丝绸之路文化影响下联珠纹的形式流变
|
摘要
在丝绸之路文化的影响下,联珠纹闪烁着独特的异域风格。联珠纹的形式特点一直以来都颇受学者们的关注,对相关文献进行梳理归纳,发现对联珠纹的形式特点缺乏系统的研究。文章试图以联珠纹织物为载体,以南北朝、隋、初唐、盛唐为时间顺序,分别从联珠纹的联珠圈、主辅纹样和织造工艺这三个方面的变化来分析丝绸之路文化影响下联珠纹的形式特点发展,试图总结出联珠纹由"西域"到"中土"发展变化的形式特征。
Under the influence of the Silk Road culture,the linked-pearl pattern shows the unique exotic style. The form characteristics of linked-pearl pattern have always been concerned popularly. Through organizing and summarizing the reported literatures about the linked-pearl pattern,the author has found the lack of systematical researches on the form characteristics of linked-pearl pattern. The article attempts to take the fabric with linked-pearl pattern as the carrier,uses the Southern and Northern dynasty,Sui,early Tang,and the glorious period of Tang for the development time to analyze form characteristics of linked-pearl pattern under the influence of Silk Road culture respectively from three aspects: the linked-pearl circle,principal and complementary patterns,and weaving process.In addition,this article tries to summarize the development change features of form characteristics of the linked-pearl pattern from "West Region"to the "central China".
Under the influence of the Silk Road culture,the linked-pearl pattern shows the unique exotic style. The form characteristics of linked-pearl pattern have always been concerned popularly. Through organizing and summarizing the reported literatures about the linked-pearl pattern,the author has found the lack of systematical researches on the form characteristics of linked-pearl pattern. The article attempts to take the fabric with linked-pearl pattern as the carrier,uses the Southern and Northern dynasty,Sui,early Tang,and the glorious period of Tang for the development time to analyze form characteristics of linked-pearl pattern under the influence of Silk Road culture respectively from three aspects: the linked-pearl circle,principal and complementary patterns,and weaving process.In addition,this article tries to summarize the development change features of form characteristics of the linked-pearl pattern from "West Region"to the "central China".
引文
[1]薄小莹.吐鲁番地区发现的联珠纹织物[C]//纪念北京大学考古专业三十周年论文集.1952:311-340.BO Xiaoying.On fabrics decorated with string beads in Tulufan area[C]//To Commemorate the Beijing University Professional 30th Anniversary on Archaeology.1952:311-340.
[2]尚刚.风从西方来:初论北朝工艺美术中的西方因素[J].装饰,2003(5):30-31.SHANG Gang.Wind from west:preliminary discussion on the western elements in arts and crafts during the North dynasty[J].ZHUANGSHI,2003(5):30-31.
[3]尚刚.从联珠圈纹到写实花鸟:隋唐五代丝绸装饰主题的演变[C]//汕头大学长江艺术与设计学院,清华大学美术学院.“岁寒三友-诗意的设计”:两岸三地中国传统图形与现代视觉设计学术研讨会论文集.2004:26.SAHNG Gang.Realistic painting of flowers and from the linked-pearl pattern:the evolution of the Sui Tang Five dynasties silk adornment theme[C]//Cheung Kong School of Art&Design,Shantou University,Academy of Arts&Design,Tsinghua University.“Three Friends of Winter-the Design of the Poetic”:Chinese Traditional Graphic and Modern Visual Design Academic Symposium Proceedings about Three Places of Two Sides.2004:26.
[4]田自秉,吴淑生,田青.中国纹样史[M].北京:高等教育出版社,2003(8):247-282.TIAN Zibing,WU Shusheng,TIAN Qing.History of China’s Grain Appearance[M].Beijing:Higher Education Press,2003(8):247-282.
[5]赵丰.中国丝绸艺术史[M].北京:文物出版社,2015(6):144.ZHAO Feng.The History of Chinese Silk Art[M].Beijing:Cultural Relics Press,2015(6):144.
[6]扬之水.“曾有西风半点香”:对波纹源流考[J].敦煌研究,2010(4):1-8.YANG Zhishui.A study of a fashionable decorations:pattern design of confronting and twisted-grass design[J].Dunhuang Research,2010(4):1-8.
[7]赵丰,齐东方.锦上胡风:丝绸之路纺织品上的西方影响(4—8世纪)[M].上海:上海古籍出版社,2011:31-115.ZHAO Feng,QI Dongfang.New Design with Western Influence on the Textiles of Silk Road From 4th Century to8th Century[M].Shanghai:Shanghai Chinese Classics Publishing House,2011:31-115.
[8]徐铮,赵丰.锦上胡风:丝绸之路魏唐纺织品上的西方影响[J].收藏家,2010(1):41-46.XU Zheng,ZHAO Feng.Exhibition of“Jinshanghufeng”:new design with western influence on the textiles of silk road from 4th century to 8th century[J].Collectors,2010(1):41-46.
[9]顾萍,王芳超,林泽洋.联珠纹与宝相花、团花纹样文化内涵流变考[J].中国艺术时空,2016(1):16-23.GU Ping,WANG Fangchao,LIN Zeyang.The cultural connotation of the rheological test of the linked-pearl pattern,po-phase flowers and flower mission[J].Chinese Art Space and Time,2016(1):16-23.
[10]高山.从唐联珠猪头纹锦看联珠纹样发展过程中的装饰演变[J].四川丝绸,2008(1):47-50.GAO Shan.Looking the development of the linked-pearl pattern decoration evolution from Tang linked-pearl pattern on the head of pig wen jin[J]Sichuan Silk,2008(1):47-50.
[11]尚刚.吸收与改造:六至八世纪的中国联珠圈纹织物与其启示[J].创意设计源,2009(2):22-27.SHANG Gang.Assimilation and transformation:what does the ancient Chinese pearling fabric reveal[J].Idea&Design,2009(2):22-27.
[12]新疆维吾尔自治区博物馆.丝绸之路:汉唐织物[M].北京:文物出版社,1973:4-5.The Xinjiang Uygur Autonomous Region Museum.The Silk Road:Han and Tang Dynasties Fabric[M].Beijing:Cultural Relics Press,1973:4-5.
[13]竺敏.吐鲁番新发现的古代丝绸[J].考古,1972(2):28-31,73-78.ZHU Min.Turpan newly discovered ancient silk[J].Archaeology,1972(2):28-31,73-78.
[14]赵丰,金琳.纺织考古[M].北京:文物出版社,2007(1):127.ZHAO Feng,JIN Lin.Textile Archaeology[M].Beijing:Cultural Relics Press,2007(1):127.
[15]韩颖,张毅.丝绸之路打通前后联珠纹的起源与流变[J].丝绸,2017,54(2):61-66.HAN Ying,ZHANG Yi.The origin and evolution of the linked-pearl pattern before and after the silk road[J].Journal of Silk,2017,54(2):61-66.
[2]尚刚.风从西方来:初论北朝工艺美术中的西方因素[J].装饰,2003(5):30-31.SHANG Gang.Wind from west:preliminary discussion on the western elements in arts and crafts during the North dynasty[J].ZHUANGSHI,2003(5):30-31.
[3]尚刚.从联珠圈纹到写实花鸟:隋唐五代丝绸装饰主题的演变[C]//汕头大学长江艺术与设计学院,清华大学美术学院.“岁寒三友-诗意的设计”:两岸三地中国传统图形与现代视觉设计学术研讨会论文集.2004:26.SAHNG Gang.Realistic painting of flowers and from the linked-pearl pattern:the evolution of the Sui Tang Five dynasties silk adornment theme[C]//Cheung Kong School of Art&Design,Shantou University,Academy of Arts&Design,Tsinghua University.“Three Friends of Winter-the Design of the Poetic”:Chinese Traditional Graphic and Modern Visual Design Academic Symposium Proceedings about Three Places of Two Sides.2004:26.
[4]田自秉,吴淑生,田青.中国纹样史[M].北京:高等教育出版社,2003(8):247-282.TIAN Zibing,WU Shusheng,TIAN Qing.History of China’s Grain Appearance[M].Beijing:Higher Education Press,2003(8):247-282.
[5]赵丰.中国丝绸艺术史[M].北京:文物出版社,2015(6):144.ZHAO Feng.The History of Chinese Silk Art[M].Beijing:Cultural Relics Press,2015(6):144.
[6]扬之水.“曾有西风半点香”:对波纹源流考[J].敦煌研究,2010(4):1-8.YANG Zhishui.A study of a fashionable decorations:pattern design of confronting and twisted-grass design[J].Dunhuang Research,2010(4):1-8.
[7]赵丰,齐东方.锦上胡风:丝绸之路纺织品上的西方影响(4—8世纪)[M].上海:上海古籍出版社,2011:31-115.ZHAO Feng,QI Dongfang.New Design with Western Influence on the Textiles of Silk Road From 4th Century to8th Century[M].Shanghai:Shanghai Chinese Classics Publishing House,2011:31-115.
[8]徐铮,赵丰.锦上胡风:丝绸之路魏唐纺织品上的西方影响[J].收藏家,2010(1):41-46.XU Zheng,ZHAO Feng.Exhibition of“Jinshanghufeng”:new design with western influence on the textiles of silk road from 4th century to 8th century[J].Collectors,2010(1):41-46.
[9]顾萍,王芳超,林泽洋.联珠纹与宝相花、团花纹样文化内涵流变考[J].中国艺术时空,2016(1):16-23.GU Ping,WANG Fangchao,LIN Zeyang.The cultural connotation of the rheological test of the linked-pearl pattern,po-phase flowers and flower mission[J].Chinese Art Space and Time,2016(1):16-23.
[10]高山.从唐联珠猪头纹锦看联珠纹样发展过程中的装饰演变[J].四川丝绸,2008(1):47-50.GAO Shan.Looking the development of the linked-pearl pattern decoration evolution from Tang linked-pearl pattern on the head of pig wen jin[J]Sichuan Silk,2008(1):47-50.
[11]尚刚.吸收与改造:六至八世纪的中国联珠圈纹织物与其启示[J].创意设计源,2009(2):22-27.SHANG Gang.Assimilation and transformation:what does the ancient Chinese pearling fabric reveal[J].Idea&Design,2009(2):22-27.
[12]新疆维吾尔自治区博物馆.丝绸之路:汉唐织物[M].北京:文物出版社,1973:4-5.The Xinjiang Uygur Autonomous Region Museum.The Silk Road:Han and Tang Dynasties Fabric[M].Beijing:Cultural Relics Press,1973:4-5.
[13]竺敏.吐鲁番新发现的古代丝绸[J].考古,1972(2):28-31,73-78.ZHU Min.Turpan newly discovered ancient silk[J].Archaeology,1972(2):28-31,73-78.
[14]赵丰,金琳.纺织考古[M].北京:文物出版社,2007(1):127.ZHAO Feng,JIN Lin.Textile Archaeology[M].Beijing:Cultural Relics Press,2007(1):127.
[15]韩颖,张毅.丝绸之路打通前后联珠纹的起源与流变[J].丝绸,2017,54(2):61-66.HAN Ying,ZHANG Yi.The origin and evolution of the linked-pearl pattern before and after the silk road[J].Journal of Silk,2017,54(2):61-66.