美国文化产业集群发展研究
详细信息    本馆镜像全文|  推荐本文 |  |   获取CNKI官网全文
摘要
文化产业融文化和经济为一体,在精神文明和物质文明两大领域同时发挥巨大作用。文化产业的发展是国民素质的提高和社会进步的重要标志。从世界各国文化产业发展的历程来看,文化产业的发展是一个国家或地区文化产业集群不断发展的过程。美国是世界上文化产业最发达的国家。研究美国文化产业集群发展的历程和现状,探讨其文化产业的发展特点及经验,对于中国文化产业的发展有着重要的意义。本文首先对文化产业集群相关理论进行综述,从产业集群理论和文化产业理论两个角度进行梳理。之后对文化产业集群的基础理论进行了探索性研究,对文化产业的定义和分类进行了界定,探讨了文化产业的特征,并进一步研究了文化产业集群的形成机理和影响因素。在此基础上,本文对美国文化产业集群的历史演进和发展现状进行了分析,分别从行业和地域两个角度对美国文化产业集群进行了研究。最后,在分析了美国文化产业发展的特点和经验的基础上,对中国黑龙江省文化产业的资源禀赋、发展现状以及存在的不足进行了全面的研究,并提出了提升黑龙江省文化产业竞争力的对策建议。
The cultural industry is a sunrise industry in the 21st century. It is a special industry which has culture and economy factors. The development of cultural industry was the symbol of social progress. China's cultural industry developed later than other developed countries. After 2000, Chinese government paid attention to Cultural industries gradually. Heilongjiang Province which is located in northeast China is affected by the economic level, geographic location and historical, so as to restricting the development of cultural industry. The U.S. attracted other culture entered into the United States, because it has easy and flexible management mechanism and economic and political advantage. Nowadays, the U.S. has become the world's most developed country in the cultural industry. The history of development of cultural industry is a history of cultural industry cluster growing process. Studying the history of cultural industry cluster and proposing the characteristics and experience of cultural industry are important to the development of Heilongjiang’s cultural industry.
     The dissertation contains 5 chapteres. The first chapter is the summary of the theory of cultural industry cluster. Although the research of culture has continued for years, the theory of cultural industry develops only after 1980s. There is no systemic theory of cultural industry cluster. This dissertation tries to summarize the theory of cultural industry cluster from two directions of cultural industry and industry cluster. It is firstly studied the concept of industry cluster. Then it compared the difference between industrial agglomeration and industry cluster. The beginning of industry cluster comes from Adam Smith's The Wealth of Nations. There are several theory in Industry cluster theory, such as Marshall's industrial district theory, Weber's industrial location theory, Perrour’s growth pole theory, Becattini’s new industrial district theory, Porter's new competition theory and Krugman’s new economic geography theory. The word cultural industry emerges in 1940s. There is no definite meaning about cultural industry. It is important to study the definition and classification of cultural industry. Finally, this dissertation summarizes the study of cultural industry, such as cultural industry clusters, cultural industry location, cultural industry park, cultural cities, the policy of cultural industries, and so on.
     The second chapter is the basic theory of cultural industry clusters. This chapter compare the different concept of cultural industry so as to defining the concept and classification. After studying the difference between cultural industry, creative industries and copyright industries, it discusses the characters of cultural industry. Then it discusses the format system from external economic effects, innovative effects and reduction of transaction costs effects. The cultural industry clusters is unequilibrium in real life. It means that cultural industry clusters is restricted by some factors, such as demand, human resources, systems, technology, capital, regional culture, and so on.
     The third chapter is the evolution of cultural industry clusters in America. American has the most developed cultural industry in the world and its cultural products are widely popular around the world. The cultural industry is more and more important in U.S. This chapter summarizes the history of cultural industry clusters in America, and discusses the experience and failure in cultural industry agglomeration, so as to studying the lesson which is helpful to China’s cultural industry. Cultural industry contains a lot of industries, such as newspaper, book publishing, radio and TV, film industry, performing arts, advertising, and so on. The study chooses three industries, which are newspaper, film industry, radio and TV. These three representative industries have a longer history. There are new tendency in American cultural industry, for example, the frequent mergers and acquisitions increase the industrial agglomeration, and the enterprise become diversity.
     The fourth chapter studies the level of culture industry agglomeration in US. It estimates the culture industry agglomeration by concentration ration of industry, hoover index and concentration index of industrial space. According to the number of employees and receipts in 1997 and 2002, this chapter estimates culture industry and seven sub-industries which include film music industry, radio and television industry, performing arts, publishing, advertising, entertainment, etc. The film music industry and radio and television industry have higher agglomeration. Advertising and entertainment have lower agglomeration. There are two cultural centers in US. The west cultural center is Los Angeles, and the east center is New York.
     The fifth chapter summarizes the characters of cultural industry and the experience and failure in the developing progress. There are four characters in American cultural industry, such as diversity, openness, expansion and market leading. The development of cultural industry in US depend on law and regulation system, flexible government policies, adequate sources of funding, abundant human resource and technological progress. Heilongjiang province which locates in the east north of China, is affected by the economic level, geographic location and history. It has rich cultural recourse, such as natural cultural resources, historical cultural resources, folk custom, foreign cultural resources. The dissertation analysis the competitiveness of cultural industry, and propose the countermeasures to expand the industrial scale, build cultural brands, increase government support and speed up the personnel training.
引文
1参见[英]马歇尔.经济学原理(上卷)[M].北京:商务印书馆,1997: 279-280.
    
    1参见[英]马歇尔.经济学原理(上卷)[M].北京:商务印书馆,1997: 281.
    2参见[德]约翰?冯?杜能.孤立国同农业和国民经济的关系[M].北京:商务印书馆,1997.
    1参见[德]阿尔弗雷德?韦伯.工业区位论[M].北京:商务印书馆,1997.
    
    1参见[德]沃尔特?克里斯塔勒.德国南部中心地原理[M].北京:商务印书馆,1998.
    2参见[德]奥古斯特?勒什.经济地域空间秩序—经济财货与地理间的关系[M].北京:商务印书馆,1995.
    1涂妍,陈文福.古典区位论到新古典区位论:一个综述[J].河南师范大学学报(哲学社会科学版),2003, (5): 38-42.
    1 Justin O’Connor. The definition of‘cultural industries’[EB/OL]. http://www.pedrobendassolli.com/pesquisa/ icc1.pdf. 1999.
    2王伟年.城市文化产业区位因素及地域组织研究[D].东北师范大学,2007:10
    1 Scott A J. Capitalism, Cities, and the Production of Symbolic Forms [J]. Transactions of the Institute of British Geographers, 2001, 26(1): 11-23.
    2 Pratt A C t. New Media, the New Economy and New Spaces [J]. Geoforum,2000, 31(4):425-436.
    3上海市经济委员会.创意产业[M].上海:上海科学技术文献出版社,2005:37.
    4 Howkins J. Creative Economy: How People Make Money From Idea [M]. London: Penguin Books, 2001: 30.
    5 [美]理查德·E.凯夫斯.创意产业经济学[M].北京:新华出版社,2004.
    1 Drake G.‘This Place Gives me Space’: Place and Creativity in the Creative Industries [J]. Geoforum, 2003, 34(4): 511-524.
    2 Scott A J. On Hollywood: the Place, the Industry [M]. Oxford: Princeton University Press, 2005:138-165.
    
    1 Pratt A C. Creative Clusters: Towards the Governance of the Creative Industries Production System? [J]. Media International Australia, 2004, (112): 56-60.
    2褚劲风.上海创意产业集聚空间组织研究[D].华东师范大学,2008:49-50.
    3褚劲风.创意产业集聚空间组织研究[M].上海:上海人民出版社,2009:31.
    1褚劲风.上海创意产业集聚空间组织研究[D].华东师范大学,2008:52
    2褚劲风.上海创意产业集聚空间组织研究[D].华东师范大学,2008:54.
    3 Hall P. Creative Cities and Economic Development [J]. Urban Studies, 2000, 37(4): 639-649.
    4 Landry C, Franco Bianchini. The Creative City [M]. Earthscan Publications Ltd, 2000.
    
    1褚劲风.创意产业集聚空间组织研究[M].上海:上海人民出版社,2009:36.
    2 Scott A J. On Hollywood: the Place, the Industry [M]. Oxford: Princeton University Press, 2005:78-93.
    3褚劲风.上海创意产业集聚空间组织研究[D].华东师范大学,2008:52.
    1王伟年.城市文化产业区位因素及地域组织研究[D].东北师范大学,2007:7
    
    1欧阳友权.文化产业概论[M].长沙:湖南人民出版社,2007: 1.
    2欧阳友权.文化产业概论[M].长沙:湖南人民出版社,2007: 2.
    1王伟年.城市文化产业区位因素及地域组织研究[D].东北师范大学,2007:14
    1厉无畏主编.创意产业导论[M].上海:学林出版社,2006: 4-5, 7-10.
     1欧阳友权.文化产业概论[M].长沙:湖南人民出版社,2007: 1.
    
    1向勇.北大文化产业前沿报告(第二辑)[M].北京:北京大学出版社,2005: 199-200.
    2欧阳友权.文化产业通论[M].长沙:湖南人民出版社,2006: 127.
    1王伟年.城市文化产业区位因素及地域组织研究[D].东北师范大学,2007: 52.
    
    1 [美]迈克尔·埃默里,埃德温·埃默里.美国新闻史[M].北京:新华出版社,2001: 336.
    2吴雨珊.美国报业集团经营发展史探析[D].四川大学,2003: 12.
    3吴雨珊.美国报业集团经营发展史探析[D].四川大学,2003: 6.
    
    1 [美]迈克尔·埃默里,埃德温·埃默里.美国新闻史[M].北京:新华出版社,2001: 621.
    2吴雨珊.美国报业集团经营发展史探析[D].四川大学,2003: 9-10.
    1辜晓进. 21世纪美国报业现状近观美国报业管理(一)[M].新闻实践,2003(10): 42-44.
    
    1吴雨珊.美国报业集团经营发展史探析[D].四川大学,2003: 14.
    2辜晓进.走进美国大报[M].广州:南方日报出版社,2002: 246-247.
    1数据来源:http://www.cctv.com/cctvsurvey/special/05/20091027/104087.shtml
    1彭垒.犹太人与二十世纪上半叶美国电影业的繁[D].武汉大学,2004: 14.
    
    1 [美]巴罗·利特曼.大电影产业[M].北京:清华大学出版社,2005: 17.
    2王霞,等. 1930年代大萧条下美国电影的资本结构与产业格局[J].当代电影,2009(4): 26-31.
    1 [英]大卫·普特南.不宣而战:好莱坞VS全世界[M].北京:中国电影出版社,2001: 189.
    1参见[美]巴罗·利特曼.大电影产业[M].北京:清华大学出版社,2005: 101.
    1参见陆地.世界电视产业市场概论[M].北京:中国人民大学出版社,2003: 63.
    2参见陈犀禾.当代美国电视[M].上海:复旦大学出版社,1998: 14.
    3参见陆地.世界电视产业市场概论[M].北京:中国人民大学出版社,2003: 63.
    
    1参见陆地.世界电视产业市场概论[M].北京:中国人民大学出版社,2003: 64
    2参见ED Papazian. TV Dimensions’97[R]. New York: Media Dynamics, 1997: 21.
    1陆地.世界电视产业市场概论[M].北京:中国人民大学出版社,2003:85-90
    
    1参见[美]托马斯·索斯维克.走向信息网络社会[M].北京:中国广播电视出版社,1999: 260.
    2参见陈犀禾.当代美国电视[M].上海:复旦大学出版社,1998: 51.
    1叶琦.当代美国广播电视产业重组探折[D].四川大学,2002.
    [1] [德]阿尔弗雷德·韦伯.工业区位论[M].北京:商务印书馆,1997.
    [2] [德]奥古斯特·勒什.经济地域空间秩序——经济财货与地理间的关系[M].北京:商务印书馆,1995.
    [3] [德]沃尔特·克里斯塔勒.德国南部中心地原理[M].北京:商务印书馆,1998.
    [4] [德]约翰·冯·杜能.孤立国同农业和国民经济的关系[M].北京:商务印书馆,1997.
    [5] [荷]亨克·傅博达.创建柔性企业——如何保持竞争优势[M].北京:人民邮电出版社,2005.
    [6] [加]考林·霍斯金斯,斯图亚特·迈克法蒂耶,亚当·费恩.全球电视和电影:产业经济学导论[M].北京:新华出版社,2004.
    [7] [美]巴里·利特曼.大电影产业[M].北京:清华大学出版社,2005.
    [8] [美]波特.竞争论[M].北京:中信出版社,2003.
    [9] [美]大卫·波德威尔.香港电影的秘密[M].海口:海南出版社,2003.
    [10] [美]福克纳.美国经济史[M].北京:商务印书馆,1964.
    [11] [美]理查德·E.凯夫斯.创意产业经济学[M].北京:新华出版社,2004.
    [12] [美]理查德·弗罗里达.创意经济[M].北京:中国人民大学出版社,2006.
    [13] [美]刘易斯·雅各布斯.美国电影的兴起[M].北京:中国电影出版社,1991.
    [14] [美]罗伯特·C·艾伦,道格拉斯·戈梅里.电影史:理论与实践[M].北京:中国电影出版社,1997.
    [15] [美]迈克尔·波特.国家竞争优势[M].北京:华夏出版社,2002.
    [16] [美]明安香.超级传媒帝国[M].北京:社会科学文献出版社,2005.
    [17] [美]萨朗·左金.城市文化[M].上海:上海教育出版社,2006.
    [18] [美]瓦尔特·艾萨尔德.区域科学导论[M].北京:高等教育出版社,1991.
    [19] [美]沃克,弗格森.美国广播电视产业[M].北京:清华大学出版社,2005.
    [20] [美]珍妮特·瓦斯科.浮华的盛宴——好莱坞电影产业揭秘[M].北京:中信出版社,2006.
    [21] [日]藤田昌久.集聚经济学:城市产业区位与区域增长[M].成都:西南财经大学出版社,2004.
    [22] [英]大卫·普特南.不宣而战:好莱坞VS全世界[M].北京:中国电影出版社,2001.
    [23] [英]马歇尔.经济学原理(上卷)[M].北京:商务印书馆,1997.
    [24] [英]亚当·斯密.国民财富的性质和原因的研究[M].北京:商务印书馆,1981.
    [25]陈继详.产业集群与复杂性[M].上海:上海财经大学出版社,2005.
    [26]褚劲风.创意产业集聚空间组织研究[M].上海:上海人民出版社,2009.
    [27]冯子标,焦斌龙.大趋势:文化产业解构传统产业[M].北京:社会科学文献出版社,2006.
    [28]郭利平.产业群落的空间演化模式演进[M].北京:经济管理出版社,2006.
    [29]胡惠林.文化产业发展与国家文化产业安全[M].广州:广东人民出版社,2005.
    [30]花建.文化产业竞争力[M].广州:广东人民出版社,2005.
    [31]李怀亮,刘悦笛.文化巨无霸:当代美国文化产业研究[M].广州:广东人民出版社,2005.
    [32]李向民.文化产业变革中的文化[M].北京:经济科学出版社,2005.
    [33]梁琦.产业集聚论[M].北京:商务印书馆,2004.
    [34]廖亮.当代世界电视[M].上海:上海交通大学出版社,2007.
    [35]林拓,李惠斌,薛晓源.世界文化产业发展前沿报告[M].北京:社会科学文献出版社,2004.
    [36]陆地.世界电视产业市场概论[M].北京:中国人民大学出版社,2003.
    [37]刘发成.中美广电通信经济与法律制度比较研究[M].重庆:重庆出版社,2006.
    [38]欧阳有权.文化产业概论[M].长沙:湖南人民出版社,2007.
    [39]祁述裕.中国文化产业国际竞争力报告[M].北京:社会科学文献出版社,2004.
    [40]上海市经济委员会.创意产业[M].上海:上海科学技术文献出版社,2005
    [41]唐任伍,赵莉.文化产业21世纪的潜能产业[M].贵阳:贵州人民出版社,2004.
    [42]唐世鼎,黎斌.制播体制改革与电视业发展问题研究[M].北京:中国传媒大学出版社,2005.
    [43]王缉慈.创新的空间:企业集群和区域发展[M].北京:北京大学出版社,2001.
    [44]薛中军.中美新闻传媒比较:生态·产业·实务[M].上海:复旦大学出版社,2005.
    [45]喻国明,张小争.传媒竞争力[M].北京:华夏出版社,2005.
    [46]钟宝贤.香港影视业百年[M].香港:三联书店(香港)有限公司,2004.
    [47]周黎明.好莱坞启示录[M].上海:复旦大学出版社,2005.
    [48]朱英明.产业集聚论[M].北京:经济科学出版社,2003.
    [49] Alan B. Albarran. Media Economics: Understanding Markers, Industries and Concepts [M]. Iowa State University Press, 2002.
    [50] Bianchini F, Michael Parkinson. Cultural Policy and Urban Regeneration: the West European Experience [M]. Manchester: Manchester University Press, 1994.
    [51] Caves R E. Creative Industries: Contracts between Art and Commerce [M]. President and Fellows of Harvard College, 2001
    [52] Chris Bilton. Management and Creativity. From Creative Industries to Creative Management [M]. Blackwell Publishing Ltd. U.S., 2007.
    [53] Florida R. The Rise of the Creative Class: And How It's Transforming Working, Leisure, Community and Everyday Life [M]. New York: Basic Books, 2002.
    [54] Florida R. The Rise of Creative Class [M]. New York: Basic Books, 2002.
    [55] Gene D Phillips. Exiles in Hollywood: major European film directors in America [M]. Bethlehem: Lehigh University Press, 1998.
    [56] Gerald Horne. Class Struggle in Hollywood, 1930-1950: Moguls, Mobsters, Stars, Reds, & Trade Unionists. University of Texas Press, 2001.
    [57] Hall P. Cities in Civilization [M]. New York: Pantheon Books, 1998.
    [58] Harry Waldman. Hollywood and the Foreign Touch: a Dictionary of Foreign Filmmakers and Their Films from America, 1910-1995 [M]. Scarecrow press, 1996.
    [59] Hartley J. Creative Industries [M]. Blackwell Publishing Ltd. U.S., 2005.
    [60] Hoover E M. Location Theory and the Shoe and Leather Industries [M]. Harvard University Press, 1937.
    [61] Howkins J. Creative Economy: How People Make Money From Idea [M]. London: Penguin Books, 2001.
    [62] Isard W. Location and Space Economy [M]. Cambridge Mass: The Technology of Massachusetts Institute of Technology, 1956.
    [63] Isard W,Iwan Azis, et al. Methods of Interregional and Regional Analysis [M]. Ashgate, 1998.
    [64] Jacques R. Boudevill Problems of Regional Economic Planning [M]. Edinburgh: Edinburgh University Press,1966.
    [65] Landry C, Franco Bianchini. The Creative City [M]. Earthscan Publications Ltd, 2000.
    [66] Losch A. The Economics of Location. New Haven: Yale University press, 1954.
    [67] Marshall A. Principles of Economics [M]. Canada: McMaster University, 1890.
    [68] Marshall A. The Economies of Industry [M]. London: Macmillan, 1892.
    [69] Piore M, Charles Sabel. The Second Industrial Divide: Possibilities for Prosperity [M]. New York: Basic Books, 1984.
    [70] Porter M E. The Competitive Advantage of Nations [M]. New York: Free Press, 1990.
    [71] Porter M E. The Competitiveness Advantaged of Nations [M]. New York: Free press, 1998.
    [72] Porter M E. Competitive Strategy: Techniques for Analyzing Industries and Competitors. New York: Free press, 1998.
    [73] Pyke F, G. Becattini, Werner Sengenberger. Industrial Districts and Inter-Firm Cooperation in Italy [M]. Geneva: International Institute for Labour Studies, 1992.
    [74] Saxenian A. Silicon Valley's New Immigrant Entrepreneurs [M]. California: Public Policy Institute of California, 1998.
    [75] Scott A J. On Hollywood: the Place, the Industry [M]. Oxford: Princeton University Press, 2005.
    [76] Scott A J. New Industrial Space [M]. London: Pion Ltd, 1988.
    [77] Storper M. The Regional World: Territorial Development in a Global Economy [M]. New York: Guilford Press, 1997.
    [78] Throsby D. Economics and Culture [M]. Cambridge: Cambridge University Press, 2002.
    [79] Weber A. The Theory of the Location of Industries [M]. Chicago: Chicago University Press, 1929.
    [80] Yusuf S, Kaoru Nabeshima. Post-Industrial East Asian Cities: Innovation for Growth [M]. California: Stanford University Press, 2006.
    [81] Zukin S. Loft Living Culture and Capital in Urban Change [M]. London: Rutgers University Press, 1989.
    [1] Martine R. Economic theory and human geography [C]. Gregory D, et al. Human Geography: Society, Space, and Social Science. Minneapolis: University of Minnesota Press, 1999.
    [1] Brecknock B. Creative Capital: Creative Industries in the "Creative City" [R]. Working Paper, 2004.
    [2] Frith S. Knowing One's Place: the Culture of Cultural Industries [R]. Cultural Studies from Birmingham, 1991, (1): 135-155.
    [3] Keble D, Lilach Nachum. Neo-Marshallian Nodes, Global Networks and Firm Competitiveness: The Media Cluster of Central London [R]. University of Cambridge Working Paper 138. Cambridge: ESRC Centre for Business Research, 1999.
    [4] Knudsen B, Richard Florida, et al. Urban Density, Creativity and Innovation [R]. Working Paper. The Martin Prosperity Institute, Harvard University, 2007.
    [5] Labber M. Essays in Network Location Theory [R]. University Libre de Bruxelles, Cahiers du CERO, 1985.
    [6] Markusen A, David King. The Artistic Dividend: The Arts’Hidden Contributions to Regional Development [R]. Project on Regional and Industrial Economics,Humphrey Institute of Public Affairs,University of Minnesota, 2003.
    [7] Weiping Wu. Dynamic Cities and Creative Clusters [R]. World Bank Policy Research, Working Paper, 2005, 2: 3509.
    [1]林竞君.网络、嵌入性与集群生命周期研究——一个新经济社会学的视角[D].复旦大学,2005.
    [2]苏江明.产业集群生态相研究[D].复旦大学,2004.
    [3]邬爱其.集群企业网络化成长机制研究[D].浙江大学,2004.
    [4]刘蔚.文化产业集群的形成机理研究[D].暨南大学,2007.
    [5]褚劲风.上海创意产业集聚空间组织研究[D].华东师范大学,2008.
    [6]王伟年.城市文化产业区位因素及地域组织研究[D].东北师范大学,2007
    [1]安虎森,朱妍.产业集群理论及其进展[J.南开经济研究,2003, (3): 31-36.
    [2]白重恩,等.地方保护主义及产业地区集中度的决定因素和变动趋势[J].经济研究,2004, (4):29-40.
    [3]蔡铂,聂鸣.社会网络对产业集群技术创新的影响[J].科学学与技术管理,2003, 24(7): 57-60.
    [4]曹海峰.创意产业的经济学意义分析[J].甘肃社会科学,2007, (2): 28-30.
    [5]陈平.关于我国发展创意产业的思考[J].科技进步与对策,2006, (7): 135-137.
    [6]陈倩倩,王缉慈.论创意产业及其集群的发展环境——以音乐产业为例[J].地域研究与开发,2005, 24(5): 5-8.
    [7]杜强.企业柔性集聚及其效应分析[J].财经问题研究,2003, (7): 78-80.
    [8]樊福卓.地区专业化的度量[J].经济研究,2007, (9): 71-83.
    [9]符韶英,徐碧祥.创意产业集群化初探[J].科技管理研究,2006, (5): 54-56.
    [10]胡晓鹏.基于资本属性的文化创意产业研究[J].中国工业经济,2006, (12): 1-9.
    [11]金祥荣,叶建亮.知识溢出与企业网络组织的集聚效应[J].数量经济技术经济研究,2001, (10): 90-93.
    [12]康小明,向勇.产业集群与文化产业竞争力的提升[J].北京大学学报(哲学社会科学版),2005, (2): 17-21.
    [13]李京文.中国文化产业发展的现状、走势及政策选择[J].沿海企业与科技,2006, (10): 1-6.
    [14]李太平,等.衡量产业区域集聚程度的简便方法及其比较[J].统计研究,2007, (11): 64-68.
    [15]厉无畏,顾丽英.创意产业价值创造与产业组织模式[J].学术月刊,2007, (8): 78-83.
    [16]厉无畏,于雪梅.关于上海文化创意产业基地发展的思考[J].上海经济研究,2005, (8): 48-53.
    [17]刘军国.传统产业集聚中的报酬递增[J].技术经济,2001, (l): 57-59.
    [18]路江涌,陶志刚.中国制造业区域集聚及国际比较[J].经济研究,2006, (3):103-114.
    [19]罗若愚.我国区域间企业集群的比较及启示[J].南开经济研究,2002, (6): 52-55.
    [20]刘丽,张焕波.北京创意文化产业集群发展问题研究[J].中国农业大学学报(社会科学版),2006, (3): 47-52.
    [21]邵汝军.我国发展创意产业的策略研究[J].特区经济,2007, (7): 189-191.
    [22]苏斌.外商投资企业集群的根植性研究[J].广东财经职业学院学报,2005, 4(5): 49-54.
    [23]佟贺丰.英国文化创意产业发展概况及其启示[J].科技与管理,2005, (1): 29-31.
    [24]王缉慈,童听.简论我国地方企业集群的研究意义[J].经济地理,2001, (5): 550-553.
    [25]王琳.我国创意产业发展的现状、问题与对策[J].理论探索,2007, (5): 59-62.
    [26]王旺兴,李艳.产业集群内的知识流动和创新机制[J].科技与管理,2003, (3): 42-44.
    [27]魏江.小企业集群创新网络的知识溢出效应[J].科研管理,2003, (7): 54-60.
    [28]魏守华,石碧华.集群竞争力的动力机制以及实证分析[J].中国工业经济,2002, (1): 59-65.
    [29]吴德进.产业集群的组织性质:属性与内涵[J].中国工业经济,2004, (7): 14-20.
    [30]谢润邦,戴盛.城市发展与产业集群形态的变迁[J].财经理论与实践,2005, (6): 94-96.
    [31]吴俐萍.创意产业发展的政策支撑体系研究[J].科技法制与政策研究,2006, (11): 21-24.
    [32]吴向鹏.产业集群:一个文献综述[J].当代财经,2003, (9): 105-108.
    [33]吴晓波.企业集群技术创新环境与主要模式研究[J].研究与发展管理,2003, (4): 46-49.
    [34]涂妍,陈文福.古典区位论到新古典区位论:一个综述[J].河南师范大学学报(哲学社会科学版),2003, (5): 38-42.
    [35]叶建亮.知识溢出与企业集群[J].经济科学,2001, (3): 23-30.
    [36]张辉.产业集群竞争力的内在经济机理[J].中国软科学,2003, (1): 70-74.
    [37]朱悦龙.文化产业基本理论探析[J].中国矿业大学学报(社会科学版),2005, (4): 125-129.
    [38] Bielby W T. Creative Industries (Book Review) [J]. American Journal of Sociology, 2001, 106(6): 1830-1832.
    [39] Brown A, Justin O’Connor, Sara Cohen. Local Music Policies within a Global Music Industry:Cultural Quarters in Manchester and Sheffield [J]. Geoforum, 2000, 31(4): 437-451.
    [40] Chris Gibson, Lily Kong. Cultural Economy: A Critical Review [J].Progress in Human Geography, 2005, 29(5): 541-561.
    [41] Cohen J P, Catherine J. Morrison Paul. Agglomeration Economies and Industry Location Decisions: The Impacts of Spatial and Industrial Spillovers [J]. Regional Science and Urban Economics, 2005, 35(3): 215- 237.
    [42] Dermody J. Management and Creativity– From Creative Industries to Creative Management [J]. International Journal of Advertising, 2007, 26 (3): 407-408.
    [43] Ellison G, Glaeser E. Geographic Concentration in US Manufacturing Industries: A Dartboard Approach [J]. Journal of Political Economy, 1997, 105(5): 889-927.
    [44] Emily Pacey. GLA Report on Creative Industries Overlooks Design [J]. Design Week, 2007, 22(40): 7-7.
    [45] Freeman C. Network of Innovators a Synthesis of Research Issues [J]. Research Policy, 1991, 27: 209-228.
    [46] Gabszewicz J J, J-F Thisse. Entry (and Exit) in a Differentiated Industry [J]. Journal of Economic Theory, 1980: 22(2): 327-338.
    [47] Garnham N. From Cultural to Creative Industries [J]. International Journal of Cultural Policy, 2005, 11(1): 15-29.
    [48] Graham Drake.‘This Place Gives me Space’: Place and Creativity in the Creative Industries [J]. Geoforum, 2003, 34(4): 511-524.
    [49] Hakimi S L. Optimum Location of Switching Centers and the Absolute Centers and Medians of a Graph [J]. Operations and Research, 1964, 12(3): 450-459.
    [50] Hall P. Creative Cities and Economic Development [J]. Urban Studies, 2000, 37(4): 639-649.
    [51] Hans Mommaas. Cultural Clusters and the Post-industrial City: Towards the Remapping of Urban Cultural Policy [J].Urban Studies, 2004,41(3): 507–532.
    [52] Harvie J. Nationalizing the“Creative Industries”[J]. Contemporary Theatre Review,2003, 13(1): 15-32.
    [53] Hoover E. M. The Measurement of Industrial Localization [J]. Review of Economics and Statistics, 1936, 18(4):162-171.
    [54] Hutton T A. Spatiality, Built Form, and Creative Industry Development in the Inner City [J]. Environment & Planning A, 2006, 38(10): 1819-1841.
    [55] John H. Dunning. Internationalizing Porter’s Diamond [J]. Management International Review, 1993, 33: 7-15.
    [56] John H. Dunning. Location and Multinational Enterprise: A Neglected Factor? [J]. Journal of International Business Studies, 1998, 29(1): 45-66.
    [57] John Hartley, Michael Keane. Creative Industries and Innovation in China [J]. International Journal of Cultural Studies, 2006, 9(3): 259-262.
    [58] John Montgomery. Creative Industry Business Incubators and Managed Workspaces: A Review of Best Practice [J]. Planning Practice & Research, 2007, 22(4): 601-617.
    [59] Kate Oakley. Include Us Out– Economic Development and Social Policy in the Creative Industries [J]. Cultural Trends, 2006, 15(4): 255-273.
    [60] Kong L. Cultural, Economy, Policy: Trends and Developments [J]. Geoforum, 2000, 31(4): 385-390.
    [61] Krugman P. Vertical Currencies and the Structure of International Exchange [J]. Journal of Money, Credit and Banking, 1980, 12(3): 513-526.
    [62] Krugman P. New Theories of Trade among Industrial Countries [J]. The American Economic Review, 1983, 73(2): 343-347.
    [63] Krugman P. History and Industry Location: The Case of the Manufacturing Belt [J]. The American Economic Review, 1991, 81(2): 80-83.
    [64] Krugman P. Increasing Returns and Economic Geography [J]. The Journal of Political Economy, 1991, 99(3): 483-499
    [65] Krugman P, Anthony J. Venables. Globalization and the Inequality of Nations [J]. The Quarterly Journal of Economics, 1995,110(4): 857-880
    [66] Krugman P, et al. Growing World Trade: Causes and Consequences [J]. Brookings Papers on Economic Activity, 1995, 1995(1): 327-337.
    [67] Leo B, Erik Braun., Van Winden. Growth Clusters in European Cities: an Integral Approach [J]. Urban Studies, 2001, 38(1):185-205.
    [68] Manev I M, William B. Stevenson. Nationality, Cultural Distance, and Expatriate Status: Effects on the Managerial Network in a Multinational Enterprise [J]. Journal of International Business Studies, 2001, 32(2): 285-303
    [69] Martin Philippe, Gianmarco I.P. Ottaviano. Growth and Agglomeration [J]. International Economic Review, 2001, 42(4):947-968.
    [70] Martin R, Peter Sunley. Paul Krugman's Geographical Economics and its Implications for Regional Development Theory: a Critical Assessment [J]. Economic Geography, 1996, (72)3: 259-292.
    [71] Montgomery L, Brian Fitzgerald. Copyright and the Creative Industries in China [J]. International of Cultural Studies, 2006, 9(3): 407-418.
    [72] Neff G, Elizabeth Wissinger, Sharon Zukin. Entrepreneurial Labor among Cultural Producers:“Cool”Jobs in“Hot”Industries [J]. Social Semiotics, 2005, 15(3): 307-334.
    [73] Philip Lederer, A P Hurter. Competition of Firms: Discriminatory Pricing and Location [J]. Econometrics, 1986, 54(3): 623-640.
    [74] Philip Mccann, Tomokazu Arita. Clusters and Regional Development: Some Cautionary Observations from the Semiconductor Industry [J]. Information Economics and Policy, 2006, 18(2): 157-180.
    [75] Park S O, A Markusen. Generalizing New Industrial Districts: a Theoretical Agenda and an Application from a Non-Western Economy [J]. Environment and Planning A, 1995, 27(1): 84-104.
    [76] Porter, M. E. Clusters and New Economics of Competition [J]. Harvard Business Review, 1998, 98: 77-90.
    [77] Poettschacher E. Strategic Creativity: How Values, Beliefs and Assumptions Drive Entrepreneurs in the Creative Industries [J]. International Journal of Entrepreneurship & Innovation, 2005, 6(3): 177-183.
    [78] Porter M E. Cluster and the New Economic of Competition [J]. Harvard Business Review, 1998, (6): 76-90.
    [79] Pratt A C. The Cultural Industries Production System: A Case Employment Change in Britain [J]. Environment and Planning, 1997, 29(11): 1953-1974.
    [80] Pratt A C t. New Media, the New Economy and New Spaces [J]. Geoforum,2000, 31(4):425-436.
    [81] Pratt A C. Creative Clusters: Towards the Governance of the Creative Industries Production System? [J]. Media International Australia, 2004, (112): 56-60.
    [82] Rugman A M, Alain Verbeke. Multinational Enterprises and Clusters: An Organizing Framework [J]. Management International Review, 2003, 43(3):1 51-169.
    [83] Santagata W. Cultural Districts, Property Rights and Sustainable Economic Growth [J].International Journal of Urban and Regional Research, 2002, 26(1): 9-23.
    [84] Saundry R. The Limits of Flexibility: the Case of UK Television [J]. British Journal of Management, 1998, 9(2): 151-162.
    [85] Shaun Powell, Sean Ennis. Organisational Marketing in the Creative Industries Qualitative Market Research [J]. An International Journal, 2007, 10 (4): 375-389.
    [86] Scott A J. Production System Dynamics and Metropolitan Development [J]. Annals of the Association of American Geographers, 1982, 72(2): 185-200.
    [87] Scott A J. Industrial Organization and the Logic of Intra-Metropolitan Location I.: Theoretical Considerations [J]. Economic Geography, 1983, 59(4): 233-250.
    [88] Scott A J. Industrial Organization and the Logic of Intra-Metropolitan Location II: A Case Study of the Printed Circuits Industry in the Greater Los Angeles Region [J]. Economic Geography, 1983, 59(4): 343-367.
    [89] Scott A J. Industrial Organization and the Logic of Intra-Metropolitan LocationⅢ: A Case Study of the Women’s Dress Industry in the Greater Los Angeles Region [J]. Economic Geography, 1984, 60(1): 3-27.
    [90] Scott A J. Industrial Organization and Location: Division of Labor, the Firm, and Spatial Process [J]. Economic Geography, 1986, 62(3): 215-231.
    [91] Scott A J. Industrialization and Urbanization: A Geographical Agenda [J]. Annals of the Association of American Geographers, 1986, 76(1): 25-37.
    [92] Scott A J. Interregional Subcontracting Patterns in the Aerospace Industry: The Southern California Nexus [J]. Economic Geography, 1993, 69(2): 142-156.
    [93] Scott A J. The Craft Fashion and Cultural-Products Industries of Los Angeles: Competitive Dynamics and Policy Dilemmas in a Multisectoral Image-Producing Complex [J]. Annals of The Association of American Geographers, 1996, 86(2): 306-323.
    [94] Scott A J. The Cultural Economy of Paris [J]. International Journal of Urban and Regional Research, 2000, 24(3): 554-566.
    [95] Scott A J. Capitalism, Cities, and the Production of Symbolic Forms [J]. Transactions of the Institute of British Geographers, 2001, 26(1): 11-23.
    [96] Scott A J. Cultural-Products Industries and Urban Economic Development: Prospects for Growth and Market Contestation in Global Context [J]. Urban Affairs Review, 2004, 39(4): 461-490.
    [97] Scott A J The Other Hollywood: The Organizational and Geographic Bases of Television-Program Production [J]. Media, Culture & Society, 2004, 26(2): 183-205.
    [98] Scott A J. Creative Cities: Conceptual Issues and Policy Questions [J]. Journal of Urban Affairs, 2006, 28(1): 1-17
    [99] Scott A J. Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited [J]. Small Business Economics, 2006, 26: 1-24.
    [100] Steinle C, Holger Schiele. When Do Industries Cluster? A Proposal on How to Assess an Industry's Propensity to Concentrate at a Single Region or Nation [J]. Research Policy, 2002, 31(6): 849-858.
    [101] Storper M, Susan Christopherson. Flexible Specialization and Regional Industrial Agglomerations: The Case of the U.S. Motion Picture Industry [J]. Annals of the Association of American Geographers, 1987, 77(1): 104-117.
    [102] Storper M. The Transition To Flexible Specialisation in the US Film Industry: External Economies, the Division of Labor, and the Crossing of Industrial Divides [J]. Cambridge Journal of Economics, 1989, 13(2): 273-305.
    [103] Storper M. Flexible Specialization in Hollywood: A Response to Aksoy and Robins [J]. Cambridge Journal of Economics, 1993, 17(4):479-484.
    [104] Thisse J-F. Location Theory, Regional Science, and Economics [J]. Journal of Regional Science, 1987, 27(4):519-528.
    [105] U.S.Department of Commerce. 2002 Economic Census:Core Business Statistics Series [J]. U.S.Census Bureau, 2006.
    [106] Venables A J. Equilibrium Locations of Vertically linked Industries [J]. International Economic Review, 1996, 37(2): 341-359.
    [107] Waarts E, Yvonne Van Everdingen. National Culture on the Adoption Status of Innovations: An Empirical Study of Firms across Europe [J]. European Management Journal, 2005, 23(6): 601-610.
    [1] Florida R. Gay-tolerant Societies Prosper Economically [R/OL]. http://www. usatoday.com/news/opinion/editorials/2003-04-30-florida_x.htm. 2003.
    [2] O’Connor J. The definition of‘cultural industries’[EB/OL]. http://www.pedrobe ndassolli.com/pesquisa/icc1.pdf. 1999.

© 2004-2018 中国地质图书馆版权所有 京ICP备05064691号 京公网安备11010802017129号

地址:北京市海淀区学院路29号 邮编:100083

电话:办公室:(+86 10)66554848;文献借阅、咨询服务、科技查新:66554700