20世纪90年代以来新诗城市人形象抒写研究
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摘要
中国新诗自诞生以来,对城市人的书写主要表现为阶层化、阶级化、符号化和群体化等视角,20世纪90年代之后则逐渐呈现出多元、开放及审美现代性等特征。城市人的形象及变化不仅折射出诗人对待城市的审美态度,同时也隐含着诗人所处的时代文化、精神氛围,以及政治和经济状况。通过有效的抒情和表达,如实现他者风景化的同时避免廉价的赞美,将瞬间的视觉交往深化和形而上化,当代诗人不仅将他者塑造成新的城市风景和文学风景,同时融入了反思性和批判性的力量。
Since the birth of Chinese modern poetry, the imaging of urban residents in those poems used to be characterized by stratification, classification, symbolization and collectivization. After the 1990 s, however, more traits of pluralism, openness and aesthetic modernity have been manifested. Accordingly, the imaging of urban residents not only reflects the poets' aesthetic view towards the city, but also indicates the cultural background, zeitgeist and socio-political situations in which they find themselves. The poets resort to effective lyric expressions to portray the Other as landscape while avoiding cheap extolment and to deepen instantaneous visual communication by bringing them into the metaphysical realm. Contemporary poets have thus transformed the Other into new urban landscapes and literary landscapes while infusing their poetry with a reflective and critical thrust.
Since the birth of Chinese modern poetry, the imaging of urban residents in those poems used to be characterized by stratification, classification, symbolization and collectivization. After the 1990 s, however, more traits of pluralism, openness and aesthetic modernity have been manifested. Accordingly, the imaging of urban residents not only reflects the poets' aesthetic view towards the city, but also indicates the cultural background, zeitgeist and socio-political situations in which they find themselves. The poets resort to effective lyric expressions to portray the Other as landscape while avoiding cheap extolment and to deepen instantaneous visual communication by bringing them into the metaphysical realm. Contemporary poets have thus transformed the Other into new urban landscapes and literary landscapes while infusing their poetry with a reflective and critical thrust.
引文
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