摘要
感悟式批评强调灵感、想象、即兴、直觉,这与以自由、浪漫、超越、灵性的巴蜀文化传统在精神上不谋而合。新时期以来,出版业的振兴、文学创作高潮迭起,与之对应的是文学批评的热度持续,但此时的文学批评开始大规模引进建立在西方哲学、社会思潮理论背景上的批评模式,而更具中国传统的感悟式批评却越来越受到文学批评界的忽视,巴蜀文学批评的发展显然也受此影响。那么在当代巴蜀文学批评的发展过程中,如何将感悟式批评融合在自己的文学批评实践中是一个值得深思的问题。从中国古代文学的感悟式批评中获取灵感,阐释其对当代巴蜀文学批评创作的启示。
Perceptive criticism emphasizes inspiration, imagination, improvisation and intuition, which coincides in spirit with the tradition of Chongqing and Sichuan culture of freedom, romance, transcendence and wisdom. In the new times, the booming publishing industry contributes to the prosperity of literary creations, and correspondingly,the heat of literary criticism. However, modern Chinese literary criticism starts from large-scale introductions of literary criticism modes based on theories of western philosophy and social thoughts, and the more traditional Chinese perceptive criticism is gradually neglected by literary critics, and the development of literary criticism in Chongqing and Sichuan is also affected. Then, in contemporary Chongqing and Sichuan literary criticisms, how should we integrate perceptive criticism into our practices? This paper draws inspirations from perceptive criticism in ancient Chinese literature to interpret its enlightenment for contemporary literary criticism in Chongqing and Sichuan.
引文
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