宋代晁氏家族文学研究
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摘要
晁氏是宋代享有盛名的文学世家。从宋初至南宋,晁氏家族具有连续不断的文学传统,产生了以晁迥、晁补之、晁说之、晁冲之、晁端礼、晁公武等为代表的一批知名作家和文化名人。因此,一方面晁氏作家辉煌的文学业绩值得深入探究和总结,另一方面晁氏家族文学研究还是从家族的角度切入宋代文学研究的理想视角,具有重要的理论价值。本文以晁氏作家的文学成就研究为基础,借鉴学术界已有的研究成果,在晁氏家族史和宋代文学史的双重发展历程中,第一次比较完整地勾勒出一部晁氏家族的文学发展史,并在多重因素的演进过程和互动关系中生动地揭示了文学与晁氏家族兴衰的紧密关系,深刻地说明了家族因素对于晁氏作家文学创作发生的重要影响,同时也展示了家族文学研究对于宋代文学研究重要的方法论意义。
在相近两百年的历史进程中,晁氏一门人才辈出,文人荟萃,有关他们的文献记载和研究存在的混淆和失误甚多,澄清这些问题构成了本课题研究的基本前提。晁氏“三祖”晁迪、晁迥、晁遘祖籍澶州清丰,真宗朝他们迁居京城开封,后来晁迪、晁遘两支后人占籍济州钜野、任城,而晁迥一支的直系子孙如晁仲衍、晁端彦、晁说之、晁冲之等则世居开封,由此本文纠正了历来文献与研究将他们当作济州钜野人的错误。晁载之不是晁遘后人,晁遘一支不称“西眷”;晁说之、晁咏之兄弟常被混淆;晁说之、晁冲之二人的诗作分别有数首混入彼此文集;晁冲之隐居不在绍圣初,而在政和年间(1111—1118)。晁咏之首谒苏轼不在扬州,晁说之不可能任宫学教授。第一章指出并尝试纠正的有关错
Family Chao earned the great reputation for their family literature in the Song Dynasty.And from the early stage till the Southern Song Dynasty, Family Chao had their continual literary traditions ,thus bringing up a number of famous writers and cultural celebraties represented by Chao Jiong, Chao Bu-zhi, Chao Yue-zhi, Chao Chong-zhi ,Chao Duan-li,Chao Gong-wu,in view of the fact,the brilliant literary achievements of Family Chao are well worth researching and summarizing,furthermore,the research should be done from an angle of family literature because of its important theoretical value.Based on the researches of literature achievements of Family Chao, using academica circles' already-got research accomplishments for reference, the paper, In the double development courses of both the history of Family Chao and the literatural history of the Song Dynasty,outlines a comparatively complete literature developmental history of Family Chao for the first time, vividly disclosing the close relationship between the literature and the prosperous or declining state of Family Chao in both the evolutional course and mutul relationship of multiple elements, deeply explaining the great influence on the literature writing of Chaos' writers exerted by the family elements.At the same time .the paper shows that research of family literature is of powerful significance of methodology to that of literature of the Song Dynasty.
Family Chao had brought up many literators ,but about whom,there are a lot of mistakes in many literatural and historic sources or research works,so the paper has to first solve those problems,for example, the "Three Ancestors "of Family Chao ,Chao Di,Chao Jiong and Chao Gou ,whose original family home was in Qingfeng,Chanzhou, moved to the capital city Kaifeng,during the period of Emperor Zhenzong Regime,afterwards,the lineal offspring of Chao Di, Chao Gou moved to Juye and Rencheng County of Jizhou,the lineal offspring of Chao Jiong.such as Chao Zhong-yan,Chao Duan-yan,Chao Yue-zhi,Chao Chong-zhi,had been living in the capital,Kai Feng,so they should not be regarded as the people of Ju Ye County, Chao Zai-zhi was not one of Chao Gou's offspring ,which should not be named 'the Western Branch of Family Chao'.Chao Yong-zhi was mistaken for Chao Yue-zhi on some occasions,and some of their poems were interfused in each other's collected works. It was not in Yangzhou that Chao Yong-zhi met Su Shi for the first time ,and it was impossible for Chao Yue-zhi to be a teacher in the school of the court.In all .there are about eighties of mistakes concerning literators of Family Chao in the existing literature and studies which has been identified and corrected in the paper.Chao Jiong (951-1034) was both the founder and soul of Family Chao in the Song Dynasty,whose thoughts, personality and behavours were continuously admired and learned by the offsprings of Family Chao,thus gradually forming the family traditions which became the important home regulations influencing life orientations of Chaos'literators,so in the 2th chapter,the basic connotation and the cultural meaning of the family traditions are discussed,concluding that Chaos ruled its family via feudal ethical codes which was also strictly obeyed in dealing with social intercourses ,thus showing strong feudal patriarchal conception. Family Chao had a tradition to compile clan genealogies to collect all the names of the family members which consisted the complete recording of the family system,and Chao Jiong, Chao Zong-que, Chao Zhong-yan, Chao Qian-zhi contributed a lot to help other family members. Chaos owed their success to each other's unity and help from the family.And through his eminent literary activities among the people or in the
royal court, Chao Jiong established Family Chao's tradition of professional literators .In comparison with other great families in the Song Dynasty, Chaos characterized its world-recognized family of literature which were also the unique reflect of rising feudal culture in the Song Dynasty. Family Chao had thin atmosphere of its own literary tradition of instruction from father or elder brothers,thus valuing family education .Chaos'literators were open-up in learning and they good at learning from others,in doing so they made many friends in the literary world. Chao Jiong's thoughts of compatibility of Confucianism,Taoism and Buddhism ,set a good example to the Chaos'ofTsprings to learn extensively from outside world. Family Chao's plentiful collection of books ,the prevailing customs of diligent-learning and the tradition of diligent-wrtingjed to Chao literators' broad and profound knowledge,which laid solid foundation for their success in literature. Also,Family Chao had good customs of mercy and fraternity,at the same time the good morals and reputations of Chao Jiong and his father Chao Zong-que set a good example to the Chaos'literators.Most of Chao Jiong's poems written in the early stage of the Song Dynasty, have been lost, however, by analyzing his existing literature and other materials about him, the author contend in the the 3rd chapter that Chao Jiong was a poet with many writing styles. In his early time, he learned to write poem with Bai Juyi's style, yet he didn't let himself be confined by that, his creating spirit was similar to Wang Yu-cheng.Chao Jiong was a close friend and colleague of Yang Yi, leader of the XiKun School, they both had the similar integrity. Chao Jiong's prose also changed.At the time that poems with Xikun style was prosperous, he was a qualified poet with that style, later, when he was exploring a new poetic style, he brought with him the influence of the Xikun style. He wrote concise prose as well as rhythmical prose, characterized by parallelism and oraateness. When XiKun style prose were prevailing, he, however, advocated to learn the ancient writing styles. Hence,Chao Jiong can not only be regarded as a member of certain literature school.His long literal activity stood for right developmental trend in literature in the early time of
Song Dynasty and his contributions to Literature in Song Dynasty lay in that he began the good tradition of the Chao Family, well-known for its terrific literary achievements.In the mid&late period of the Northern Song Dynasty,with a number of offsprings became officials via civil-service exam, Chao Family once again earned its revival after the prosperous period of Chao Jiong and Chao Zong-que times.At the same time, in the literary world of the Yuanyou Period , a large crowd of literators from Chao Family appeared,and they kept close friendship with the leading writers at that time,such as Su Shi,Huang Ting-jian and Chen Shi-dao,so the main Chao Family writers : Chao Bu-zhi, Chao Yue-zhi, Chao Yong-zhi, Chao Zai-zhi got courage and assistance in literary writing from Su Shi, the leading figure among men of letters then. Because of the close relationship and the exchanging-poem social intercourse activities with those leaders,the literary works of Chaos got instruction and recommendment from the famous writers then.Simultaneously,influenced by both the political and academic thoughts of the Yuan You Partizans, they shared the similar political attitudes,stand and fate with them during the party controversy in the Northern Song Dynasty. Prosperity of Chaos' literators owed a lot not only to the development of the family itself and its literary tradition,but also to the literary and cultural prosperity of the YuanYou Period.Besides,in the 4th Chapter,the literatural achievements of Chao Duan-you, Chao Duan-yan, Chao Duan-ren, Chao Duan-bing,and Chao Duan-zhong , whose anthologies got lost,are discussed and analyzed.Chao Bu-zhi (1053-1110) was one of the famous "Four Scholars in the Su Shi School",and his proses and Cis (poems composed to some tunes) were valued all the time ,but his poems were neglected,so in the 5th Chapter, Chao Bu-zhPs poems are discussed , concluding that Chao Bu-zhi's poems oiyuefu and gexing reflected many aspects of social life,i.e the hardship of farmers'labor,people's poor life,the difficult positions of lower-level persons, polarization of rich and poor,and so on ,showing a kind of creative spirit to care reality and current afFairs,and that Chao
Bu-zhi's poems of yuefix , gexing and qigu had many narrating compositions,grandeur artistic vista,striking characteristics of the folk songs,rich emotional and contents.In the expressing way, Chao Bu-zhi had a tendency to refine artistic images from realistic life, not like to use literary quotation.All the above-mentioned characteristics helped him to earn the good reputation in the poetry world then.The whole Chaos literators'wrtings came to their high time in the late period of the Northern Song Dynasty .Suffering heavy strikes in the party controversy in the Northern Song Dynasty, Chaos literators widely experienced a very hard time,so,in those historic backgrounds,the 6th Chapter discloses the common characteristics of Chaos literators'wrtings during the period:showing both striking consciousness of declining distinguished family,and complex of missing their glorious ancestors, hoping family honour and customs to be publicized,displaying strong clan feelings and reality criticism spirit.AH those showed clearly that the in-depth family tradition and culture of Chao Family became the important contents and motive forces to arouse literary creation,and the literature was stamped with the brand of a family, which is also one of main purposes that the paper is trying to make clear.In addition to success in poem and prose, Chaos literators'also achieved a lot in writing Cis,so in the 7th Chapter, Chaos Ci writers'creating characteristics and achievements are discussed and summarized. Chao Duan-li (1046-1113) ,was always regarded as a member of "Dasheng School of Ci",but his main style came from Liu Yong's creative spirits,so his Ci liked to write love ,frankly and boldly to express love affairs,in this way,his Ci can not only embody Liu Yong's creative spirits in many aspects,but also showed obvious tendency of literary style,furthermore,got influenced from Su Shi's Ci writings. Chao Duan-li's writing of praisal Cis was only the end of his whole literary writing. Via singing idyllic life, founding peach-source world (Chinese way of paradise founding) ..expressing spouses affections,tracing self mind courses, Chao Bu-zhi's Ci writings fully displayed Su Shi's innovative spirits of Ci style through writing Cis with poems,together with the bold momentum and
vast views ,those characteristics formed active echoes to Su Shi's Ci writing customs. Trying to avoid the slang words and expressing way in Liu Yong's Cis,and refusing to go along with Su Shi's innovative ways of Ci style, Chao Chong-zhi's Ci writings had characteristics of elegance and grace,showing the tendency returning to the traditional Ci styles represented by "School among Flowers".But his Cis also had a lot in common with Zhou Bang-yan's in emphasizing structure and rhymes of Cis,so Chao Chong-zhi was a person who practiced Li Qing-zhao's view that Ci was another kind of writing.In one word ,the three Ci writers individually represented one great developmental tendency,strikingly reflecting that Chaos' literators were not willing to limit themselves within their own family ,but tried to pursue independent literary spirits.During the Jingkang Incident, the main part of Family Chao had moved to the south,so in the Southern Song Dynasty,they individually settled in the east,middle and west area .The epilogue first briefly introduced the basic conditions of Family Chao in the early stage of the southern Song Dynasty,and then introduced creating conditions of the main literators in the literary world of the southern Song Dynasty ,such as Chao Gong-wu, Chao Gong-su,and Chao Gong-mai. Viewing the whole literary developmental courses of Family Chao,we can see that the high time of literary writing was in the northern Song Dynasty,because Family Chao's literary cause took roots into the deep family literay traditions, watered and nourished by the literary climax of the time.Then the loss of the conditions led to the decline of Family Chao's literature,so wen can say that the decline of literature is one of the important causes that made Family Chao declined completely.Appendixes are the annual tables for Chao Jiong, Chao Yue-zhi and Chao Duan-li,which provide prerequisite conditions for research of the concerned writers and their writings.
在相近两百年的历史进程中,晁氏一门人才辈出,文人荟萃,有关他们的文献记载和研究存在的混淆和失误甚多,澄清这些问题构成了本课题研究的基本前提。晁氏“三祖”晁迪、晁迥、晁遘祖籍澶州清丰,真宗朝他们迁居京城开封,后来晁迪、晁遘两支后人占籍济州钜野、任城,而晁迥一支的直系子孙如晁仲衍、晁端彦、晁说之、晁冲之等则世居开封,由此本文纠正了历来文献与研究将他们当作济州钜野人的错误。晁载之不是晁遘后人,晁遘一支不称“西眷”;晁说之、晁咏之兄弟常被混淆;晁说之、晁冲之二人的诗作分别有数首混入彼此文集;晁冲之隐居不在绍圣初,而在政和年间(1111—1118)。晁咏之首谒苏轼不在扬州,晁说之不可能任宫学教授。第一章指出并尝试纠正的有关错
Family Chao earned the great reputation for their family literature in the Song Dynasty.And from the early stage till the Southern Song Dynasty, Family Chao had their continual literary traditions ,thus bringing up a number of famous writers and cultural celebraties represented by Chao Jiong, Chao Bu-zhi, Chao Yue-zhi, Chao Chong-zhi ,Chao Duan-li,Chao Gong-wu,in view of the fact,the brilliant literary achievements of Family Chao are well worth researching and summarizing,furthermore,the research should be done from an angle of family literature because of its important theoretical value.Based on the researches of literature achievements of Family Chao, using academica circles' already-got research accomplishments for reference, the paper, In the double development courses of both the history of Family Chao and the literatural history of the Song Dynasty,outlines a comparatively complete literature developmental history of Family Chao for the first time, vividly disclosing the close relationship between the literature and the prosperous or declining state of Family Chao in both the evolutional course and mutul relationship of multiple elements, deeply explaining the great influence on the literature writing of Chaos' writers exerted by the family elements.At the same time .the paper shows that research of family literature is of powerful significance of methodology to that of literature of the Song Dynasty.
Family Chao had brought up many literators ,but about whom,there are a lot of mistakes in many literatural and historic sources or research works,so the paper has to first solve those problems,for example, the "Three Ancestors "of Family Chao ,Chao Di,Chao Jiong and Chao Gou ,whose original family home was in Qingfeng,Chanzhou, moved to the capital city Kaifeng,during the period of Emperor Zhenzong Regime,afterwards,the lineal offspring of Chao Di, Chao Gou moved to Juye and Rencheng County of Jizhou,the lineal offspring of Chao Jiong.such as Chao Zhong-yan,Chao Duan-yan,Chao Yue-zhi,Chao Chong-zhi,had been living in the capital,Kai Feng,so they should not be regarded as the people of Ju Ye County, Chao Zai-zhi was not one of Chao Gou's offspring ,which should not be named 'the Western Branch of Family Chao'.Chao Yong-zhi was mistaken for Chao Yue-zhi on some occasions,and some of their poems were interfused in each other's collected works. It was not in Yangzhou that Chao Yong-zhi met Su Shi for the first time ,and it was impossible for Chao Yue-zhi to be a teacher in the school of the court.In all .there are about eighties of mistakes concerning literators of Family Chao in the existing literature and studies which has been identified and corrected in the paper.Chao Jiong (951-1034) was both the founder and soul of Family Chao in the Song Dynasty,whose thoughts, personality and behavours were continuously admired and learned by the offsprings of Family Chao,thus gradually forming the family traditions which became the important home regulations influencing life orientations of Chaos'literators,so in the 2th chapter,the basic connotation and the cultural meaning of the family traditions are discussed,concluding that Chaos ruled its family via feudal ethical codes which was also strictly obeyed in dealing with social intercourses ,thus showing strong feudal patriarchal conception. Family Chao had a tradition to compile clan genealogies to collect all the names of the family members which consisted the complete recording of the family system,and Chao Jiong, Chao Zong-que, Chao Zhong-yan, Chao Qian-zhi contributed a lot to help other family members. Chaos owed their success to each other's unity and help from the family.And through his eminent literary activities among the people or in the
royal court, Chao Jiong established Family Chao's tradition of professional literators .In comparison with other great families in the Song Dynasty, Chaos characterized its world-recognized family of literature which were also the unique reflect of rising feudal culture in the Song Dynasty. Family Chao had thin atmosphere of its own literary tradition of instruction from father or elder brothers,thus valuing family education .Chaos'literators were open-up in learning and they good at learning from others,in doing so they made many friends in the literary world. Chao Jiong's thoughts of compatibility of Confucianism,Taoism and Buddhism ,set a good example to the Chaos'ofTsprings to learn extensively from outside world. Family Chao's plentiful collection of books ,the prevailing customs of diligent-learning and the tradition of diligent-wrtingjed to Chao literators' broad and profound knowledge,which laid solid foundation for their success in literature. Also,Family Chao had good customs of mercy and fraternity,at the same time the good morals and reputations of Chao Jiong and his father Chao Zong-que set a good example to the Chaos'literators.Most of Chao Jiong's poems written in the early stage of the Song Dynasty, have been lost, however, by analyzing his existing literature and other materials about him, the author contend in the the 3rd chapter that Chao Jiong was a poet with many writing styles. In his early time, he learned to write poem with Bai Juyi's style, yet he didn't let himself be confined by that, his creating spirit was similar to Wang Yu-cheng.Chao Jiong was a close friend and colleague of Yang Yi, leader of the XiKun School, they both had the similar integrity. Chao Jiong's prose also changed.At the time that poems with Xikun style was prosperous, he was a qualified poet with that style, later, when he was exploring a new poetic style, he brought with him the influence of the Xikun style. He wrote concise prose as well as rhythmical prose, characterized by parallelism and oraateness. When XiKun style prose were prevailing, he, however, advocated to learn the ancient writing styles. Hence,Chao Jiong can not only be regarded as a member of certain literature school.His long literal activity stood for right developmental trend in literature in the early time of
Song Dynasty and his contributions to Literature in Song Dynasty lay in that he began the good tradition of the Chao Family, well-known for its terrific literary achievements.In the mid&late period of the Northern Song Dynasty,with a number of offsprings became officials via civil-service exam, Chao Family once again earned its revival after the prosperous period of Chao Jiong and Chao Zong-que times.At the same time, in the literary world of the Yuanyou Period , a large crowd of literators from Chao Family appeared,and they kept close friendship with the leading writers at that time,such as Su Shi,Huang Ting-jian and Chen Shi-dao,so the main Chao Family writers : Chao Bu-zhi, Chao Yue-zhi, Chao Yong-zhi, Chao Zai-zhi got courage and assistance in literary writing from Su Shi, the leading figure among men of letters then. Because of the close relationship and the exchanging-poem social intercourse activities with those leaders,the literary works of Chaos got instruction and recommendment from the famous writers then.Simultaneously,influenced by both the political and academic thoughts of the Yuan You Partizans, they shared the similar political attitudes,stand and fate with them during the party controversy in the Northern Song Dynasty. Prosperity of Chaos' literators owed a lot not only to the development of the family itself and its literary tradition,but also to the literary and cultural prosperity of the YuanYou Period.Besides,in the 4th Chapter,the literatural achievements of Chao Duan-you, Chao Duan-yan, Chao Duan-ren, Chao Duan-bing,and Chao Duan-zhong , whose anthologies got lost,are discussed and analyzed.Chao Bu-zhi (1053-1110) was one of the famous "Four Scholars in the Su Shi School",and his proses and Cis (poems composed to some tunes) were valued all the time ,but his poems were neglected,so in the 5th Chapter, Chao Bu-zhPs poems are discussed , concluding that Chao Bu-zhi's poems oiyuefu and gexing reflected many aspects of social life,i.e the hardship of farmers'labor,people's poor life,the difficult positions of lower-level persons, polarization of rich and poor,and so on ,showing a kind of creative spirit to care reality and current afFairs,and that Chao
Bu-zhi's poems of yuefix , gexing and qigu had many narrating compositions,grandeur artistic vista,striking characteristics of the folk songs,rich emotional and contents.In the expressing way, Chao Bu-zhi had a tendency to refine artistic images from realistic life, not like to use literary quotation.All the above-mentioned characteristics helped him to earn the good reputation in the poetry world then.The whole Chaos literators'wrtings came to their high time in the late period of the Northern Song Dynasty .Suffering heavy strikes in the party controversy in the Northern Song Dynasty, Chaos literators widely experienced a very hard time,so,in those historic backgrounds,the 6th Chapter discloses the common characteristics of Chaos literators'wrtings during the period:showing both striking consciousness of declining distinguished family,and complex of missing their glorious ancestors, hoping family honour and customs to be publicized,displaying strong clan feelings and reality criticism spirit.AH those showed clearly that the in-depth family tradition and culture of Chao Family became the important contents and motive forces to arouse literary creation,and the literature was stamped with the brand of a family, which is also one of main purposes that the paper is trying to make clear.In addition to success in poem and prose, Chaos literators'also achieved a lot in writing Cis,so in the 7th Chapter, Chaos Ci writers'creating characteristics and achievements are discussed and summarized. Chao Duan-li (1046-1113) ,was always regarded as a member of "Dasheng School of Ci",but his main style came from Liu Yong's creative spirits,so his Ci liked to write love ,frankly and boldly to express love affairs,in this way,his Ci can not only embody Liu Yong's creative spirits in many aspects,but also showed obvious tendency of literary style,furthermore,got influenced from Su Shi's Ci writings. Chao Duan-li's writing of praisal Cis was only the end of his whole literary writing. Via singing idyllic life, founding peach-source world (Chinese way of paradise founding) ..expressing spouses affections,tracing self mind courses, Chao Bu-zhi's Ci writings fully displayed Su Shi's innovative spirits of Ci style through writing Cis with poems,together with the bold momentum and
vast views ,those characteristics formed active echoes to Su Shi's Ci writing customs. Trying to avoid the slang words and expressing way in Liu Yong's Cis,and refusing to go along with Su Shi's innovative ways of Ci style, Chao Chong-zhi's Ci writings had characteristics of elegance and grace,showing the tendency returning to the traditional Ci styles represented by "School among Flowers".But his Cis also had a lot in common with Zhou Bang-yan's in emphasizing structure and rhymes of Cis,so Chao Chong-zhi was a person who practiced Li Qing-zhao's view that Ci was another kind of writing.In one word ,the three Ci writers individually represented one great developmental tendency,strikingly reflecting that Chaos' literators were not willing to limit themselves within their own family ,but tried to pursue independent literary spirits.During the Jingkang Incident, the main part of Family Chao had moved to the south,so in the Southern Song Dynasty,they individually settled in the east,middle and west area .The epilogue first briefly introduced the basic conditions of Family Chao in the early stage of the southern Song Dynasty,and then introduced creating conditions of the main literators in the literary world of the southern Song Dynasty ,such as Chao Gong-wu, Chao Gong-su,and Chao Gong-mai. Viewing the whole literary developmental courses of Family Chao,we can see that the high time of literary writing was in the northern Song Dynasty,because Family Chao's literary cause took roots into the deep family literay traditions, watered and nourished by the literary climax of the time.Then the loss of the conditions led to the decline of Family Chao's literature,so wen can say that the decline of literature is one of the important causes that made Family Chao declined completely.Appendixes are the annual tables for Chao Jiong, Chao Yue-zhi and Chao Duan-li,which provide prerequisite conditions for research of the concerned writers and their writings.
引文
《北宋经抚年表·南宋制抚年表》(清)吴廷燮撰 中华书局 1984年
《北宋党争研究》 罗家祥著台北文津出版社 1993年
《北宋文人与党争》 沈松勤著 人民出版社 1998年
《北宋新旧党争与文学》 萧庆伟著 人民文学出版社2001年
《晁具茨先生诗集》(宋)晁冲之著 宛委别藏本
《传家集》 (宋)司马光撰 四库全书本
《古香岑草堂诗馀四集》 (明)沈际飞编 明刻本
《词谱》 (清)万树 四库全书本
《词话丛编》 唐圭璋编 中华书局 1986年
《晁氏琴趣外编》 刘乃昌、杨庆存著上海古藉出版社 1991年
《道院集要》 (宋) 晁迥著四库全书本
《东坡全集》 (宋) 苏轼著 四库全书本
《东莱先生诗集》 (宋) 吕本中著 四部丛刊本。
《东莱紫微师友杂说》 (宋) 吕本中著 商务印书馆 1939年
《东都事略》 (宋) 王称撰 四库全书本
《读书杂识》 (清) 劳格撰 续修四库全书本
《法臧碎金录》 (宋) 晁迥撰 四库全书本
《风月堂诗话》 (宋) 朱弁撰 四库全书本.
《过庭录》 (宋) 范公偶撰 四库全书本.
《攻媿集》 (宋) 楼钥撰 四库全书本.
《黄庭坚全集》 (宋) 黄庭坚撰 四川大学出版社 2001年
《后山集》 (宋) 陈师道撰 四库全书本
《后山诗话》 (宋) 陈师道撰 四库全书本
《后山诗注补笺》(宋) 任渊注、冒广生补笺 中华15局 1995年
《花庵词选》 (宋) 黄昇 四库全书本
《后村集》 (宋) 刘克庄撰 四库全书本
《挥麈三录》 (宋)王明清撰四库全书本
《华阳集》 (宋) 王珪著 四库全书本
《徽宗词坛研究》 诸葛忆兵著 北京出版社 2001年
《济北晁先生鸡肋集》 (宋) 晁补之撰 四部丛刊本。
《鸡肋集》 (宋) 晁补之撰 四库全书本。
《景迁生集》 (宋) 晁说之撰 四库全书本
《郡斋读书志》 (宋) 晁公武撰 四部丛刊本、四库全书本
《建炎以来系年要录》 (宋)李心传撰 中华书局 1956年
《建康集》 (宋) 叶梦得撰 四库全书本
《家世旧闻》 (宋)陆游撰、孔凡礼点校 中华书局 1993年
《郡斋读书志校证》 孙猛校证 上海古籍出版社 1990年
《临川文集》 (宋) 王安石撰 四库全书本
《乐静集》 (宋) 李昭圮撰 四库全书本
《老学庵笔记》 (宋) 陆游撰、李剑雄等点校 中华书局 1979年
《两宋名贤小集》 (宋) 陈思编、元陈世隆补 四库全书本
《曲洧旧闻》 (宋) 朱弁撰、孔凡礼点校 中华书局2002年
《全宋词》 唐圭璋编 中华书局 1965年
《全宋诗》 傅璇琮等主编 北京大学出版社 1995年
《全宋文》 曾枣庄、刘琳主编 巴蜀书社 1994年
《清丰县志》 (清) 杨燝纂修 清康熙十五年(1676) 刻本
《清丰县志》 (清) 杨燝纂修、高俊续修 清同治十八年(1871)增补康熙本
《嵩山文集》 (宋) 晁说之撰 四部丛刊本
《嵩山集》 (宋) 晁公遡撰 四库全书本
《宋文鉴》 (宋) 吕祖谦编 中华书局1992年
《宋史》 (元) 脱脱 中华书局 1977年
《宋会要辑稿》 (清) 徐松辑 中华书局 1957年
《宋会要辑稿人名索引》 王德毅著 新文丰出版公司印行 1978年
《苏轼文集》 孔凡礼点校 中华书局 1986年
《苏轼诗集》 孔凡礼点校 中华书局 1982年
《苏魏公文集》 (宋) 苏颂撰 四库全书本
《山谷诗集注》 黄宝华点校 上海古籍出版社 2003年
《诗话总龟》(宋)阮阅著 四库全书本
《珊瑚钩诗话》 (宋) 张表臣撰 四库全书本
《石林燕语》(宋) 叶梦得撰、 侯忠义点校 中华书局 1984年。
《石林诗话》(宋) 叶梦得撰 中华书局 1991年
《宋会要辑稿》(清) 徐松辑 中华书局 1957年
《宋人传记资料索引》昌彼德等编 台湾鼎文书局 1977年
《宋人传记资料索引补编》李国玲著 四川大学出版社 1994年
《宋人年谱丛刊》 吴洪泽、尹波主编 四川大学出版社 2001年
《诗薮》 (明) 胡应麟撰 上海古藉出版社 1979年
《宋元学案》(明) 黄宗羲原著、(清)全祖望补修 中华书局 1986年
《宋史翼》 陆心源 台北文海出版社 1980年
《四库全书简明目录》(清) 永瑢等撰 中华书局 1965年
《四库全书简明目录》 永瑢等撰 上海古籍出版社 1985年
《宋明家族制度史论》 徐扬杰著 中华书局 1995年
《宋代官制辞典》 龚延明著 中华书局 1997年
《斯文:唐宋思想的转型》[美]包弼德著、刘宁译江苏人民出版社 2001年
《宋代晁氏家族及其文献研究》 刘焕阳著 齐鲁书社 2004年
《宋代晁氏家族与文学》 张剑著 打印稿
《太平寰宇记》 (宋) 乐史 撰四库全书本
《太平御览》 (宋) 李肪等编 四库全书本
《铁围山从谈》 (宋) 蔡絛撰、冯清民等点校 中华书局 1983年
《童蒙训》 (宋) 吕本中撰 四库全书本
《渔隐丛话》 (宋) 胡仔撰 四库全书本
《唐宋词史论》 王兆鹏著 人民文学出版社 2000年
《武夷新集》 (宋) 杨亿著 四库全书本
《闻见录》 (宋) 邵伯温撰 四库全书
《闻见后录》 (宋) 邵博撰 四库全书
《文忠集》(宋) 周必大撰 四库全书本
《文献通考》 (元)马端临撰 四库全书本
《王禹偶事迹著作编年》 徐规撰 商务印书馆 2003年
《小畜集》 (宋) 王禹偶撰 四部丛刊本.
《续谈助》 (宋) 晁载之撰 商务印书馆 1939年
《西塘集耆旧续闻》 (宋) 陈鹄撰 中华书局 2002年
《续资治通鉴长编》 (宋) 李焘撰 上海古藉出版社 1986年
《新修清丰县志》(明)李汝宽修、晁瑮纂 嘉靖三十七年 (1558)刻本
《续资治通鉴长编·拾补》 黄以周等撰 上海古藉出版社 1986年
《西昆酬唱集注》王仲荦注 中华书局 1980年
《元丰类稿》(宋) 曾巩著 四库全书本
《乐府雅词》(宋)曾慥编 四库全书本
《渔隐丛话》 (宋) 胡仔撰 四库全书本
《玉海》 (宋) 王应麟撰 四库全书本
《岩下放言》(宋) 叶梦得撰 四库全书本
《瀛奎律髓汇评》(元) 方回选评、李庆甲集评校点 上海古籍出版社 1986年
《永乐大典》中华书局 1986年
《昭德新编》 (宋) 晁迥撰 四库全书本
《张耒集》 (宋) 张耒撰、李逸安点校 中华书局 1990年
《资治通鉴长编纪事本末》 (宋) 杨仲良撰 台北文海出版社 1977年
《五百家播芳大全文粹》 (宋) 魏齐贤、叶禁同辑 四库全书本
《直斋书录解题》 (宋) 陈振孙撰 上海古籍出版社 1987年
《紫微诗话》(宋) 吕本中 四库全书本
《中华大典·宋辽金元文学分典》程干帆等主编 江苏古藉出版社 2000年
《中国历代著名文学家评传》续编二 刘乃昌著 山东教育出版社 1989年
《北宋党争研究》 罗家祥著台北文津出版社 1993年
《北宋文人与党争》 沈松勤著 人民出版社 1998年
《北宋新旧党争与文学》 萧庆伟著 人民文学出版社2001年
《晁具茨先生诗集》(宋)晁冲之著 宛委别藏本
《传家集》 (宋)司马光撰 四库全书本
《古香岑草堂诗馀四集》 (明)沈际飞编 明刻本
《词谱》 (清)万树 四库全书本
《词话丛编》 唐圭璋编 中华书局 1986年
《晁氏琴趣外编》 刘乃昌、杨庆存著上海古藉出版社 1991年
《道院集要》 (宋) 晁迥著四库全书本
《东坡全集》 (宋) 苏轼著 四库全书本
《东莱先生诗集》 (宋) 吕本中著 四部丛刊本。
《东莱紫微师友杂说》 (宋) 吕本中著 商务印书馆 1939年
《东都事略》 (宋) 王称撰 四库全书本
《读书杂识》 (清) 劳格撰 续修四库全书本
《法臧碎金录》 (宋) 晁迥撰 四库全书本
《风月堂诗话》 (宋) 朱弁撰 四库全书本.
《过庭录》 (宋) 范公偶撰 四库全书本.
《攻媿集》 (宋) 楼钥撰 四库全书本.
《黄庭坚全集》 (宋) 黄庭坚撰 四川大学出版社 2001年
《后山集》 (宋) 陈师道撰 四库全书本
《后山诗话》 (宋) 陈师道撰 四库全书本
《后山诗注补笺》(宋) 任渊注、冒广生补笺 中华15局 1995年
《花庵词选》 (宋) 黄昇 四库全书本
《后村集》 (宋) 刘克庄撰 四库全书本
《挥麈三录》 (宋)王明清撰四库全书本
《华阳集》 (宋) 王珪著 四库全书本
《徽宗词坛研究》 诸葛忆兵著 北京出版社 2001年
《济北晁先生鸡肋集》 (宋) 晁补之撰 四部丛刊本。
《鸡肋集》 (宋) 晁补之撰 四库全书本。
《景迁生集》 (宋) 晁说之撰 四库全书本
《郡斋读书志》 (宋) 晁公武撰 四部丛刊本、四库全书本
《建炎以来系年要录》 (宋)李心传撰 中华书局 1956年
《建康集》 (宋) 叶梦得撰 四库全书本
《家世旧闻》 (宋)陆游撰、孔凡礼点校 中华书局 1993年
《郡斋读书志校证》 孙猛校证 上海古籍出版社 1990年
《临川文集》 (宋) 王安石撰 四库全书本
《乐静集》 (宋) 李昭圮撰 四库全书本
《老学庵笔记》 (宋) 陆游撰、李剑雄等点校 中华书局 1979年
《两宋名贤小集》 (宋) 陈思编、元陈世隆补 四库全书本
《曲洧旧闻》 (宋) 朱弁撰、孔凡礼点校 中华书局2002年
《全宋词》 唐圭璋编 中华书局 1965年
《全宋诗》 傅璇琮等主编 北京大学出版社 1995年
《全宋文》 曾枣庄、刘琳主编 巴蜀书社 1994年
《清丰县志》 (清) 杨燝纂修 清康熙十五年(1676) 刻本
《清丰县志》 (清) 杨燝纂修、高俊续修 清同治十八年(1871)增补康熙本
《嵩山文集》 (宋) 晁说之撰 四部丛刊本
《嵩山集》 (宋) 晁公遡撰 四库全书本
《宋文鉴》 (宋) 吕祖谦编 中华书局1992年
《宋史》 (元) 脱脱 中华书局 1977年
《宋会要辑稿》 (清) 徐松辑 中华书局 1957年
《宋会要辑稿人名索引》 王德毅著 新文丰出版公司印行 1978年
《苏轼文集》 孔凡礼点校 中华书局 1986年
《苏轼诗集》 孔凡礼点校 中华书局 1982年
《苏魏公文集》 (宋) 苏颂撰 四库全书本
《山谷诗集注》 黄宝华点校 上海古籍出版社 2003年
《诗话总龟》(宋)阮阅著 四库全书本
《珊瑚钩诗话》 (宋) 张表臣撰 四库全书本
《石林燕语》(宋) 叶梦得撰、 侯忠义点校 中华书局 1984年。
《石林诗话》(宋) 叶梦得撰 中华书局 1991年
《宋会要辑稿》(清) 徐松辑 中华书局 1957年
《宋人传记资料索引》昌彼德等编 台湾鼎文书局 1977年
《宋人传记资料索引补编》李国玲著 四川大学出版社 1994年
《宋人年谱丛刊》 吴洪泽、尹波主编 四川大学出版社 2001年
《诗薮》 (明) 胡应麟撰 上海古藉出版社 1979年
《宋元学案》(明) 黄宗羲原著、(清)全祖望补修 中华书局 1986年
《宋史翼》 陆心源 台北文海出版社 1980年
《四库全书简明目录》(清) 永瑢等撰 中华书局 1965年
《四库全书简明目录》 永瑢等撰 上海古籍出版社 1985年
《宋明家族制度史论》 徐扬杰著 中华书局 1995年
《宋代官制辞典》 龚延明著 中华书局 1997年
《斯文:唐宋思想的转型》[美]包弼德著、刘宁译江苏人民出版社 2001年
《宋代晁氏家族及其文献研究》 刘焕阳著 齐鲁书社 2004年
《宋代晁氏家族与文学》 张剑著 打印稿
《太平寰宇记》 (宋) 乐史 撰四库全书本
《太平御览》 (宋) 李肪等编 四库全书本
《铁围山从谈》 (宋) 蔡絛撰、冯清民等点校 中华书局 1983年
《童蒙训》 (宋) 吕本中撰 四库全书本
《渔隐丛话》 (宋) 胡仔撰 四库全书本
《唐宋词史论》 王兆鹏著 人民文学出版社 2000年
《武夷新集》 (宋) 杨亿著 四库全书本
《闻见录》 (宋) 邵伯温撰 四库全书
《闻见后录》 (宋) 邵博撰 四库全书
《文忠集》(宋) 周必大撰 四库全书本
《文献通考》 (元)马端临撰 四库全书本
《王禹偶事迹著作编年》 徐规撰 商务印书馆 2003年
《小畜集》 (宋) 王禹偶撰 四部丛刊本.
《续谈助》 (宋) 晁载之撰 商务印书馆 1939年
《西塘集耆旧续闻》 (宋) 陈鹄撰 中华书局 2002年
《续资治通鉴长编》 (宋) 李焘撰 上海古藉出版社 1986年
《新修清丰县志》(明)李汝宽修、晁瑮纂 嘉靖三十七年 (1558)刻本
《续资治通鉴长编·拾补》 黄以周等撰 上海古藉出版社 1986年
《西昆酬唱集注》王仲荦注 中华书局 1980年
《元丰类稿》(宋) 曾巩著 四库全书本
《乐府雅词》(宋)曾慥编 四库全书本
《渔隐丛话》 (宋) 胡仔撰 四库全书本
《玉海》 (宋) 王应麟撰 四库全书本
《岩下放言》(宋) 叶梦得撰 四库全书本
《瀛奎律髓汇评》(元) 方回选评、李庆甲集评校点 上海古籍出版社 1986年
《永乐大典》中华书局 1986年
《昭德新编》 (宋) 晁迥撰 四库全书本
《张耒集》 (宋) 张耒撰、李逸安点校 中华书局 1990年
《资治通鉴长编纪事本末》 (宋) 杨仲良撰 台北文海出版社 1977年
《五百家播芳大全文粹》 (宋) 魏齐贤、叶禁同辑 四库全书本
《直斋书录解题》 (宋) 陈振孙撰 上海古籍出版社 1987年
《紫微诗话》(宋) 吕本中 四库全书本
《中华大典·宋辽金元文学分典》程干帆等主编 江苏古藉出版社 2000年
《中国历代著名文学家评传》续编二 刘乃昌著 山东教育出版社 1989年