粉彩冰雪山水瓷画表现形式与审美意蕴探析

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英文篇名：A Probe into the Expressive Form and Aesthetic Implication of Painted Ice and Snow Landscape Porcelain Paintings 作者：岑传论 英文作者：CEN Chuanlun;Jingdezhen Yihuayuan Ceramic Art Museum; 关键词：粉彩冰雪山水瓷画 ; 表现形式 ; 审美意蕴 英文关键词：Painted ice-snow landscape porcelain painting;;Expression form;;Aesthetic implication 中文刊名：ZGTC 英文刊名：China Ceramics 机构：景德镇一画苑陶瓷艺术馆; 出版日期：2019-05-05 出版单位：中国陶瓷 年：2019 期：v.55;No.366 语种：中文; 页：ZGTC201905018 页数：4 CN：05 ISSN：36-1090/TQ 分类号：98-101

摘要

粉彩冰雪山水瓷画以冰与雪为表现主题,突破传统雪景概念的束缚,具有重要的变革创新意义,在表现形式上,继承雪的表现,同时开拓冰的表现,并讲求"白分五色",在审美意蕴上,继承传统的雅俗共赏特点,并融入冰的意蕴和北方冰雪文化,强调动态生命之美。
        Famile rose ice-snow landscape porcelain painting takes ice and snow as its performance theme,breaking through the shackles of the traditional concept of snow scenery, has important innovative significance. In the form of expression, it inherits the performance of snow, while exploring the performance of ice, and stresses "white divided into five colors". In the aesthetic implication, it inherits the characteristics of traditional elegance and vulgarity, and integrates the implication of ice and snow culture in the north, emphasizing the beauty of dynamic life.

引文

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