梦窗词研究中“泛情词说”论辨
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摘要
吴文英,字君特,号梦窗,是南宋典丽派词人代表,其词以“隐辞幽思、陈喻多岐”著称。在梦窗集中,用情最深的是那些有怀人情绪的爱情词作。又因梦窗词交融性极大,某些题为咏物、节序乃至酬赠词作也似乎与怀人有关。杨铁夫《梦窗词全集笺释·吴梦窗事迹考》中提出“梦窗一生艳迹,一去姬、一故妾、一楚伎”,杨氏又列出一百一十七首词作,认为皆与梦窗“姬”、“妾”、“伎”情事相关。
本文中所涉“情词”乃狭义情词,即与梦窗“一生艳迹”有关的词作。笔者先从“泛情词说”形成过程入手,依据梦窗词作本身形成的情词“证据链”,对前贤认为的情词进行勘比剔抉,重新体认并提出“楚伎说”、“故妾说”、“去姬说”新解。新解为:杨氏所提出的“楚伎”实为扬州歌妓,此段情事发生地在扬州。“楚伎说”新解的证据链为梦窗词中的重午怀人词作;“故妾”实为杭州歌妓,清明、西湖、西陵渡口、仙溪典故皆是忆“故妾”词作的组成要素。写“故妾”之作,与夏承焘所言不同,其时未必全在春。“去姬”是否为“姬”,亦不可断定,文中暂称“苏州女子”,不过“去姬”之曾为营妓的身份可证实。西园词、秋千意象、寒食清明、年少游湖,皆为忆“去姬”作品的线索。写所谓“去姬”之作,其地未必在苏,其时未必全在夏秋。
本文前三章主要是梳理“泛情词说”的形成与发展、继而提出梦窗情事说新解。第四章第一节主要是整理、归纳梦窗词中出现频率较高的“燕”意象。“燕”意象在梦窗词中的用法主要有“樯燕”、“社燕”、“代指歌妓”、“借燕抒发兴衰之感”四种。笔者于第四章“泛情词说”论辨一节,将不能认同的所谓“姬妾”情词分为“节序风物、人生况味”、“伤今怀昔、重来万感”、“泛咏闺情、春怀秋感”、“酬赠赋怀、咏物含情”四类,从词题和词作内容出发解读这些词作,试图还原作者本意,将部分所谓“姬妾”词作归于合适位置。
WuWenYing, JunTe, another name is MengChuang.He was an excellent poet representative of elegant faction in Southern Song Dynasty. His Ci poetry was famous, because they were difficult to be understood and have different meanings. There are many Ci poetries on love remembering his sweethearts in his works. His Ci poetries had strong blending, so some Ci portries about sceneries, seasons and repling feeling were related with his sweethearts. In "Explanation of MengChuang’s Ci porty Research on Wu Mengchuang’s fact", YangTiefu proposed that“MengChuang’s emotional history was rich, he had a professional female entertainer but left repidly, a died concubine and a ChuJi”. He listed 117 Ci poeties and thought that they were all related with MengChuang’s love story.
This paper involves“the Ci poetry on love”that exprssed the narrow feeling, which was related with MengChuang’s love story. We firstly pay attention to the forming process of“the pan-feelings said”. According to“the evidence chain”of MengChuang’s Ci poetries, We carry on the comparison of the past worthies and propose“the said of ChuJi”,“the said of died concubine”and“the said of professional female entertainer”. YangTiefu proposed a new solution that“the ChuJi”was a Geisha in Yangzhou, the birthplace of this section was Yangzhou,“the said of ChuJi”was based on his Ci poetries that remembered sweethearts in Dragon Boat Festival;“the died concubine”was a Geisha in Hangzhou. Literary references of Qingming Festival, Xihu, the Xiling ferry spot and Xianxi were all the component elements of his Ci poetries which recalled“the died concubine”. We thought that their meantimes were not necessarily all in spring, this solution was different from XiaChengtao; We can not reach the conclusion that“the professional female entertainer but left rapidly”was a“professional female entertainer”, WuMengChuang called her“the Suzhou woman”, but we can conclude that this woman was a camp prostitute. The Xi Yuan words, Cold food Festival, Qingming Festival, and lake touring were clues of recalling“the professional female entertainer”. The place of writing those Ci poetries was not necessarily in SuZhou, the times were not all in summer and autumn.
The first three chapters of this paper mainly comb the formation and the development of“the pan-feelings said”in MengChuang’s Ci poetries, and propose new solution about WuMengChuang’s love circumstances. The first section of the fourth chapter reorganize and inducte“the swallow”image that was presented frequenly in MengChuang’s Ci poeties.We thought that“the swallow”image mainly had four kinds,that is,“the Qiang Yan”,“the Sheswallow”,“the expression of Geisha”,“the feeling of the prosperity and decline taking advantage”. In the fourth chapter, we divided those Ci poetries that were not named“the concubine”into“description of season scenery and life situation”,“felt sad to past, fondly remembered present”,“description of boudoir sentiment , described the feelings of spring and fall”,“repling thanks and chanting things”. According to the topics and contents of MengChuang’s Ci poeties, and refered to the classics, we attempted to return author’s original intention to original state and placed these Ci poetries named“the concubine”in the appropriate position.
本文中所涉“情词”乃狭义情词,即与梦窗“一生艳迹”有关的词作。笔者先从“泛情词说”形成过程入手,依据梦窗词作本身形成的情词“证据链”,对前贤认为的情词进行勘比剔抉,重新体认并提出“楚伎说”、“故妾说”、“去姬说”新解。新解为:杨氏所提出的“楚伎”实为扬州歌妓,此段情事发生地在扬州。“楚伎说”新解的证据链为梦窗词中的重午怀人词作;“故妾”实为杭州歌妓,清明、西湖、西陵渡口、仙溪典故皆是忆“故妾”词作的组成要素。写“故妾”之作,与夏承焘所言不同,其时未必全在春。“去姬”是否为“姬”,亦不可断定,文中暂称“苏州女子”,不过“去姬”之曾为营妓的身份可证实。西园词、秋千意象、寒食清明、年少游湖,皆为忆“去姬”作品的线索。写所谓“去姬”之作,其地未必在苏,其时未必全在夏秋。
本文前三章主要是梳理“泛情词说”的形成与发展、继而提出梦窗情事说新解。第四章第一节主要是整理、归纳梦窗词中出现频率较高的“燕”意象。“燕”意象在梦窗词中的用法主要有“樯燕”、“社燕”、“代指歌妓”、“借燕抒发兴衰之感”四种。笔者于第四章“泛情词说”论辨一节,将不能认同的所谓“姬妾”情词分为“节序风物、人生况味”、“伤今怀昔、重来万感”、“泛咏闺情、春怀秋感”、“酬赠赋怀、咏物含情”四类,从词题和词作内容出发解读这些词作,试图还原作者本意,将部分所谓“姬妾”词作归于合适位置。
WuWenYing, JunTe, another name is MengChuang.He was an excellent poet representative of elegant faction in Southern Song Dynasty. His Ci poetry was famous, because they were difficult to be understood and have different meanings. There are many Ci poetries on love remembering his sweethearts in his works. His Ci poetries had strong blending, so some Ci portries about sceneries, seasons and repling feeling were related with his sweethearts. In "Explanation of MengChuang’s Ci porty Research on Wu Mengchuang’s fact", YangTiefu proposed that“MengChuang’s emotional history was rich, he had a professional female entertainer but left repidly, a died concubine and a ChuJi”. He listed 117 Ci poeties and thought that they were all related with MengChuang’s love story.
This paper involves“the Ci poetry on love”that exprssed the narrow feeling, which was related with MengChuang’s love story. We firstly pay attention to the forming process of“the pan-feelings said”. According to“the evidence chain”of MengChuang’s Ci poetries, We carry on the comparison of the past worthies and propose“the said of ChuJi”,“the said of died concubine”and“the said of professional female entertainer”. YangTiefu proposed a new solution that“the ChuJi”was a Geisha in Yangzhou, the birthplace of this section was Yangzhou,“the said of ChuJi”was based on his Ci poetries that remembered sweethearts in Dragon Boat Festival;“the died concubine”was a Geisha in Hangzhou. Literary references of Qingming Festival, Xihu, the Xiling ferry spot and Xianxi were all the component elements of his Ci poetries which recalled“the died concubine”. We thought that their meantimes were not necessarily all in spring, this solution was different from XiaChengtao; We can not reach the conclusion that“the professional female entertainer but left rapidly”was a“professional female entertainer”, WuMengChuang called her“the Suzhou woman”, but we can conclude that this woman was a camp prostitute. The Xi Yuan words, Cold food Festival, Qingming Festival, and lake touring were clues of recalling“the professional female entertainer”. The place of writing those Ci poetries was not necessarily in SuZhou, the times were not all in summer and autumn.
The first three chapters of this paper mainly comb the formation and the development of“the pan-feelings said”in MengChuang’s Ci poetries, and propose new solution about WuMengChuang’s love circumstances. The first section of the fourth chapter reorganize and inducte“the swallow”image that was presented frequenly in MengChuang’s Ci poeties.We thought that“the swallow”image mainly had four kinds,that is,“the Qiang Yan”,“the Sheswallow”,“the expression of Geisha”,“the feeling of the prosperity and decline taking advantage”. In the fourth chapter, we divided those Ci poetries that were not named“the concubine”into“description of season scenery and life situation”,“felt sad to past, fondly remembered present”,“description of boudoir sentiment , described the feelings of spring and fall”,“repling thanks and chanting things”. According to the topics and contents of MengChuang’s Ci poeties, and refered to the classics, we attempted to return author’s original intention to original state and placed these Ci poetries named“the concubine”in the appropriate position.
引文
[1]周茜.情词的两大转变与梦窗情词的特殊成就[J].华东师范大学学报,2004(5).99
[2]本文为导师全国高校古委会项目直接资助的子课题,导师《梦窗词泛情化阐释平议》一文,《文学遗产》已拟用
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.366
[4]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.1
[5]朱彊村三校本无标点,本文中所选梦窗词作的句读依据杨铁夫《梦窗词全集笺释》一书,并依据现代汉语标点规范标点。
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[1]杨铁夫于《吴梦窗事迹考》中考得梦窗“绍定壬辰,年约三十余岁入苏州仓幕供职”;夏承焘在《吴梦窗系年》”理宗绍定五年壬辰”条下记曰:“(梦窗)在苏州,为仓台幕僚.”
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[5]梦窗集中有《水龙吟·惠山酌泉》,乃《铁网珊瑚》所收梦窗新词稿十六首之第十一首,郑文焯谓此十六首新词皆一时之作,即淳祐三年(1243)作.《水龙吟·惠山酌泉》中有“二十年旧梦,轻鸥素约”,则可推断此词作于嘉定十六年左右.
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80.宗懔.荆楚岁时记[M].太原.山西人民出版社,1987
81.丁如明等校点.唐五代笔记小说大观上册[M].上海:上海古籍出版社,1999
82.张华.博物志[M].北京:中华书局,1985
83.刘义庆撰,郑晚清辑注.幽明录[M].北京:文化艺术出版社,1988
84.司马迁.史记[M].北京.中华书局,2006
85.高承.事物纪原[M].北京:中华书局,1989
86.刘斧.青琐高议[M].上海:上海古籍出版社,1983
87.赵令畴.侯鲭录[M].北京:中华书局,1985
88.潘荣陛,富察敦崇.帝京岁时记胜燕京岁时记[M].北京:北京古籍出版社,1981
89.吴自牧.梦梁录[M].北京:商务印书馆,1939
90.李昉.太平御览[M].北京:中华书局,1960
91.汪灏,张逸少.范村梅谱佩文斋广群芳谱外二十种[M].上海:上海古籍出版社,1991
92.顾祖舆.读史方舆纪要[M].上海:上海书店出版社,1998
93.李楁.杭州府志[M].台北:成文出版社,1974
94.潛说友.咸淳临安志[M].台北:成文出版社,1970
95.李坤.论吴文英词[D]:[硕士学位论文].陕西:陕西师范大学文学院,2004
[2]本文为导师全国高校古委会项目直接资助的子课题,导师《梦窗词泛情化阐释平议》一文,《文学遗产》已拟用
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.366
[4]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.1
[5]朱彊村三校本无标点,本文中所选梦窗词作的句读依据杨铁夫《梦窗词全集笺释》一书,并依据现代汉语标点规范标点。
[1]夏承焘.天风阁学词日记[M].杭州:浙江古籍出版社,1984.125本文中部分引文所标标点,与现代汉语标点规范不同,笔者将遵循现代标点规范,一律改过。
[2]陈洵.海绡说词[M].台北:世界书局,1988.4
[3]陈洵.海绡说词[M].台北:世界书局,1988.7
[4]陈洵.海绡说词[M].台北:世界书局,1988.18
[5]陈洵.海绡说词[M].台北:世界书局,1988.23
[6]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.467
[7]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.468
[8]《癸卯元夕·瓜泾度中秋夕》一首因时间为癸卯(淳祐三年),与遣妾去时淳祐四年甲辰不符,故排除在外
[9]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.469
[10]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.469
[11]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.469
[12]夏承焘.夏承焘集(第二册)[M].杭州:浙江古籍出版社浙江教育出版社,1997.160
[1]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.375
[2] (1)甲辰,姬去归苏州,梦窗重到苏州时所作之忆姬词十五阕,《满江红?甲辰岁,盘门外寓居过重午》为忆姬之第一声;(2)甲辰冬至,梦窗适越,乙巳至丙午皆有“忆姬”词作,杨氏计为十二阕;(3)以上二十七阕皆有干支可考或根据词义可推断大致年月,除此以外,另有七十首“年月无可稽止有忆姬痕迹可寻者”
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.1
[4]刘永济.唐五代两宋词简析微睇室说词[M].北京:中华书局,2007.190
[1]钱鸿瑛.梦窗词研究[M].上海:上海古籍出版社,2005.108
[2]参见钱鸿瑛.梦窗词研究[M].上海:上海古籍出版社,2005.197
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.267
[4]钱鸿瑛.梦窗词研究[M].上海:上海古籍出版社,2005.198
[5]钱鸿瑛.梦窗词研究[M].上海:上海古籍出版社,2005.198
[6]钱鸿瑛.梦窗词研究[M].上海:上海古籍出版社,2005.106
[7]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.79
[8] (宋)沈义父.乐府指迷[M].北京:中华书局,1991.2
[9] (宋)沈义父.乐府指迷[M].北京:中华书局,1991.3
[10]钱鸿瑛.梦窗词研究[M].上海:上海古籍出版社,2005.109
[1]钱鸿瑛.梦窗词研究[M].上海:上海古籍出版社,2005.114
[2]吴蓓.梦窗词汇校笺释集评[M].杭州:浙江古籍出版社,2007.3—4
[3]吴蓓.梦窗词“情事说”解构[J].浙江学刊,2008(6).56
[4]吴蓓.梦窗词”情事说”解构[J].浙江学刊,2008(6).57
[5]吴蓓.梦窗词”情事说”解构[J].浙江学刊,2008(6).57
[6]吴蓓.梦窗词”情事说”解构[J].浙江学刊,2008(6).57
[1]吴蓓.梦窗词”情事说”解构[J].浙江学刊,2008(6).58
[2]吴蓓.梦窗词”情事说”解构[J].浙江学刊,2008(6).59
[3]《开元天宝遗事》“申王每至冬月,有风雨苦寒之际,使宫妓密围于坐侧,以御寒气,自呼为妓围”,见(唐)王仁裕.开元天宝遗事[M].北京:中华书局,1985.10
[4]吴蓓.梦窗词“情事说“解构[J].浙江学刊,2008(6).60
[5]《本事诗》“白尚书姬人樊素,善歌.妓人小蛮,善舞,尝为诗曰;“樱桃樊素口,杨柳小蛮腰.”年既高迈,而小蛮方丰艳,因为杨柳之词以讬意,曰;“一树春风万万枝,嫩于金色软于丝.永丰坊里东南角,尽日无人属阿谁?”见(唐)孟棨著,李学颖标点.本事诗[M].上海:上海古籍出版社,1991.16
[6]吴蓓.梦窗词“情事说”解构[J].浙江学刊,2008(6).63
[7]吴蓓.梦窗词“情事说”解构[J].浙江学刊,2008(6).63
[8]刘扬忠.评吴蓓《梦窗词汇校笺释集评》[J].文学评论,2008(4).212
[9]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.343
[10]吴蓓.梦窗词汇校笺释集评[M].杭州:浙江古籍出版社,2007.792
[1]吴蓓.梦窗词汇校笺释集评[M].杭州:浙江古籍出版社,2007.792
[2]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.294
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.297
[4]钟振振.读梦窗词札记(七)[J].东南大学学报,2001(2).82
[5]钟振振.读梦窗词札记(七)[J].东南大学学报,2001(2).83
[6]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.298
[7]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.159
[8]钟振振.读梦窗词札记(续)[J].文史,1994(4).281
[1]钟振振.读梦窗词札记(七)[J].东南大学学报,2001(2).82
[2]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.333
[3]钟振振.读梦窗词札记(九)[J].安徽师范大学学报,2001(2).283
[4]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.343
[5]钟振振.梦窗词索题五解[J].江海学刊,2001(2).153
[1]夏承焘.天风阁学词日记[M].杭州:浙江古籍出版社,1984.125
[2]陈洵.海绡说词[M].台北:世界书局,1988.12
[3]陈洵.海绡说词[M].台北:世界书局,1988.16
[4]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.213
[5]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.213
[6]刘永济.唐五代两宋词简析微睇室说词[M].北京:中华书局,2007.190
[1]钟振振.读梦窗词札记(九)[J].安徽师范大学学报,2001(2).284
[2]钟振振.读梦窗词札记(九)[J].安徽师范大学学报,2001(2).285
[1]吴自牧.梦梁录[M].北京:商务印书馆,1939.20
[2] (南朝)宗懔撰,宋金龙校注.荆楚岁时记[M].太原:山西人民出版社,1987.50—51
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.163
[1]宋书卷32列传第22[M].北京:中华书局,1997.192
[1]杨铁夫于《吴梦窗事迹考》中考得梦窗“绍定壬辰,年约三十余岁入苏州仓幕供职”;夏承焘在《吴梦窗系年》”理宗绍定五年壬辰”条下记曰:“(梦窗)在苏州,为仓台幕僚.”
[2] (唐)孟棨著,李学颖标点.本事诗[M].上海:上海古籍出版社,1991.7
[3]参见夏承焘.天风阁学词日记[M].杭州:浙江古籍出版社,1984.459—60
[4]参见杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.361—362
[5]梦窗集中有《水龙吟·惠山酌泉》,乃《铁网珊瑚》所收梦窗新词稿十六首之第十一首,郑文焯谓此十六首新词皆一时之作,即淳祐三年(1243)作.《水龙吟·惠山酌泉》中有“二十年旧梦,轻鸥素约”,则可推断此词作于嘉定十六年左右.
[6] (元)脱脱等.宋史卷八十八志第四十一[M].北京:中华书局,1977.2178
[7] (元)脱脱等.宋史卷八十八志第四十一[M].北京:中华书局,1977.2178
[1]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.469—470
[2]夏承焘.夏承焘集第二册[M].杭州:浙江古籍出版社浙江教育出版社,1997.160
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.200
[4]张如安.吴梦窗生平考证二题[J].中国韵文学刊,2000(2).52—56
[5]朱德慈.吴梦窗早年客杭探考[J].中国韵文学刊,1990(1).53—57
[6]钱锡生.试揭吴文英生平中的两个谜团[J].铁道师院学报,1992(1).15—20
[7]郭峰.梦窗情词本事考索[J].南阳师范学院学报,2003(10).63—65
[1]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.469
[2]刘永济.唐五代两宋词简析微睇室说词[M].北京:中华书局,2007.196
[1]朱德慈.吴梦窗早年客杭探考[J].中国韵文学刊,1990(1).56
[2]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.200
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.200
[4]钟振振.读梦窗词札记[J].文学遗产,1999(4).60
[1] (唐)孟棨著,李学颖标点.本事诗[M].上海:上海古籍出版社,1991.18-19
[2] (唐)房玄龄.晋书卷四十列传第十[M].北京:中华书局,1974.1173
[1]《左转》“初,郑文公有贱妾曰燕姞,梦天使与己兰,曰:’余为伯鯈.余,而祖也.以是为而子,以兰有国香,人服媚之如是.”见李梦生撰.左传译注上[M].上海:上海古籍出版社,2004.437—438
[2]房玄龄.晋书卷三十三列传第三[M].北京:中华书局,1974.1974
[3]全唐诗第十三册[Z].北京:中华书局,1960.4869
[1]夏承焘.天风阁学词日记[M].杭州:浙江古籍出版社,1984.125
[2]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.468
[3]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.467—468
[4]《宜城放琴客歌并序》,序曰“柳浑,封宜城县伯。琴客,宜城爱妾也。宜城请老,爱妾出嫁。不禁人之欲而私耳目之娱。达者也。况承命作歌。”见:全唐诗第八册[Z].北京:中华书局,1960.2946
[5]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.468—469
[6]夏承焘.夏承焘集第二册[M].杭州:浙江古籍出版社浙江教育出版社,1997.160
[7]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.362—363
[8]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.364
[9]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.143
[10]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.85
[11]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.48
[1]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.335
[2]参见本文第四页注释(2)
[3]参见夏承焘.天风阁学词日记[M].杭州:浙江古籍出版社,1984.125
[4]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.467—469
[5]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.364—365
[1] (唐)朱孝臧辑校编撰.彊村丛书附遗书5[M].上海:上海古籍出版社,1989.4408
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[1]陈匪石.宋词举[M].南京:金陵书画社,1983.22
[2]俞陛云.唐五代两宋词选释[M].上海:上海古籍出版社,1985.489
[3]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.24
[4]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.249
[5]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.332
[1]《杭州府志》“化度寺在城北江涨桥,梁天监间,朱异捨宅为寺,名众安.隋改众善,唐改重云,再改承云.宋治平二年,改今额.元至元间,兵毁.至正间,重建后并香稹寺.”见:李楁.杭州府志1—9卷三十六[M].台北:成文出版社,1974.827
[2] (宋)刘斧.青琐高议[M].上海:上海古籍出版社,1983.51—53
[3]参见(唐)孟棨著,李学颖标点.本事诗[M].上海:上海古籍出版社,1991.9
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[2] (宋)赵令畴.侯鲭录[M].北京:中华书局,1985.68
[1]夏承焘.唐宋词人年谱[M].上海:上海古籍出版社,1979.468
[1] (清)潘荣陛,富察敦崇.帝京岁时记胜燕京岁时记[M].北京:北京古籍出版社,1981.47
[1]毛诗正义十三经注疏本.北京:北京大学出版社,1999.121
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[1]钱鸿瑛.梦窗词研究[M].上海:上海古籍出版社,2005.109
[2]杨铁夫.梦窗词全集笺释[M].台北:学海出版社,1998.78
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