音乐听觉感知下钢琴演奏革新思路探析
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  • 英文篇名:Analysis on Innovative Ideas of Piano Performing under the Music Auditory Perception
  • 作者:付蓉华
  • 英文作者:Fu Ronghua;School of Music and Education, Chizhou University;
  • 关键词:音乐 ; 听觉感知 ; 钢琴演奏
  • 英文关键词:music;;auditory perception;;piano performing
  • 中文刊名:HHXY
  • 英文刊名:Journal of Heihe University
  • 机构:池州学院音乐与教育学院;
  • 出版日期:2018-06-25
  • 出版单位:黑河学院学报
  • 年:2018
  • 期:v.9;No.60
  • 语种:中文;
  • 页:HHXY201806082
  • 页数:2
  • CN:06
  • ISSN:23-1565/Z
  • 分类号:177-178
摘要
音乐听觉感知可分为内部感知与外部感知两类,是钢琴演奏与教学的基础乃至向导,不仅可促进艺术的再创作,还可有效提升学生综合素养。在音乐听觉感知下,需革新教学理念、创新教学手段、加强音乐感知,以促进技术与艺术的有机融合,利用学生音乐听觉感知能力的提升,最终提高其钢琴演奏技巧,促进钢琴演奏与教学的革新与发展。
        Music auditory perception can be divided into two categories: internal and external perception. It is the basis and even the guide of piano perfroming and piano teaching, because it can not only promote the artistic re-creation, but also effectively improve students' comprehensive quality. Under the music auditory perception, in order to promote the innovation and development of piano playing and teaching, there is a need to reform teaching concepts, to innovate teaching means, to strengthen the music perception, to promote the organic integration between playing techniques and the art, to improve the students' ability of music auditory perception, and eventually to improve their piano playing skills.
引文
[1]王秋弘.论新时期我国高等钢琴教育理念与教学方式的革新[J].沈阳大学学报:社会科学版,2016(4).
    [2]王亮.探析音乐听觉感知在钢琴演奏与教学中的重要作用[J].黄河之声,2016(23).
    [3]高华曼.音乐听觉在钢琴演奏中的作用分析[J].音乐探究,2014(12).
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