
5.赵宪章.审西方形式美学[M].上海:人民出版社,1996.60-75
6.王艳.壁画艺术与公共环境[M].武汉:理工大学出版社,2004.10-80
7.俞剑坤.世界装饰浮雕新追踪[M].沈阳:辽宁美术出版社,2001.5-60
8.李家驹.陶瓷工艺学[M].北京:中国轻工业出版社,2001.10-105
9.张绮曼.室内设计资料集[M].北京:中国社会科学出版社,1986.16-50
10.苏珊·朗格.情感与形式[M].北京:中国建筑工业出版社,2006.8-63
11.阿恩海姆 霍兰.艺术的心理世界[M].周宪译.北京:中国人民大学出版社,2003.12-89
12.福柯 哈贝马斯.激进的美学锋芒[M].周宪译.北京:中国人民大学出版社,2004.6-84
13.弗兰克.G.戈布尔.马斯洛心理学[M]吕明,陈红雯译.上海:上海译文出版社,2001.
14.贡布里希.装饰艺术的心理学研究[M]范景中,杨思梁,徐一维译.长沙:湖南科学技术出版社,1999.
15.张世富.心理学教学指导[M].北京:人民教育出版社,2004
16.杨岚.人类情感论[M].天津:百苑文艺出版社,2002
17.凯文·奥顿奈尔.黄昏后的契机:后现代主义[M].王萍丽译.北京:北京大学出版社,2004.7-26
18.DONALD·A·NORMAN.情感化设计[M]付秋芳,程进三译.北京:电子工业出版社,2005.16-30
19.鲁道夫·阿恩海姆.艺术与视知觉[M].滕守尧,朱疆源译.成都:四川人民出版社,2005.30-48
20.赵希岗.现代图形设计[M].北京:中国建筑出版社,2004.
21.李正安.陶瓷设计[M].杭州:中国美术学院出版社.2002
22.杨永善.说陶论艺IM].哈尔滨:黑龙江美术出版社.2001
23.郑宁.日本陶艺[M].哈尔滨:黑龙江美术出版社.2005
24.徐微.陶瓷壁饰的发展与应用[D]:[硕士学位论文].北京:清华大学美术学院,20044-10
25.杨玉艳.论环境陶艺的亲和美[D]:[硕士学位论文].青岛:青岛大学设计艺术学院,2005 14-18
26.宋明亮.情感化设计理论指导下的日用品设计研究[D]:[硕士学位论文].无锡:江南大学,2006 5-7
27.余莉莉.体验经济下的情感设计[D]:[硕士学位论文].上海:交通大学
28.权华.把握激情展现产品魅力[J].郑州轻工业学院学报,1997(12).
29.张飞,汤佳.工业设计与情感[J].工程设计学报,2006(6).
30.秦锡麟.何炳钦.生活、科技与陶瓷产品设计[J].中国陶瓷工业,2001(12):34
31.冯美庭.陶瓷艺术设计的色彩与情感[J].景德镇陶瓷学院学术论文集.2007:58
32.余建荣,王爱红.陶瓷产品的设计因素[J].中国陶瓷.2004(5)