当代艺术审美观照下的模糊美感知

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英文篇名：The Fuzzy Beauty Perception of Contemporary Art Aesthetics 作者：鲍佩佩 ; 方卫 英文作者：Bao Peipei;Fang Wei;School of Art and Design, Wuhan University of Technology; 关键词：艺术审美 ; 美学感知 ; 模糊美学 ; 模糊性 英文关键词：artistic aesthetics;;aesthetic perception;;fuzzy aesthetics;;ambiguity 中文刊名：YSLL 英文刊名：Art and Design 机构：武汉理工大学艺术与设计学院; 出版日期：2019-05-15 出版单位：艺术与设计(理论) 年：2019 期：v.2;No.392 语种：中文; 页：YSLL201905037 页数：2 CN：05 ISSN：11-3909/J 分类号：107-108

摘要

艺术中的难题归结于有限与无限的矛盾,而艺术本身就是个无限接近的矛盾。人们对美的多维的、立体的认识的模糊性在于美的内部结构层次的复杂性,是以主观意志而转移的动态系统。如同美与丑的模糊属性,事物在美丑之间连续分布无法作为客体存在,绝对的差异界限并不科学。美学领域因模糊体系的观照逐渐成为了充满多样性和可能性的科学系统。
        The problem in art is attributed to the contradiction between finite and infinite, and art itself is an infinitely close contradiction. The ambiguity of people's multidimensional and three-dimensional understanding of beauty lies in the complexity of the internal structure of the United States, which is a dynamic system that is transferred by subjective will. Like the fuzzy attributes of beauty and ugliness, the continuous distribution of things between beauty and ugliness cannot exist as an object. The absolute difference is not scientific. The aesthetic field has gradually become a scientific system full of diversity and possibility due to the obscurity of the system.

引文

[1]周易,远藤.模糊美学研究:过程论[J].外国文学研究,1990(02).
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    [3]王明居.模糊美学和模糊数学[J].文艺理论研究,1991(02).
    [4]周易,远藤.模糊美学研究:本质论[J].外国文学研究,1989(02).