戏曲表演中“做”与“唱”的相互关系
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摘要
戏曲表演中的"做"和"唱"都是塑造人物的主要艺术手段,不仅是戏曲表演的重要技巧,也是戏曲表演艺术的表现形式。"做",指通过面部表情以及形体动作来刻画人物的心理、性格,揭示戏剧冲突与剧情发展。"唱",指唱腔,通过唱词来展现角色的形象、性格,叙述故事情节。"做"和"唱"在戏曲表演中缺一不可。狭义上,两者似乎是互不干扰。广义上,两者又是相辅相成。"做"与"唱"之间关系包括烘托关系、呼应关系、补充关系等。
"Doing" and "singing" are the main artistic means of shaping characters in drama performance.They serve the shaping of characters,not only as an important means of opera performance,but also as a form of expression of opera performance art. "Doing" refers to depicting the psychology and character of a character through facial expressions and physical movements,revealing the drama conflict and the development of the plot. "Singing",refers to the singing,through the lyrics to show the character's image,character,narrative storyline. "Doing" and "singing" are indispensable in the performance of the opera.In a narrow sense,the two seem to be without interference.Broadly speaking,the two complement each other.The relationship between "doing" and "singing" can be divided into a relationship,a reciprocal relationship,and a supplementary relationship.
"Doing" and "singing" are the main artistic means of shaping characters in drama performance.They serve the shaping of characters,not only as an important means of opera performance,but also as a form of expression of opera performance art. "Doing" refers to depicting the psychology and character of a character through facial expressions and physical movements,revealing the drama conflict and the development of the plot. "Singing",refers to the singing,through the lyrics to show the character's image,character,narrative storyline. "Doing" and "singing" are indispensable in the performance of the opera.In a narrow sense,the two seem to be without interference.Broadly speaking,the two complement each other.The relationship between "doing" and "singing" can be divided into a relationship,a reciprocal relationship,and a supplementary relationship.
引文
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[3]中国戏剧出版社.说程砚秋[M].北京:中国戏剧出版社,2011:184.
[4]和宝堂,李小琴.于连泉花旦表演艺术[M].北京:中国戏剧出版社,2015:90-93.
[5]中国戏剧出版社.说梅兰芳[M].北京:中国戏剧出版社,2010:173.
[6]杨连启.粉末春秋:盖叫天口述历史[M].北京:中国戏剧出版社,2012:95.
[7]中国戏剧出版社.说周信芳[M].北京:中国戏剧出版社,2011:44.
[8]中国戏剧出版社.说梅兰芳[M].北京:中国戏剧出版社,2010:60.
[9]中国戏剧出版社.说裘盛戎[M].北京:中国戏剧出版社,2011:175.
[10]曲六乙.一代武生宗师杨小楼[J].戏曲艺术,1983(4):40-46.