VR全景动画的视觉特征刍议
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摘要
以Google Spotlight Story为代表的全景动画拓展的并非是动画概念而是与影像、视觉相关的概念。全景动画通过视域、视角的变化提升沉浸感,通过参与性改变人们欣赏故事片的习惯,同时也通过镜头语言的变化改变内容创作者设计故事的思路与方式,在诸多方面颠覆人们对传统动画影像的看法。
The panoramic animation represented by Google Spotlight Story does not expand the concept of animation but that of video and vision. It enhances the sense of immersion through changes of the visual field and the perspective, changes peopleʼs habit of viewing feature films through involvements, and also changes the way and method of making stories through changes of the lens language. Thus, it subverts the view on traditional animation images in many ways.
The panoramic animation represented by Google Spotlight Story does not expand the concept of animation but that of video and vision. It enhances the sense of immersion through changes of the visual field and the perspective, changes peopleʼs habit of viewing feature films through involvements, and also changes the way and method of making stories through changes of the lens language. Thus, it subverts the view on traditional animation images in many ways.
引文
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[2] 黄文杰.从“画框论”、“窗户论”、“镜像论”的演进看电影理论的发展[J].电影评介,2010(9):58.
[3] 张梦雨,黄心渊.基于移动设备的全景影片交互叙事研究:以Google Spotlight Stories影片Buggy Night为例[J].当代电影,2017(5):133.
[4] 王楠,廖祥忠.建构全新审美空间:VR电影的沉浸阈分析[J].当代电影,2017(12):117.
[5] VR心潮S-Tech.“沉浸感”的黑暗面:VR暴力游戏更易引发攻击性行为?[EB/OL].(2017-04-29)[2018-01-15].http://vrr.blogchina.com/926768185.html.
[6] 林菁菁,尚垒,王熙靖,等.讲故事:从文字到VR[N].中国艺术报,2016-06-17(S04).
[7] 刘书亮.对于谷歌的全景动画应用,我想说的一切都在这里了[EB/OL].(2016-08-14)[2018-01-15].https://wx.abbao.cn/a/2035-9e06e13af5445ac9.html.
[8] 徐振东.动画电影《西游记之大圣归来》热潮引发的思考[J].浙江科技学院学报,2016,28(4):284.
[9] 于洋.浅谈视觉心理学[J].西部广播电视,2016(5):88.
[10] 刘书亮.移动端自由视角全景影片的美学形态分析:以Google Spotlight Stories的四部影片为例[J].现代电影技术,2016(5):24.
[11] 黄石.虚拟现实电影的镜头与视觉引导[J].当代电影,2016(12):121.
[12] 立体电影.百度百科[EB/OL].[2018-01-15].https://baike.baidu.com/item/立体电影/241152 fr=aladdin.
[13] 李怀骥.主体的终结:VR艺术的游戏性体验[J].东方艺术,2010(21):108.
[14] 王峰.虚拟现实:技术与艺术相结合[N].中国社会科学报,2017-04-10(006).