体验式空间中“人设性”探讨
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摘要
体验式空间是未来的空间主流形式,它包含了商业式体验空间与非商业式体验空间。单纯满足功能需求的空间将逐渐消失,体验式空间将成为主流,即空间与人可以达到多维度互动体验的一种空间形式。而"人设性"即给空间赋予人的"生命"含义,就像AI智能一样赋予机器人的思维模式,为冷冰冰的机器赋予温度,像一个生命体一样与人类进行互动,同样"人设性"的体验式空间即赋予空间类人的思维与一个生命体应有的特征,使之与空间中的人进行思维上、情感上与行为上的互动。
Experiential space is the main form of space in the future, which includes commercial experience space and non-commercial experience space. The space that satisfies the function demand will disappear gradually, and the experiential space will become the mainstream,that is, the space and the person can achieve a kind of space form of multi-dimensional interactive experience. "Human nature" endows the space with the meaning of "life". Just as what AI intelligence do, which endows robots with thinking mode, and feelingless machines with productivity.It interacts with human like an organism. Similarly, "human nature" in experiential space is to give the space human thinking and personality of a living body, so that it can achieve the interaction of thought, emotion, and behavior with people in the space.
Experiential space is the main form of space in the future, which includes commercial experience space and non-commercial experience space. The space that satisfies the function demand will disappear gradually, and the experiential space will become the mainstream,that is, the space and the person can achieve a kind of space form of multi-dimensional interactive experience. "Human nature" endows the space with the meaning of "life". Just as what AI intelligence do, which endows robots with thinking mode, and feelingless machines with productivity.It interacts with human like an organism. Similarly, "human nature" in experiential space is to give the space human thinking and personality of a living body, so that it can achieve the interaction of thought, emotion, and behavior with people in the space.
引文
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[2]董与思.色彩在潜意识层面对电影观众的超控力量[J].辽宁大学学报(哲学社会科学版),2017,45(02):140-144.
[3]王猛.对电影《红高粱》色彩张力的分析[J].大舞台,2013(04):159-160.
[4]范倍,方堃.电影空间——生活场景,情感舞台与表征世界[J].新建筑,2018(01):28-31.
[5]张雪野.心理空间的具象化[D].南京师范大学,2018.
[6]王静,陈芊宇,管雪松.家居空间中多功能家具设计及使用研究[J].家具与室内装饰,2018(09):22-23.
[7]金丹元,张咏絮.一种不该被“忘却”的类型电影——对中国科幻电影实际上的缺席之思考[J].艺术百家,2018,34(01):164-171.
[8]张俊杰.张承风.仿生设计在现代室内空间中的应用研究[J].家具与室内装饰,2018(08):96-97.
[9]梁晨,朱佳波,俞志成,张乘风.室内空间的可变设计研究[J].家具与室内装饰,2018(02):108-109.
[10]朱欢.室内设计中的色彩运用研究[J].家具与室内装饰,2016,(12):86-87.
[11]高永利,王昕璨.中日动画电影叙事空间比较:谈动画电影假定性空间构筑的真实世界[J].当代电影,2018(12):155-158.
[12]王铬,沈康,许诺.沉浸式展演空间体验模式与空间组织设计探究[J].华中建筑,2018,36(11):152-156.
[13]李坤键.基于五感体验的会展空间艺术探究[J].普洱学院学报,2018,34(04):107-108.
[14]罗东然,徐雷,梁晶.超现实主义在体验店空间的应用研究[J].美术教育研究,2018(23):58-59.