辛亥革命中上海戏剧界的社会表演
|
摘要
"表演"不仅仅是艺术范畴内众人皆知的"表演",虽然在传统上它和戏剧艺术有关,但同时它也是日常生活的一个重要组成部分,在社会生活中加入"他者"这一向度,"表演"的含义便具有了社会学的含义。纵观辛亥革命时期上海的戏剧界,当时的戏剧艺人不仅在舞台上表演,同时亲身参加革命,把表演的范围扩展到了整个社会。除此之外,这种社会表演还体现在顺应时势地编演新剧以及期望得到政治人物的好感来提升自己的地位。
"Performing" is not only a well-known "performance" in the field of art, although it is traditionally related to theatrical art, but it is also an important part of daily life.To add the dimension of "the other" into social life, the meaning of "performing" has a sociological meaning.Throughout the theatrical circles of Shanghai during the 1911 Revolution, theatrical artists at that time not only performed on the stage, but also participated in the revolution personally, which extended the scope of performance to the whole society.In addition, this kind of social performance is also reflected in compiling new plays to adapt to the current situation and expecting to be favored by politicians to improve their status.
"Performing" is not only a well-known "performance" in the field of art, although it is traditionally related to theatrical art, but it is also an important part of daily life.To add the dimension of "the other" into social life, the meaning of "performing" has a sociological meaning.Throughout the theatrical circles of Shanghai during the 1911 Revolution, theatrical artists at that time not only performed on the stage, but also participated in the revolution personally, which extended the scope of performance to the whole society.In addition, this kind of social performance is also reflected in compiling new plays to adapt to the current situation and expecting to be favored by politicians to improve their status.
引文
[1] [英]休·莫里森.表演技巧[M].胡博译.北京:中国戏剧出版社,2003.
[2] [美]理查德·谢克纳.什么是人类表演学[J].戏剧艺术,2004,(5).
[3] Richard Schechner.Performance Studies[M],New York:Routledge,2002.
[4] Victor Turner.The Anthropology of Performance[M],New York:PAJ publications,1987.
[5] 徐半梅.话剧创始期回忆录[M].北京:中国戏剧出版社,1957.
[6] 辛亥革命湖北人物传资料选编[M].武汉:湖北省档案馆档案资料编辑室,湖北省地方志办公室资料室同编,1983.
[7] 民立报,1912-03-01.
[8] 钝根.新戏评[N].申报,1912-03-22.
[9] 民立报,1912-03-26.
[10]王凤霞.文明戏考论[M].广州:广东高等教育出版社,2011.
[11]钝根.七八本之鄂州血[N].申报,1912-7-23.
[12]任天知编.共和万岁[A].中国早期话剧选[C].北京:中国戏剧出版社,1989.
[13]行严.共和[N].民立报,1912-02-27.
[14]申报,1912-07-15.
[15]民立报,1912-04-17.
[16]沈云荪.新舞台与改良京剧[A],南市文史资料选辑·第3辑纪念上海建城七百周年[C].
[17]林道源.上海职业话剧的起源[A].上海市文史馆,上海市人民政府参事室文史资料工作委员会编.上海地方史资料(五)[C].上海:上海社会科学院出版社,1986。
[2] [美]理查德·谢克纳.什么是人类表演学[J].戏剧艺术,2004,(5).
[3] Richard Schechner.Performance Studies[M],New York:Routledge,2002.
[4] Victor Turner.The Anthropology of Performance[M],New York:PAJ publications,1987.
[5] 徐半梅.话剧创始期回忆录[M].北京:中国戏剧出版社,1957.
[6] 辛亥革命湖北人物传资料选编[M].武汉:湖北省档案馆档案资料编辑室,湖北省地方志办公室资料室同编,1983.
[7] 民立报,1912-03-01.
[8] 钝根.新戏评[N].申报,1912-03-22.
[9] 民立报,1912-03-26.
[10]王凤霞.文明戏考论[M].广州:广东高等教育出版社,2011.
[11]钝根.七八本之鄂州血[N].申报,1912-7-23.
[12]任天知编.共和万岁[A].中国早期话剧选[C].北京:中国戏剧出版社,1989.
[13]行严.共和[N].民立报,1912-02-27.
[14]申报,1912-07-15.
[15]民立报,1912-04-17.
[16]沈云荪.新舞台与改良京剧[A],南市文史资料选辑·第3辑纪念上海建城七百周年[C].
[17]林道源.上海职业话剧的起源[A].上海市文史馆,上海市人民政府参事室文史资料工作委员会编.上海地方史资料(五)[C].上海:上海社会科学院出版社,1986。