“冯氏三藏”序集
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摘要
冯氏两代人所收藏的书画、信札、货币合称为"冯氏三藏"。"三藏"所藏涉及清代及民国政要、国学大师之书画作品、信函及古钱币。随着国家经济文化实力的提升,时下进入文物及艺术品集藏兴盛期,"淘宝""鉴宝"已成热门话题。然而,收藏热的一个显著特色是文物及艺术品的市场售价被格外关注,并极度放大于台面,人们言及藏品,津津乐道于拍卖价几万、几百万或几千万,而对文物的历史价值、美学价值的认知则退居次席。此种状况与冯氏自幼的闻见大相异趣:冯父每有收获,评议的多是文物何等美妙、包蕴的史料价值何等深邃,从未言及某件值钱若干,将来会增值多少倍。文物集藏并非只是寡头专属,而当有民众参与、欣赏、利用。文物及艺术品首先是文化载体,不应降格成金钱等价物,如果集藏的主要目的衍为金钱贮备与增值手段,藏品被铜臭淹没,实在是集藏事业的异化。
The ancient paintings, letters, and currency collected by Feng's two generations are collectively referred to "Feng's Sancang". The "Sancang" is a collection of ancient paintings, ancient letters and ancient coins of the Qing dynasty and the Republic of China. Today, a notable feature of the collection of hot goods is that the market price of cultural relics and artworks is particularly concerned and extremely magnified on the countertop. While collections are relished at auction prices of tens of thousands, millions or tens of millions, the historical and aesthetic values of cultural relics are often ignored. This kind of situation is quite different from Feng's childhood experience: every time Feng's father has a new relic, it is the beauty and value of the historial materials that he would discuss,but never the market price and its future worth. The collection of cultural relics is not only exclusive to the oligarchs, but should invite public participation, appreciation and utilization. Cultural relics and artworks are first and foremost cultural carriers, and should not be reduced to money equivalents.If the main purpose of collection is to be a means of money storage and value-added, the collection would be meaningness, which is really the alienation of the collection.
The ancient paintings, letters, and currency collected by Feng's two generations are collectively referred to "Feng's Sancang". The "Sancang" is a collection of ancient paintings, ancient letters and ancient coins of the Qing dynasty and the Republic of China. Today, a notable feature of the collection of hot goods is that the market price of cultural relics and artworks is particularly concerned and extremely magnified on the countertop. While collections are relished at auction prices of tens of thousands, millions or tens of millions, the historical and aesthetic values of cultural relics are often ignored. This kind of situation is quite different from Feng's childhood experience: every time Feng's father has a new relic, it is the beauty and value of the historial materials that he would discuss,but never the market price and its future worth. The collection of cultural relics is not only exclusive to the oligarchs, but should invite public participation, appreciation and utilization. Cultural relics and artworks are first and foremost cultural carriers, and should not be reduced to money equivalents.If the main purpose of collection is to be a means of money storage and value-added, the collection would be meaningness, which is really the alienation of the collection.
引文