“文革”时期美术批评的热点及其特征
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摘要
受政治势力强力介入文艺创作与批评的影响,"文革"时期的美术批评带有鲜明的政治色彩,出现了评论"户县农民画展"、"上海、阳泉、旅大工人画展览"和批判"黑画坏画"等三大热点。一部分工农兵加入了美术批评队伍,集体创作的评论文章也大量涌现,而这些对新时期的美术批评产生了较为深远的影响。
Influenced by the strong involvement of the politic power in art creations and criticisms, the art comments during the tumultuous Cultural Revolution had some distinct features and three hot spots such as criticism upon those exhibitions of the peasant paintings of Hu County, the worker paintings of Shanghai, Yangquan and Lv-Da, and denouncement on those Black-Paintings. A part of workers and peasants joined in creating groups, and many comment articles by collective effort appeared during that time which brought a great influence on the art criticisms at the beginning of Reform and Open-up time.
Influenced by the strong involvement of the politic power in art creations and criticisms, the art comments during the tumultuous Cultural Revolution had some distinct features and three hot spots such as criticism upon those exhibitions of the peasant paintings of Hu County, the worker paintings of Shanghai, Yangquan and Lv-Da, and denouncement on those Black-Paintings. A part of workers and peasants joined in creating groups, and many comment articles by collective effort appeared during that time which brought a great influence on the art criticisms at the beginning of Reform and Open-up time.
引文
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[2]张作民.《毛主席去安源》之谜[N].中国文化报,1993-01-22.
[3]丘峥.新的人物,新的世界——《户县农民画展》观后[J].广西文艺,1974,(4):62.
[4]天健.红心彩笔绘英雄——向户县农民画学习[J].广东文艺,1974,(6):10-11.
[5]上海市工人文化宫.工农兵是文艺革命的主力军[N].人民日报,1974-11-06.
[6]新华社1974年12月2日讯[Z].转引自http://www.71.cn/2012/0411/550688.shtml.
[7]枫林.警惕黑画出笼[J].宁夏文艺,1974,(3):59.
[8]王金荣.《女史箴图》是宣扬孔孟之道的黑画[J].天津文艺,1975,(1):75.
[9]联系实际狠批“克己复礼”,坚决反击文艺黑线回潮,北京饭店党委带领广大职工联系出现黑画、坏画的问题深入批林批孔[N].北京日报,1974-04-05.
[10]曾华.共产主义的理想不容诋毁[N].人民日报,1974-04-07.
[11]毛泽东.毛泽东选集.第五卷[M].北京:人民出版社,1977:427-429.
[12]吕澎.中国当代美术史[M].杭州:中国美术学院出版社,2013:150.
[13]金维诺.唐代西州墓中的绢画[J].文物,1975,(10):42.
[14]山西省阳泉市工人美术评论组.在斗争中学,在斗争中画[N].人民日报,1974-11-06.
[15]黄笃维.要热情地歌颂无产阶级文化大革命——评国画《长征日记》[J].广东文艺,1974,(1):32.
[16]刘春华.歌颂伟大领袖毛主席是我们最大的幸福[N].人民日报,1968-07-07.
[17]毛泽东文艺思想取得又一光辉胜利,开辟了无产阶级雕塑艺术的新时代,首都广大工农兵热情赞扬大型泥塑群像《收租院》[N].人民日报,1966-07-12.
[18]昂首阔步登文坛,艺术史上写新篇——我省部分工农兵盛赞“上海、阳泉、旅大工人画展览”[N].陕西日报,1975-04-16.
[19]人民美术出版社大批判组.包藏在连环画《反击》中的祸心[J].美术,1976,(5):31.