中西方狮形雕塑在公共艺术中的应用研究
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摘要
狮形雕塑的文化由来,中西方有所不同。中国传统狮形雕塑的文化含义及社会功能涉及各朝各代的宗教、政治和民间生活,造型以意传神,材料选择比较丰富。西方传统狮形雕塑以高度写实为特征,大多服务于建筑,装饰性功能较强,材质选择以石材和金属为主。中西方狮形雕塑研究主要包括其文化含义、功能、形式和材料。
狮形雕塑在公共艺术中的应用现状显示为:在中国,盲目西化与错位的狮形雕塑泛滥,中国传统狮形造型与文化面临缺失和边缘化;在西方世界,传统狮形雕塑依然占据重要地位,同时,在公共艺术创作中,艺术家们大胆重构与演化了新生造型与文化内涵,并不断扩大其应用领域。
中西方狮形雕塑文化应被作为当代公共艺术的重要创作资源,同时需要保持对传统文化的扬弃。本文首先对中西方传统狮形雕塑的文化背景和造型特点进行了分析与介绍,明确中西方传统狮形雕塑的历史渊源及其所代表的社会精神和艺术精神,并对各类狮形雕塑的制作工艺和手法进行归纳。结合当前公共艺术创作领域中对狮形雕塑文化多方面传承和重构的应用现状,文章提出了狮形雕塑在公共艺术领域的新功能、新形式和新内涵,并通过3个设计实践方案的探索进一步明确了文章的观点。
Cultural Heritage of lion-formed sculpture, in the West and the East are different. The traditional Chinese lion-shaped sculpture of the cultural meaning and social function involved in the generation of various religious, political and civil life, intended to form vivid, rich choice of materials. Western traditional lion-shaped sculpture with a high degree of realism is characterized, most services in construction, decoration features strong material to choose mainly stone and metal. Lion-shaped sculpture in the Western study, including its cultural meaning, function, form and materials.
Lion-shaped sculpture in the public art display of the status quo: In China, the blind Westernization and the dislocation of the proliferation of lion-shaped sculpture, traditional Chinese lion-shaped face modeling and cultural marginalization and loss in the Western world, the traditional lion-shaped sculpture still occupy an important Position at the same time, in public art, artists Reconstruction and evolution of the bold new design and cultural connotation, and we will continue to expand its applications.
Lion-shaped sculpture in Western culture should be contemporary public art as an important creative resources and the need to maintain the traditional culture of abandoning. This paper first in the Western tradition of lion-shaped sculpture of the cultural background and characteristics of the modeling and analysis, clearly in the Western tradition of lion-shaped sculpture and the history of the community represented by the spirit and the spirit of art and all kinds of lion-shaped sculpture of production Process and means to summarize. The current combination of public art in the field of lion-shaped sculpture and cultural heritage and various aspects of the reconstruction of the status quo, the article raised the lion-shaped public art sculptures in the field of new features, new forms and new content and design practice through three programs explore further defined the article point of view.
狮形雕塑在公共艺术中的应用现状显示为:在中国,盲目西化与错位的狮形雕塑泛滥,中国传统狮形造型与文化面临缺失和边缘化;在西方世界,传统狮形雕塑依然占据重要地位,同时,在公共艺术创作中,艺术家们大胆重构与演化了新生造型与文化内涵,并不断扩大其应用领域。
中西方狮形雕塑文化应被作为当代公共艺术的重要创作资源,同时需要保持对传统文化的扬弃。本文首先对中西方传统狮形雕塑的文化背景和造型特点进行了分析与介绍,明确中西方传统狮形雕塑的历史渊源及其所代表的社会精神和艺术精神,并对各类狮形雕塑的制作工艺和手法进行归纳。结合当前公共艺术创作领域中对狮形雕塑文化多方面传承和重构的应用现状,文章提出了狮形雕塑在公共艺术领域的新功能、新形式和新内涵,并通过3个设计实践方案的探索进一步明确了文章的观点。
Cultural Heritage of lion-formed sculpture, in the West and the East are different. The traditional Chinese lion-shaped sculpture of the cultural meaning and social function involved in the generation of various religious, political and civil life, intended to form vivid, rich choice of materials. Western traditional lion-shaped sculpture with a high degree of realism is characterized, most services in construction, decoration features strong material to choose mainly stone and metal. Lion-shaped sculpture in the Western study, including its cultural meaning, function, form and materials.
Lion-shaped sculpture in the public art display of the status quo: In China, the blind Westernization and the dislocation of the proliferation of lion-shaped sculpture, traditional Chinese lion-shaped face modeling and cultural marginalization and loss in the Western world, the traditional lion-shaped sculpture still occupy an important Position at the same time, in public art, artists Reconstruction and evolution of the bold new design and cultural connotation, and we will continue to expand its applications.
Lion-shaped sculpture in Western culture should be contemporary public art as an important creative resources and the need to maintain the traditional culture of abandoning. This paper first in the Western tradition of lion-shaped sculpture of the cultural background and characteristics of the modeling and analysis, clearly in the Western tradition of lion-shaped sculpture and the history of the community represented by the spirit and the spirit of art and all kinds of lion-shaped sculpture of production Process and means to summarize. The current combination of public art in the field of lion-shaped sculpture and cultural heritage and various aspects of the reconstruction of the status quo, the article raised the lion-shaped public art sculptures in the field of new features, new forms and new content and design practice through three programs explore further defined the article point of view.
引文
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2.孙振华著.中国雕塑史[M].中国美术学院出版社.1994年
3.徐诚一著.成一集[C].中国档案出版社.2005年
4.徐诚一著.徐诚一文集[C].中国档案出版社.2007年
5.钱绍武著.美学讲演集[C].北京师范大学.1981年
6.钱绍武著.钱绍武谈艺录(一)关于“苍茫”[EB/OL].http://news.artron.net/show_news.php?newid=29366.2007年
7.钱绍武著.钱绍武谈艺录(二)关于“入木三分”[EB/OL]. http://news.artron.net/show_news.php?newid=29367.2007年
8.王中著.公共艺术概论[M].北京大学出版社.2007年
9.李松著.土木金石—传统人文环境中的中国雕塑[M].陕西人民美术出版社.2005年
10.李松著.中国寺观雕塑全集[M].黑龙江美术出版社.2005年
11. (日)竹田直树,樋口正一郎,白玉美,等著.世界城市环境雕塑[M].中国建筑工业出版社.1997年
12.朱伯雄著.世界经典雕塑建筑鉴赏辞典[M].中国青年出版社.2004年
13.首都城市雕塑艺术委员会编.北京城市雕塑集[M].中国建筑工业出版社.1998年
14.梁欣立著.北京古狮[M].北京图书馆出版社.2007年
15.董洪全著.明清民间木雕[M].辽宁画报出版社.2005年
16.徐华铛著.中国古民居木雕[M].中国林业出版社.2007年
17.周君言著.明清民居木雕精粹[M].上海古籍出版社.2006年
18.尤广熙著.中国石狮造型艺术[M].中国建筑工业出版社.2003年
19.郑军著.中国狮子纹饰集[M].辽宁美术出版社.1999年
20.鹤坪、傅晓鸣著.中华栓马桩艺术[M].百花文艺出版社.2006年
21.薄松年著.中国民间美术全集[M].人民美术出版社.2002年
22.路玉章著.古建筑砖瓦雕塑艺术[M] .中国建筑工业出版社.2002年
23.大王.WZL Graphics+life[EB/OL].http://www.iwzl.com/blog/?cat=1
24. Daisy Lion-Goldschmidt.Art:Bronze, Jade, Sculpture, Ceramics[M].Universe Books.1960
25. Huge Munsterberg.The Art of the Chinese Sculptor[M].Rutland,VT. 1960
26. Jiro Sugiyama,translated and adapted by Samuel Crowell Morse.Classic Buddhist sculpture:the Tempyo period[M].Kodansha International.1982
27. Brooke Barrie,introduction by Glenn Harper.Contemporary outdoor sculpture[M].Rockport Publishers.1999