The year 2016
marks the bicentennial anniversary of the pre
miere of “The Barber of Seville” by Gioachino
Rossini (1792–1868). This opera buffa, one of the
most renowned in the world, puts on stage a sharp criticis
m against the physicians of that ti
me in favour of e
mpiric healers, respectively represented by the doctor Bartolo and the barber Figaro.
Methods
The paper analysed both the opera by Rossini and the French comedy “Le Barbier de Séville” (1775) by Pierre Beaumarchais (1732–1799), on which the Italian composer based his own play.
Results
The unlearned barber Figaro is portrayed as a poor but wise guy, while his rival, the graduated doctor Bartolo, is defined as an arrogant and opulent old physician. Dr. Bartolo's incompetence, lack of skill and ignorance are evident in the works by Rossini and Beaumarchais. Both plays show empiric and unskilled medicine triumphs over academic medicine, which appears weak in its scientific concepts and corrupted by money.
Conclusions
Arrogance, presumption and carelessness among physicians are a danger nowadays as they have been for a couple of hundred years, since they may not only lead to misjudgement and errors, but also to an increase of alternative medicines and strange healing remedies.
