论陈子龙与七子诗学
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摘要
陈子龙的诗学思想,前人多论其"复古",其创新方面多被人忽略。陈子龙在继承"复古"诗学的基础上,原本七子,自出精神。陈子龙一方面重倡七子诗学,改变了当时诗坛尚奇求异的不良创作风气,对恢复诗歌风雅传统起到了重要作用。另一方面他有着自觉的诗学批判意识,秉承何景明"力主创造"之精神,以现实主义手法写时事政治、民生疾苦,使其叙事诗具"诗史"特征。陈子龙也有着自觉的诗歌文体创新意识,大力提倡歌行诗创作,对"云间派"歌行的形成和清初歌行的兴盛产生了重要影响。
Predecessors often considered CHEN Zi-long 's poetic theory to be revivalism and ignored his innovation.Chen Zi-long carried forward the"revival"poetic theory and made independent innovations out of the poetic school of the seven poets. Advocating this poetic theory, he changed the pursuit of the queer style in poetic creation at that time, which played an important role in restoring the tradition of poetic elegance. On the other hand, he developed consciously a critical poetic awareness. Carrying on the spirit of"striving for creation"proposed by HE Jing-ming,he created poems on the current political affairs and the plight of people and managed realistically to present his narrative poetry imbued with the"epic"feature. CHEN Zi-long also was aware of poetic style innovation and vigorously advocated the creation of Gexing(song like) style peoms, which produced an important influence on the formation of the "Yunjian School" and the prosperity of Gexing poems in the early Qing Dynasty.
Predecessors often considered CHEN Zi-long 's poetic theory to be revivalism and ignored his innovation.Chen Zi-long carried forward the"revival"poetic theory and made independent innovations out of the poetic school of the seven poets. Advocating this poetic theory, he changed the pursuit of the queer style in poetic creation at that time, which played an important role in restoring the tradition of poetic elegance. On the other hand, he developed consciously a critical poetic awareness. Carrying on the spirit of"striving for creation"proposed by HE Jing-ming,he created poems on the current political affairs and the plight of people and managed realistically to present his narrative poetry imbued with the"epic"feature. CHEN Zi-long also was aware of poetic style innovation and vigorously advocated the creation of Gexing(song like) style peoms, which produced an important influence on the formation of the "Yunjian School" and the prosperity of Gexing poems in the early Qing Dynasty.
引文
[1]朱庭珍.筱园诗话[M]//郭绍虞.清诗话续编.上海:上海古籍出版社,1983.
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[3]刘勇刚.论陈子龙诗歌[J].中国韵文学刊,2011(4):24-30.
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[8]宋琬.安雅堂全集[M].上海:上海古籍出版社,2007.
[9]汪辟疆.汪辟疆说近代诗[M].上海:上海古籍出版社,2001:2.
[10]沈德潜.说诗晬语[M]//王夫之等.清诗话.上海:上海古籍出版社,1978:547.
[11]陈子龙.陈子龙诗集[M].上海:上海古籍出版社,2006.
[12]吴伟业.吴伟业全集[M].上海:上海古籍出版社,1990:1087.
[13]陈子龙,李雯,宋征舆.皇明诗选[M].上海:华东师范大学出版社,1991.
[14]沈德潜.明诗别裁集[M].石家庄:河北人民出版社,1997.
[15]严迪昌.清诗史[M].杭州:浙江古籍出版社,2002.
[16]陈子龙.陈子龙文集[M].上海:华东师范大学出版社,1988.
[17]叶燮.原诗[M]//王夫之等.清诗话.上海:上海古籍出版社,1978.
[18]何景明.何大复集[M].郑州:中州古籍出版社,1989.
[19]袁枚.随园诗话[M].北京:人民文学出版社,1982.
[20]陈维崧.湖海楼诗集[M]//陈维崧.湖海楼全集.扬州:江苏广陵古籍刻印社,1989.
[21]王士禛.香祖笔记[M]//王士禛.王士禛全集.济南:齐鲁书社,2007:4484.
(1)姜克滨《“诗史”中的雄浑之笔——论陈子龙歌行体叙事诗》,《江苏师范大学学报》,2018年第4期,第43-49页。
[2]朱则杰.明诗的光辉终结——略论陈子龙的诗[J].苏州大学学报,1983(2):135-139.
[3]刘勇刚.论陈子龙诗歌[J].中国韵文学刊,2011(4):24-30.
[4]张廷玉等.明史[M].北京:中华书局,1974.
[5]宋犖.漫堂说诗[M]//王夫之等.清诗话.上海:上海古籍出版社,1978:420.
[6]朱彝尊.明诗综[M].北京:中华书局,2007:3697.
[7]朱彝尊.静志居诗话[M].北京:人民文学出版社,1990.
[8]宋琬.安雅堂全集[M].上海:上海古籍出版社,2007.
[9]汪辟疆.汪辟疆说近代诗[M].上海:上海古籍出版社,2001:2.
[10]沈德潜.说诗晬语[M]//王夫之等.清诗话.上海:上海古籍出版社,1978:547.
[11]陈子龙.陈子龙诗集[M].上海:上海古籍出版社,2006.
[12]吴伟业.吴伟业全集[M].上海:上海古籍出版社,1990:1087.
[13]陈子龙,李雯,宋征舆.皇明诗选[M].上海:华东师范大学出版社,1991.
[14]沈德潜.明诗别裁集[M].石家庄:河北人民出版社,1997.
[15]严迪昌.清诗史[M].杭州:浙江古籍出版社,2002.
[16]陈子龙.陈子龙文集[M].上海:华东师范大学出版社,1988.
[17]叶燮.原诗[M]//王夫之等.清诗话.上海:上海古籍出版社,1978.
[18]何景明.何大复集[M].郑州:中州古籍出版社,1989.
[19]袁枚.随园诗话[M].北京:人民文学出版社,1982.
[20]陈维崧.湖海楼诗集[M]//陈维崧.湖海楼全集.扬州:江苏广陵古籍刻印社,1989.
[21]王士禛.香祖笔记[M]//王士禛.王士禛全集.济南:齐鲁书社,2007:4484.
(1)姜克滨《“诗史”中的雄浑之笔——论陈子龙歌行体叙事诗》,《江苏师范大学学报》,2018年第4期,第43-49页。