近代精武体育会创始人陈铁生研究
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摘要
作为精武体育会创始人之一的陈铁生,其擅长于文学及精通音乐,在精武体育会的推广传播过程中,起着至关重要的作用。但时至今日,我们对其的了解还只是凤毛麟角。甚至在查阅有关陈铁生资料的过程中,连其生辰年月都不一致,更不用说对其进行专门的研究。文章通过文献资料法和逻辑分析法,查找民国时期陈铁生在精武体育会的相关信息,最终总结出陈铁生自出任精武体育会编辑,积极编著武术书籍。在精武会期间与武术技术相比较,陈铁生明显更倾向于理论方面。但他在强调武术演练有健身治病作用的同时,也夸大了武术的实用性。
As one of the founders of Jingwu Sports,Chen Tiesheng,who specializes in literature and proficient in music,plays a vital role in the promotion and dissemination of Jingwu Sports.But today,our understanding of it is only rare.Even in the process of access to information about Chen Tiesheng,even their birthday is inconsistent,let alone to its specialized research.This article through the literature and logical analysis method to find the Republic of China Chen Tiesheng in the fine martial arts sports information,and ultimately summed up Chen Tiesheng from the fine as the sports editor,actively writing martial arts books.In the martial arts period and martial arts technology compared to Chen Tiesheng obviously more inclined to the theoretical aspects.But he stressed that the martial arts exercise has a fitness treatment at the same time,but also exaggerated the practicality of martial arts.
As one of the founders of Jingwu Sports,Chen Tiesheng,who specializes in literature and proficient in music,plays a vital role in the promotion and dissemination of Jingwu Sports.But today,our understanding of it is only rare.Even in the process of access to information about Chen Tiesheng,even their birthday is inconsistent,let alone to its specialized research.This article through the literature and logical analysis method to find the Republic of China Chen Tiesheng in the fine martial arts sports information,and ultimately summed up Chen Tiesheng from the fine as the sports editor,actively writing martial arts books.In the martial arts period and martial arts technology compared to Chen Tiesheng obviously more inclined to the theoretical aspects.But he stressed that the martial arts exercise has a fitness treatment at the same time,but also exaggerated the practicality of martial arts.
引文
[1]容世诚.粤乐“八大曲”初析:戏曲清唱、珠江河调、广东汉剧[J].文化遗产,2016(3):9-15.
[2]郭裔.晚清民国时期的广东武术[M].广州:华南理工大学出版社,2013:155.
[3]陈铁生.体育相真,精武本纪[M].上海:中央精武体育会,1919:47.
[4]陈铁生.粤乐拉杂谈,精武本纪[M].上海:中央精武体育会,1919:116.
[5]程美宝.近代地方文化的跨地域性——20世纪二三十年代粤剧、粤乐和粤曲在上海[J].近代史研究,2007(2):1-17.
[6]陈铁生.上海中国精武体育会会员记名,精武本纪[M].上海:中央精武体育会,1919:180.
[7]陈铁生.大精武主义,精武本纪[M].上海:中央精武体育会,1919.
[8]陈铁生.运动会纪,精武本纪[M].上海:中央精武体育会,1919:21.
[9]陈铁生.盾墨餘瀋,精武本纪[M].上海:中央精武体育会,1919:139.
[10]陈铁生.国际大观[M].长沙:国技学会,1923.
[11]柯文(Paul A.Cohen).新文化运动与义和团,历史三调[M].杜继东,译.北京:社会科学文献出版社,2015:251-255.
[12]卢炜昌.新武化—我之拳术意见百则[J].中央杂志,1923(24):27-30.
[13]陈铁生.赠陈君铁生,精武本纪[M].上海:中央精武体育会,1919:157.
[14]仝秀兰,王小兵.广东近代武术文献发展研究初探[J].中华武术,2013(8):44-50.
[15]马廉祯.论现实视角下的近代“土洋体育之争”[J].体育科学,2011(2):76-84.
[2]郭裔.晚清民国时期的广东武术[M].广州:华南理工大学出版社,2013:155.
[3]陈铁生.体育相真,精武本纪[M].上海:中央精武体育会,1919:47.
[4]陈铁生.粤乐拉杂谈,精武本纪[M].上海:中央精武体育会,1919:116.
[5]程美宝.近代地方文化的跨地域性——20世纪二三十年代粤剧、粤乐和粤曲在上海[J].近代史研究,2007(2):1-17.
[6]陈铁生.上海中国精武体育会会员记名,精武本纪[M].上海:中央精武体育会,1919:180.
[7]陈铁生.大精武主义,精武本纪[M].上海:中央精武体育会,1919.
[8]陈铁生.运动会纪,精武本纪[M].上海:中央精武体育会,1919:21.
[9]陈铁生.盾墨餘瀋,精武本纪[M].上海:中央精武体育会,1919:139.
[10]陈铁生.国际大观[M].长沙:国技学会,1923.
[11]柯文(Paul A.Cohen).新文化运动与义和团,历史三调[M].杜继东,译.北京:社会科学文献出版社,2015:251-255.
[12]卢炜昌.新武化—我之拳术意见百则[J].中央杂志,1923(24):27-30.
[13]陈铁生.赠陈君铁生,精武本纪[M].上海:中央精武体育会,1919:157.
[14]仝秀兰,王小兵.广东近代武术文献发展研究初探[J].中华武术,2013(8):44-50.
[15]马廉祯.论现实视角下的近代“土洋体育之争”[J].体育科学,2011(2):76-84.