关于雕塑的符号思考
摘要
符号学是研究符号的一般理论的学科。它研究符号的本质、符号的发展变化规律、符号的各种意义、各符号相互之间以及符号与人类多种活动之间的关系。
随着我国当前城市建设飞速发展的同时,人们越来越多的感到雕塑理论对于雕塑创作的重要性。然而,由于各种原因,我们对雕塑创作理论的研究还有很多不足。因而我们有必要吸收能引发创见的理论框架来形成具有自身特点的思维方式,从而指导创作实践。
论文的研究目的就是力图从符号理论角度探讨其与雕塑创作的关系和影响,依照符号学的基本框架和研究层面,并结合重庆的一些实例着重探讨了雕塑形式的一般组织规律及雕塑的意义及其表达方式,同时也探讨了雕塑符号的语境、解释和功能,并分析了这些因素对雕塑创作的影响,希望能对雕塑创作有积极的意义。
The semiotics is studies the general theory discipline about the signs. It studies the essence, the development change rule and the each kind of significance of signs, as well as various signs mutually between relations, between sign and human many kinds of activity relations.
At the same time, with the rapid development of the urban construction in our country, more and more people is feeling importance about the sculpture theory to the sculpture creation. However, as a result of each kind of reason, we are also insufficient to the sculpture creation theory research. Thus we have the essential absorbed energy initiation unique interpretation theory frame to form have own characteristic thinking mode, and instruction creation practice.
The paper research goal is attempts from the sign theory angle discussion and the sculpture creation relations and the influence, according to the semiotics bare bone and the research stratification plane, and unified Chongqing's some examples emphatically to discuss the sculpture form common organization rule as well as the sculpture significance and the expression way, simultaneously has also discussed the sculpture sign linguistic environment, the explanation and the function, and has analyzed these factors to the sculpture creation influence, and hope to create positive meaning to the sculpture.
随着我国当前城市建设飞速发展的同时,人们越来越多的感到雕塑理论对于雕塑创作的重要性。然而,由于各种原因,我们对雕塑创作理论的研究还有很多不足。因而我们有必要吸收能引发创见的理论框架来形成具有自身特点的思维方式,从而指导创作实践。
论文的研究目的就是力图从符号理论角度探讨其与雕塑创作的关系和影响,依照符号学的基本框架和研究层面,并结合重庆的一些实例着重探讨了雕塑形式的一般组织规律及雕塑的意义及其表达方式,同时也探讨了雕塑符号的语境、解释和功能,并分析了这些因素对雕塑创作的影响,希望能对雕塑创作有积极的意义。
The semiotics is studies the general theory discipline about the signs. It studies the essence, the development change rule and the each kind of significance of signs, as well as various signs mutually between relations, between sign and human many kinds of activity relations.
At the same time, with the rapid development of the urban construction in our country, more and more people is feeling importance about the sculpture theory to the sculpture creation. However, as a result of each kind of reason, we are also insufficient to the sculpture creation theory research. Thus we have the essential absorbed energy initiation unique interpretation theory frame to form have own characteristic thinking mode, and instruction creation practice.
The paper research goal is attempts from the sign theory angle discussion and the sculpture creation relations and the influence, according to the semiotics bare bone and the research stratification plane, and unified Chongqing's some examples emphatically to discuss the sculpture form common organization rule as well as the sculpture significance and the expression way, simultaneously has also discussed the sculpture sign linguistic environment, the explanation and the function, and has analyzed these factors to the sculpture creation influence, and hope to create positive meaning to the sculpture.
引文
[1] 《符号学简史》(法)安娜·埃诺著 怀宇译 百花文艺出版社 2005.1
[2] 《艺术设计学》凌继尧 徐恒醇 著..上海人民出版社.2000
[3] 《情感与形式》(美)苏珊·朗格著 刘大基等译 中国社会科学出版社 1987
[4] 《世界现代设计史》王受之著 新世纪出版社 1995
[5] 《艺术符号美学》 吴风著 北京广播学院出版社 2001.2.
[6] 《街道的美学》卢原义信著 尹培桐译 中国建筑工业出版社·1989
[7] 《城市雕塑》应立国 中国建筑工业出版社
[8] 《环境景观艺术》徐彬 熊元鑫著 辽宁科学技术出版社
[9] 《设计与视知觉》顾大庆著 中国建筑工业出版社
[10] 《城市雕塑(上)/当代城市景观与环境设计丛书》 应立国编 中国建筑工出版业社
[11] 《中国传统雕塑/中国文化史知识丛书》顾森著 商务印书馆
[12] 《城市雕塑环境艺术》 陈连富著 黑龙江美术出版社
[13] 《符号学概论》(法)皮埃尔吉罗著 怀宇译 四川人民出版社 1983.11
[14] 《符号 象征与建筑》(英)G·勃罗德彭特著 了民成译 中国建筑工业出版社 1991.5
[15] 《欧美碑雕造形艺术》庆重著 中国建材工业出版社 2004.1
[16] 《中国雕塑史》 梁思成著 百花文艺出版社 1998.11
[17] 《广义符号学及其在设计中的应用》(德)马克斯·本泽 伊丽莎白·瓦尔特著 徐恒醇译 1992.2
[18] 《视觉艺术的社会心理》(日)中川作一著 许平 贾晓梅 赵秀侠译 上海人民美术出版社 1996.6
[19] 《雕塑·环境·艺术》王枫著 东南大学出版社 2003.6
[20] 《城市的眼睛》 朱国荣著 复旦大学出版社 1998.12
[21] 《艺术与审美的当代形态》 王杰 廖国伟等著 人民文学出版社 2002.3
[22] 《开放的雕塑》 邓东著 湖南美术出版社 2002.8
[23] 《西方后现代雕塑经典》李庆本 李婷著 天津人民出版社 2005.5
[24] 《雕塑学》许正龙著 辽宁美术出版社 2001.3
[25] 《当代中国城市雕塑(建筑壁画 1978-2002)(精)》 于美成编 上海书店出版社
[26] 《景观标志》(日)太田幸夫 板野长美著 大连理工出版社 2001.3
[27] 《符号帝国》(法)罗兰·巴特著 孙乃修译 商务印物馆 1994
[28] 《符号学原理》(法)罗兰·巴特著 王东亮等译 生活·读书·新知三联书店 1999
[29] 《中国建筑与形式之符号意义》 王铭鸿著 台湾·明文书局 1987
[30] Birren,Faber.History of Color in Painting.New York:Van Nostrand Reinhold,1965.
[31] W.Whyte·《City:pediscovering the Center》·new York,Anchor Book
[32] The Guild 9,The Architect’s Source of Artist and Artists.
[33] Color in Architecture.Architectural Design,1996.
[34] Shoichiro Higuchi,Barcelona:Environmental Art,Kashiwashobo.
[35] Sculpture,From Antiquity To The Present,Taschen.
[36] Water As Environmental Art,Creating Amenity Space,Kashiwashobo.
[2] 《艺术设计学》凌继尧 徐恒醇 著..上海人民出版社.2000
[3] 《情感与形式》(美)苏珊·朗格著 刘大基等译 中国社会科学出版社 1987
[4] 《世界现代设计史》王受之著 新世纪出版社 1995
[5] 《艺术符号美学》 吴风著 北京广播学院出版社 2001.2.
[6] 《街道的美学》卢原义信著 尹培桐译 中国建筑工业出版社·1989
[7] 《城市雕塑》应立国 中国建筑工业出版社
[8] 《环境景观艺术》徐彬 熊元鑫著 辽宁科学技术出版社
[9] 《设计与视知觉》顾大庆著 中国建筑工业出版社
[10] 《城市雕塑(上)/当代城市景观与环境设计丛书》 应立国编 中国建筑工出版业社
[11] 《中国传统雕塑/中国文化史知识丛书》顾森著 商务印书馆
[12] 《城市雕塑环境艺术》 陈连富著 黑龙江美术出版社
[13] 《符号学概论》(法)皮埃尔吉罗著 怀宇译 四川人民出版社 1983.11
[14] 《符号 象征与建筑》(英)G·勃罗德彭特著 了民成译 中国建筑工业出版社 1991.5
[15] 《欧美碑雕造形艺术》庆重著 中国建材工业出版社 2004.1
[16] 《中国雕塑史》 梁思成著 百花文艺出版社 1998.11
[17] 《广义符号学及其在设计中的应用》(德)马克斯·本泽 伊丽莎白·瓦尔特著 徐恒醇译 1992.2
[18] 《视觉艺术的社会心理》(日)中川作一著 许平 贾晓梅 赵秀侠译 上海人民美术出版社 1996.6
[19] 《雕塑·环境·艺术》王枫著 东南大学出版社 2003.6
[20] 《城市的眼睛》 朱国荣著 复旦大学出版社 1998.12
[21] 《艺术与审美的当代形态》 王杰 廖国伟等著 人民文学出版社 2002.3
[22] 《开放的雕塑》 邓东著 湖南美术出版社 2002.8
[23] 《西方后现代雕塑经典》李庆本 李婷著 天津人民出版社 2005.5
[24] 《雕塑学》许正龙著 辽宁美术出版社 2001.3
[25] 《当代中国城市雕塑(建筑壁画 1978-2002)(精)》 于美成编 上海书店出版社
[26] 《景观标志》(日)太田幸夫 板野长美著 大连理工出版社 2001.3
[27] 《符号帝国》(法)罗兰·巴特著 孙乃修译 商务印物馆 1994
[28] 《符号学原理》(法)罗兰·巴特著 王东亮等译 生活·读书·新知三联书店 1999
[29] 《中国建筑与形式之符号意义》 王铭鸿著 台湾·明文书局 1987
[30] Birren,Faber.History of Color in Painting.New York:Van Nostrand Reinhold,1965.
[31] W.Whyte·《City:pediscovering the Center》·new York,Anchor Book
[32] The Guild 9,The Architect’s Source of Artist and Artists.
[33] Color in Architecture.Architectural Design,1996.
[34] Shoichiro Higuchi,Barcelona:Environmental Art,Kashiwashobo.
[35] Sculpture,From Antiquity To The Present,Taschen.
[36] Water As Environmental Art,Creating Amenity Space,Kashiwashobo.