论晚清民国耆宿陈诗主要交游与诗风嬗变
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摘要
陈诗是晚清民国重要的皖籍诗人,自幼年归乡后初学渔洋,更宗中晚,随吴保德、吴保初兄弟学诗,并得王尚辰指点。光绪二十六年入沪后,陈诗与文廷式、郑孝胥、陈三立、夏寿田、冒广生、朱祖谋、夏敬观、陈衍等一批坛坫名流交往密切,诗风发生变化,不盲目模仿前人,得以自立。在与同光诸家的交游过程中,陈诗又能摆脱明代以及清中期格调派以来那种意图效仿唐人却落入窠臼的习气,自成一格,在当时诗坛卓然自立一家。
Chen Shi was an important Anhui poet in the late Qing dynasty and the Republic of China. He was firstly taught by Yuyang, the well-known poet Wang Shi-zhen in his time. Later, he turned to learn poetics from the brothers Wu Bao-de and Wu Bao-chu, and in the meantime was instructed by Wang Shang-chen. After moving to Shanghai in the year 1900, Chen Shi began to make social intercourses with a number of poetic celebrities, and his poetic style became independent from the simple imitation of the predecessors. During the social intercourse with those of the Tongguang school, Chen Shi shook off the bad practice of the inferior imitating the examples of the Tang dynasty since Ming and mid-Qing dynasties. He formed his distinct poetic style and became outstanding at that time.
Chen Shi was an important Anhui poet in the late Qing dynasty and the Republic of China. He was firstly taught by Yuyang, the well-known poet Wang Shi-zhen in his time. Later, he turned to learn poetics from the brothers Wu Bao-de and Wu Bao-chu, and in the meantime was instructed by Wang Shang-chen. After moving to Shanghai in the year 1900, Chen Shi began to make social intercourses with a number of poetic celebrities, and his poetic style became independent from the simple imitation of the predecessors. During the social intercourse with those of the Tongguang school, Chen Shi shook off the bad practice of the inferior imitating the examples of the Tang dynasty since Ming and mid-Qing dynasties. He formed his distinct poetic style and became outstanding at that time.
引文
[1]陈诗.陈诗诗集[M].徐成志,王思豪,编校.合肥:黄山书社,2010.
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[5]汪辟疆.光宣诗坛点将录笺证[M].王培军,笺证.北京:中华书局,2008.
[6]陈诗.尊瓠室诗话[M]//民国诗话丛编.上海:上海书店,2002.
[7]潇潇.时代与地域:文人并称视域下的“庐阳三怪”[J].合肥学院学报(社会科学版),2014,(5):16-21.
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[24]廖太燕.民国旧式文人“润例”谈[J].书屋,2012,(9):36-40.
[2]陈诗.庐江诗隽[M].民国十年排印本.
[3]袁行云.清人诗集叙录[M].北京:文化艺术出版社,1994.
[4]王培军,庄际虹.校辑近代诗话九种[M].上海:上海古籍出版社,2013.
[5]汪辟疆.光宣诗坛点将录笺证[M].王培军,笺证.北京:中华书局,2008.
[6]陈诗.尊瓠室诗话[M]//民国诗话丛编.上海:上海书店,2002.
[7]潇潇.时代与地域:文人并称视域下的“庐阳三怪”[J].合肥学院学报(社会科学版),2014,(5):16-21.
[8]钱仲联.中国近代文学大系·诗词集[M].上海:上海书店,1991.
[9]文廷式.文廷式集[M].北京:中华书局,1993.
[10]冒怀苏.冒鹤亭先生年谱[M].上海:学林出版社,1998.
[11]钱仲联.钱仲联讲论清诗[M].魏中林,整理.苏州:苏州大学出版社,2004.
[12]钱基博.钱基博现代中国文学史[M].长春:吉林人民出版社,2013.
[13]王揖唐.今传是楼诗话[M]//民国诗话丛编.上海:上海书店,2002.
[14]陈衍.近代诗钞述评[M]//陈衍诗论合集.福州:福建人民出版社,1999.
[15]汪辟疆.汪辟疆说近代诗[M].上海:上海古籍出版社,2001.
[16]钱仲联.梦苕庵论集[M].北京:中华书局,1993.
[17]钱仲联.梦苕庵诗话[M].济南:齐鲁书社,1986.
[18]陈谊.夏敬观年谱[M].合肥:黄山书社,2007.
[19]陈衍.石遗室诗话[M].北京:人民文学出版社,2004.
[20]郑逸梅.失代野乘[M].上海:新中书局,1948.
[21]俞明震.觚庵诗存[M].马亚中,校注.上海:上海古籍出版社,2008.
[22]王士禛.带经堂诗话[M].戴鸿森,校点.北京:人民文学出版社,2006.
[23]陈诗.皖雅初集[M].上海:上海美艺图书公司,1929.
[24]廖太燕.民国旧式文人“润例”谈[J].书屋,2012,(9):36-40.