关注现实的美学——论王朝闻美学思想
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摘要
王朝闻以大半个世纪的艺术实践和学术思考,成就了他独树一帜的美学思想。王朝闻美学思想是运用马克思主义唯物辩证法研究20世纪特别是下半叶中国艺术和美学成功的典范,也是创造性地继承、发扬中国传统文艺理论的典范,王朝闻美学思想体系以审美关系为核心、以美的创造和欣赏为主干,由不同层面、不同维度相互依存、相互作用的关系(美学范畴)所组成,表现了以感悟为基础,从具体到抽象的思维方式,富于辩证精神和实践品格,并且以"寓教于乐"和"创造善于辨别美丑的大众"的美育为指归的鲜明特征。王朝闻美学思想在当今具有可资借鉴的学术价值和积极的社会现实意义。
According to the artistic practice and academic exploration for more than half a century, Wang Zhaowen developed his own aesthetic thinking. His aesthetic thinking is a successful model since Wang not only applied Marxism materialist dialectics to the research of Chinese art and aesthetics in 20 th century especially in the second but also inherited and promoted Chinese traditional theory of literature and art creatively. Taking the aesthetic relations as the core, the main part of Wang Zhaowen s aesthetic thinking system is the creation and appreciation of beauty, consisting of the interdependent and interactional connections(aesthetic category) between different levels or dimensions. There are some distinctive features of Wang's thinking system, such as the thinking mode from the concreteness to the abstraction based on the sentiment, the dialectical essence and practical quality and so on. In addition, his system is oriented to the aesthetic education,which would delight the masses and encourage them to become good at distinguishing between the beauty and ugliness. Today, Wang Zhaowen's aesthetic thinking still can be used for reference for its academic value and positive social realistic significance.
According to the artistic practice and academic exploration for more than half a century, Wang Zhaowen developed his own aesthetic thinking. His aesthetic thinking is a successful model since Wang not only applied Marxism materialist dialectics to the research of Chinese art and aesthetics in 20 th century especially in the second but also inherited and promoted Chinese traditional theory of literature and art creatively. Taking the aesthetic relations as the core, the main part of Wang Zhaowen s aesthetic thinking system is the creation and appreciation of beauty, consisting of the interdependent and interactional connections(aesthetic category) between different levels or dimensions. There are some distinctive features of Wang's thinking system, such as the thinking mode from the concreteness to the abstraction based on the sentiment, the dialectical essence and practical quality and so on. In addition, his system is oriented to the aesthetic education,which would delight the masses and encourage them to become good at distinguishing between the beauty and ugliness. Today, Wang Zhaowen's aesthetic thinking still can be used for reference for its academic value and positive social realistic significance.
引文
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[3]王朝闻.王朝闻全集(第二卷)[M].青岛:青岛出版社,2019:61.
[4]王朝闻.王朝闻全集(第四卷)[M].青岛:青岛出版社,2019:374.
[5]王朝闻.王朝闻全集(第五卷)[M].青岛:青岛出版社,2019:93.
[6]王朝闻.王朝闻全集(第一卷)[M].青岛:青岛出版社,2019:115.
[7][8]王朝闻.王朝闻全集(第一卷)[M].青岛:青岛出版社,2019:116.
[9]王朝闻.王朝闻全集(第四卷)[M].青岛:青岛出版社,2019:120.
[10][17]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:19.
[11]王朝闻.王朝闻全集(第二十一卷)[M].青岛:青岛出版社,2019:380-381.
[12][18][47]王朝闻.王朝闻全集(第二十一卷)[M].青岛:青岛出版社,2019:385.
[13][14][20]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:40.
[15]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:41.
[16][19][29]王朝闻.王朝闻全集(第二十一卷)[M].青岛:青岛出版社,2019:388.
[21][22]文艺理论译丛编辑委员会.文艺理论译丛[J].1958(1).
[23]文艺理论译丛编辑委员会.文艺理论译丛[J].1958(2).
[24]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:41.
[25]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:563.
[26]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:378-380.
[27]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:381.
[28]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:380.
[30][44][48]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:22.
[31]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:5.
[32]王朝闻.王朝闻全集(第二十一卷)[M].青岛:青岛出版社,2019:229-230.
[33][34][35]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:23-24.
[36]王朝闻.王朝闻全集(第二十八卷)[M].青岛:青岛出版社,2019:102.
[37]恩格斯.反杜林论[M].北京:人民出版社,1971:20-21.
[38]列宁.列宁全集(第11卷)[M].北京:人民出版社,1986:111.
[39][40]王朝闻.王朝闻全集(第二十三卷)[M].青岛:青岛出版社,2019:253.
[41]王朝闻.王朝闻全集(第二十一卷)[M].青岛:青岛出版社,2019:391.
[42]王朝闻.王朝闻全集(第二十三卷)[M].青岛:青岛出版社,2019:253.
[43]王朝闻.王朝闻全集(第二十四卷)[M].青岛:青岛出版社,2019:558.
[45]王朝闻.王朝闻全集(第二十八卷)[M].青岛:青岛出版社,2019:104.
[46]王朝闻.王朝闻全集(第九卷)[M].青岛:青岛出版社,2019:20.