云岩寺塔壁画纹样装饰类型及特点研究
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摘要
云岩寺内饰图案对于艺术史研究具有重要意义,其形式和内容是艺术史的一个重要课题。云岩寺塔壁画纹样种类繁多,纹样工艺塑造手法特殊,并且有丰富的色彩表现。它是五代、唐宋时期比较典型的装饰符号,经过几次整修,图案仍保留宋代风格特点。按照装饰纹样的内容类型及特点进行类比,对各种纹样类型挖掘深层次的意义。云岩寺塔的纹样装饰,有着极其独特的图案风格和历史价值,对于中国图案艺术史的发掘研究具有深远的意义。
The interior decorative pattern of Yunyan temple pagoda is of great significance to art history, and its form and content have always been an important topic in art history. The mural pattern of Yunyan Temple Pagoda is a typical decorative element in the Five Dynasties, Tang and Song Dynasties. After several renovations, these patterns still retain the character of Song Dynasty style. The mural patterns of Yunyan Temple Pagoda are various, and the sculpture technique of the patterns is special, and with rich color expression. According to the content and character of decorative patterns, analogy is carried out to excavate the deep meaning of various patterns. The pattern decoration of Yunyan Temple Pagoda has its unique pattern style and historical value in the period of Five Dynasties and ten kingdoms. It has far-reaching significance for the excavation and study of Chinese pattern art history.
The interior decorative pattern of Yunyan temple pagoda is of great significance to art history, and its form and content have always been an important topic in art history. The mural pattern of Yunyan Temple Pagoda is a typical decorative element in the Five Dynasties, Tang and Song Dynasties. After several renovations, these patterns still retain the character of Song Dynasty style. The mural patterns of Yunyan Temple Pagoda are various, and the sculpture technique of the patterns is special, and with rich color expression. According to the content and character of decorative patterns, analogy is carried out to excavate the deep meaning of various patterns. The pattern decoration of Yunyan Temple Pagoda has its unique pattern style and historical value in the period of Five Dynasties and ten kingdoms. It has far-reaching significance for the excavation and study of Chinese pattern art history.
引文
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[2]阿洛伊斯·李格尔,邵宏译.风格问题-装饰历史的基础[M].杭州:中国美术学院出版社,2016.
[3]潘运告,等.宣和画谱[M].长沙:湖南美术出版社,2016.
[4]潘天寿.关于构图的问题[M].杭州:浙江人民美术出版社,2015.
[5]张彦远,等.历代名画记[M].贵阳:贵州人民出版社,2009.
[6]阿洛伊斯·李格尔,邵宏,译.风格问题--装饰历史的基础[M].杭州:中国美术学院出版社,2016.
[7]张朋川.苏州云岩寺塔彩绘浮塑图像的考察[J].文物,2009(7):74-78.
[8]欧阳琳,等.敦煌图案集[M].上海:上海书店出版社,1995.
[9]张朋川.平湖看霞-关于美术史与设计史[M].重庆:重庆大学出版社,2014.
[10]刘敦桢.苏州云岩寺塔[J].文物参考资料,1954(7):27-38.