古丁的“附逆”作品再考
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摘要
古丁在20世纪30年代创作很活跃,但进入40年代后,几乎没有创作小说和诗。到了后期《艺文志》刊行时期,古丁再次执笔,先后创作了《新生》《西南杂感》《下乡》《山海外经》等作品。这些作品迎合国策,时而赞美"民族协和",时而为了"圣战"彻底获胜,鼓励粮食增产出荷,因此被视作"附逆"作品。然而,王秋萤曾评价古丁的言行为"绵里藏针,与敌人斗智"。基于此评价,以古丁在伪满洲国末期创作的四篇作品为考察对象,试探讨隐藏在"绵"里的"针",以证明无法用"附逆"定论古丁作品的一面。
In the 1930 s,Gu Ding achieved a lot by writing many works. But when it came to 1940 s,he hardlycreated any novels and poetry until the publication of the late Yi Wen Zhi journal. Then he successively wrote XinSheng,Xi Nan Za Gan,Xia Xiang,Shan Hai Wai Jing and so on. These works catered to the national policy by eithercommending "Ethnic harmony"or encouraging increased output of food for the victory of "Holy War". Thus,they arecommonly regarded as "Propagandist Works". Whereas,Wang Qiuying commented Gu Ding's writing as "Hiding aneedle in silk floss and fighting wit with the enemy". Based on this comment,this paper will review four of Gu Ding'spropagandist works in order to reveal the critical side of Gu Ding's works,which could not be labeled by"Propagandist".
In the 1930 s,Gu Ding achieved a lot by writing many works. But when it came to 1940 s,he hardlycreated any novels and poetry until the publication of the late Yi Wen Zhi journal. Then he successively wrote XinSheng,Xi Nan Za Gan,Xia Xiang,Shan Hai Wai Jing and so on. These works catered to the national policy by eithercommending "Ethnic harmony"or encouraging increased output of food for the victory of "Holy War". Thus,they arecommonly regarded as "Propagandist Works". Whereas,Wang Qiuying commented Gu Ding's writing as "Hiding aneedle in silk floss and fighting wit with the enemy". Based on this comment,this paper will review four of Gu Ding'spropagandist works in order to reveal the critical side of Gu Ding's works,which could not be labeled by"Propagandist".
引文
[1]古丁.竹林[J].麒麟,1942(6):67-72.
[2]黄玄.古丁论———文学“乌托邦”梦者的悲剧[J].社会科学辑刊,1991(5):143.
[3]古丁.新生[J].艺文志,1944(2):131-214.
[4]连载预告[N].满洲日报:夕刊,1944-05-23.
[5]文心[J].艺文志,1944(4):58.
[6]古丁.西南杂感[J].艺文志,1944(7):28-33.
[7]小大由之[J].艺文志,1944(7):120.
[8]编辑后记[J].艺文,1944(11):96.
[9]古丁.下乡[J].艺文志,1944(9):48-61.
[10]古丁.山海外经[J].文友,1945(7):17-19.
[11]刘汉.林则徐[J].新满洲,1942(6):65.
[12]冈田英树.“击灭英美诗”的表与里[M].伪满洲国文学,2000(3):252-256.
(1)文章详见《伪满洲国文学·续》的第Ⅲ部第3章。
(2)连载预告《满洲日报》(夕刊,1944年5月23日),称“从明日起开始连载”,但事实上是从5月25日开始的。
(1)可参考日文版拙译《山海外经》,《殖民地文化研究》(第4号,2005年7月1日)。
[2]黄玄.古丁论———文学“乌托邦”梦者的悲剧[J].社会科学辑刊,1991(5):143.
[3]古丁.新生[J].艺文志,1944(2):131-214.
[4]连载预告[N].满洲日报:夕刊,1944-05-23.
[5]文心[J].艺文志,1944(4):58.
[6]古丁.西南杂感[J].艺文志,1944(7):28-33.
[7]小大由之[J].艺文志,1944(7):120.
[8]编辑后记[J].艺文,1944(11):96.
[9]古丁.下乡[J].艺文志,1944(9):48-61.
[10]古丁.山海外经[J].文友,1945(7):17-19.
[11]刘汉.林则徐[J].新满洲,1942(6):65.
[12]冈田英树.“击灭英美诗”的表与里[M].伪满洲国文学,2000(3):252-256.
(1)文章详见《伪满洲国文学·续》的第Ⅲ部第3章。
(2)连载预告《满洲日报》(夕刊,1944年5月23日),称“从明日起开始连载”,但事实上是从5月25日开始的。
(1)可参考日文版拙译《山海外经》,《殖民地文化研究》(第4号,2005年7月1日)。