异形空间王子青年设计家夏春怀创作特点探析——当代湖湘十大优秀青年设计家研究系列
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摘要
以湖湘文化和新美学经济背景下研究青年设计家夏春怀的异形空间作品特色为目的;通过人物访谈、实地调研以及相关资料及作品分析,揭示了夏春怀异形空间作品的三个特点,即新技术的运用、新形态的融合以及新仿生的创意;夏春怀最早开始研究3D扫描和打印并运用到异形空间及雕塑创作领域,他深受解构主义流派的影响,用非线性设计和仿生手法来创造异形空间和艺术家具,被誉为异形空间的王子;探析夏春怀先生的创作特点,既能从中梳理湖南青年设计师的创作现状与特色,也能从理论上填补对湖南本土设计师研究的空白。
Under the background of Huxiang culture and new aesthetic economy, the characteristics of the young designer--Xia Chunhuai's special-shaped space works is studied; Through interviews, field research and related materials and works analysis, the three characteristics of Xia Chunhuai's special-shaped space works are revealed, namely the new technology application, the fusion of new forms and the idea of new bionics; Xia Chunhuai was the first to study 3 D scanning and printing and applied it to the field of special-shaped space and sculpture creation. He was deeply influenced by the deconstruction genre, using nonlinear design and bionics to create special-shaped space, known as the prince in the special-shaped space; To explore the creative characteristics of Xia Chunhuai, can not only comb the cultural status and characteristics of young designers in Hunan, but also theoretically fill the gap in the study of local designers in Hunan.
Under the background of Huxiang culture and new aesthetic economy, the characteristics of the young designer--Xia Chunhuai's special-shaped space works is studied; Through interviews, field research and related materials and works analysis, the three characteristics of Xia Chunhuai's special-shaped space works are revealed, namely the new technology application, the fusion of new forms and the idea of new bionics; Xia Chunhuai was the first to study 3 D scanning and printing and applied it to the field of special-shaped space and sculpture creation. He was deeply influenced by the deconstruction genre, using nonlinear design and bionics to create special-shaped space, known as the prince in the special-shaped space; To explore the creative characteristics of Xia Chunhuai, can not only comb the cultural status and characteristics of young designers in Hunan, but also theoretically fill the gap in the study of local designers in Hunan.
引文
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[3]李俊.数字时代下3D打印技术在雕塑中的应用研究[J].设计,2015(05):115.
[4]刘璟.动态形式背后的理性思维——浅析扎哈·哈迪德的非线性建筑语言及其内在的生成逻辑[J].建筑与文化,2016(01):134-135.
[5]赵明娟,巴胜超,袁超.产品形态仿生设计中形态提炼手法探析[J].重庆科技学院学报(社会科学版),2016(11):97.
[6]陈威.基于仿生学理论的休闲座椅设计研究究[J].大众文艺,2016(14):122.