摘要
黎锦辉,作为我国儿童歌舞剧这一体裁的创始人,因为历史大环境方面的原因,其备受当时文学、音乐界人士的争议和批评,甚至被称为"黄色音乐鼻祖"。斗转星移,随着时代发展、艺术文化思想以及社会观念的不断进步,后世的文人、艺术学者对他产生了新的认识和评价。文章通过对其作品和众多研究者的文章研究、梳理和挖掘,对黎锦辉在儿童歌舞剧和流行音乐方面的历史贡献有了进一步的认识。
As the founder of Chinese Children Musical Drama,Li Jinhui used to be disputed and criticized by the experts in the circle of literature and music because of the historical situation,and he was even called "the founder of the decadent music".With the development of the era,the artistic and cultural thoughts,and the progress of the social ideas,the scholars and artists of later generations reexamine Li Jinhui's achievement and have a new recognition and evaluation of him.In this paper,Li Jinhui's historical contribution to the Children's musical drama and pop music are recognized through the research on the works of Li Jinhui and the articles of his researchers.
引文
[1]杨佃青.在文学和音乐之间--黎锦晖和他的儿童歌舞作品[J].浙江师大学报,1994(3).
[2]张芳彦.爱的教育美的追求--黎锦晖儿童歌舞剧[J].咸宁师专学报,2001(1).
[3]明言.唯美主义、启蒙主义、平民主义的融会贯通[J].中央音乐学院学报,2001(1).
[4]常小静.黄自·黎锦晖·新音乐[J].华侨大学学报(人文社科版),2001(3).
[5]陈勇在.“灰色”歌曲与黎锦晖先生[J].自贡师范高等专科学校学报2001(1).
(1)(2001年北京《黎锦晖诞辰110年研讨会》的讲话)
(2)《黎锦晖诞辰110年研讨会》(2001北京)
(3)《黎锦晖诞辰110年研讨会》(2001北京)
(4)黎锦晖诞辰110年研讨会(2001北京)