安徽汉画像石造型艺术研究
|
摘要
我国的优秀传统文化艺术汉画像石艺术是具有浓郁的民族特色的一种艺术形式,其艺术造型宏伟壮观,体现时代特征和民族精神。安徽地区的文化艺术类型中,汉画像石非常典型,且这一地区的汉画像石,融入了安徽地区自身的文化艺术特色,深受当地文化背景和艺术发展环境的影响。这种艺术形式在安徽地区的发展和成熟,使其形成了独立的艺术门类。
Carving stones in the Han Dynasty is an art form of Chinese excellent traditional culture and art with strong national characteristics.Its magnificent artistic form reflect the characteristics of the times and national spirits. Among the cultural and artistic types in Anhui, the typical carving stones in the Han Dynasty, integrated with the local cultural and artistic characteristics, is deeply influenced by the local cultural background and artistic development environment. The development and maturity of this art form in Anhui has led to the formation of an independent art category.
Carving stones in the Han Dynasty is an art form of Chinese excellent traditional culture and art with strong national characteristics.Its magnificent artistic form reflect the characteristics of the times and national spirits. Among the cultural and artistic types in Anhui, the typical carving stones in the Han Dynasty, integrated with the local cultural and artistic characteristics, is deeply influenced by the local cultural background and artistic development environment. The development and maturity of this art form in Anhui has led to the formation of an independent art category.
引文
[1]叶彤.以墓主为中心——徐州汉画像石图像艺术研究[J].大众文艺,2017(16).
[2]朱巍.汉代画像石“人首龙身交尾”考释——以贵州省金沙县汉代画像石墓为例[J].南阳理工学院学报,2016,8(5).
[3]周爱民,郁王白云,石程.汉代画像石的秩序与非秩序研究[J].中国包装,2016,36(11).
[4]桑茂林,梁爽.徐州汉画像石乐舞图像人物造型的美学特征[J].艺术百家,2016,32(2).
[5]孟影.浅析汉代建鼓舞的形态特征——以徐州区域为例[J].北方音乐,2016,36(7).
[2]朱巍.汉代画像石“人首龙身交尾”考释——以贵州省金沙县汉代画像石墓为例[J].南阳理工学院学报,2016,8(5).
[3]周爱民,郁王白云,石程.汉代画像石的秩序与非秩序研究[J].中国包装,2016,36(11).
[4]桑茂林,梁爽.徐州汉画像石乐舞图像人物造型的美学特征[J].艺术百家,2016,32(2).
[5]孟影.浅析汉代建鼓舞的形态特征——以徐州区域为例[J].北方音乐,2016,36(7).