“大”与“小”的转化及统一——写作中视点问题的思考
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摘要
对任何文体的写作而言,视点选择都是构思中最为重要的一个环节,视点的选择直接决定着文章的成败。传统写作理论强调视点要小,但如何才算"小",该怎样"小",一直是困扰写作者的难点所在。文章就视点选择中"小"与"大"的辩证关系进行思考和辨析,以期给写作者以启示,解决写作视点选择中的这一难题。
For any style of writing, the choice of viewpoint is the most important link in the conception,and the choice of viewpoint directly determines the success or failure of the article. Traditional writing theory emphasizes that the point of view should be small, but what is small and how to be small have always been a difficult point for writers. This paper makes a reflection and analysis on the dialectical relationship between "small" and "big", aiming to provide inspiration to the writers and solve the difficult problem in the choice of viewpoints in writing.
For any style of writing, the choice of viewpoint is the most important link in the conception,and the choice of viewpoint directly determines the success or failure of the article. Traditional writing theory emphasizes that the point of view should be small, but what is small and how to be small have always been a difficult point for writers. This paper makes a reflection and analysis on the dialectical relationship between "small" and "big", aiming to provide inspiration to the writers and solve the difficult problem in the choice of viewpoints in writing.
引文
[1]刘锡庆.写作通论[M].北京:北京出版社,2013:48.
[2]裴显生.写作学新稿[M].南京:江苏教育出版社,1987:72.
[3]孙泽文.大学生写作与范例[M].汕头:汕头大学出版社,2004:21.
[4]翁世荣.文学写作教程[M].上海:华东师范大学出版社,1984:39.
[2]裴显生.写作学新稿[M].南京:江苏教育出版社,1987:72.
[3]孙泽文.大学生写作与范例[M].汕头:汕头大学出版社,2004:21.
[4]翁世荣.文学写作教程[M].上海:华东师范大学出版社,1984:39.