宗白华与方东美对中国艺术结构的现代诠释
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摘要
中国传统艺术创作要求艺术家将宇宙的生命之气与自身的精神气质融会贯通,以传达生命的意蕴与美感。20世纪以来,如何在西学东渐的背景下将传统艺术精神进行现代转换是重要的时代课题。宗白华与方东美在坚守民族文化特质的基础上,通过中西对比深入发掘了传统艺术的多层价值与生命精神,运用具有浓厚中国特色的概念阐释中国艺术的结构,建构了中国艺术理论的话语体系与理论体系,引领了中国艺术理论的现代发展。
Chinese traditional artistic creation requires artists to link the spirit of life of the universe with their own spiritual temperament,so as to convey the meaning and beauty of life. How to interpret the traditional artistic spirit in the context of modernization has been an important topic since twentieth century. ZONG Bai-hua and FANG Dong-mei stick to the standpoint of national culture,excavate the characteristics of traditional art through the comparison between China and the west,use the concept of Chinese characteristics to explain the structure of Chinese art,construct the discourse system and theoretical system of Chinese art theory,and promote the modern development of Chinese art theory.
Chinese traditional artistic creation requires artists to link the spirit of life of the universe with their own spiritual temperament,so as to convey the meaning and beauty of life. How to interpret the traditional artistic spirit in the context of modernization has been an important topic since twentieth century. ZONG Bai-hua and FANG Dong-mei stick to the standpoint of national culture,excavate the characteristics of traditional art through the comparison between China and the west,use the concept of Chinese characteristics to explain the structure of Chinese art,construct the discourse system and theoretical system of Chinese art theory,and promote the modern development of Chinese art theory.
引文
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[3]郭庆藩.庄子集释[M].王孝鱼,点校.北京:中华书局,1961.
[4]黄霖.文心雕龙汇评[M].上海:上海古籍出版社,2005:150.
[5]陆机.文赋集释[M].张少康,集释.北京:人民文学出版社,2002:20.
[6]郑燮.郑板桥全集[M].卞孝萱,编.济南:齐鲁书社,1985.
[7]张彦远.历代名画记[M].周晓薇,校点.沈阳:辽宁教育出版社,2001:19.
[8]黄休复.益州名画录[M].成都:四川人民出版社,1982:6.
[9]宗白华.宗白华全集(第一卷)[M].合肥:安徽教育出版社,1996:496.
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